Maggie Yu and Ming-Wei Huang ᱨᱮᱱᱟᱜ Awakening In Nature ᱵᱟᱥᱟ ᱚᱲᱟᱜ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020
Awakening In Nature ᱵᱟᱥᱟ ᱚᱲᱟᱜ
Maggie Yu and Ming-Wei Huang ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: TMIDStudio
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#87279 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Awakening In Nature ᱵᱟᱥᱟ ᱚᱲᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱱᱚᱶᱟ ᱯᱨᱚᱡᱮᱠᱴ ᱫᱚ ᱵᱮᱱᱟᱣ ᱥᱟᱢᱟᱱ ᱠᱚ ᱨᱮᱭᱟᱜ ᱡᱚᱜᱟᱲ ᱛᱮ ᱫᱷᱟᱹᱨᱛᱤ ᱨᱩᱯ ᱵᱟᱵᱚᱛ ᱥᱟᱢᱟᱝ ᱫᱤᱥᱚᱢ ᱨᱮᱭᱟᱜ ᱥᱩᱱᱫᱚᱨ ᱪᱤᱛᱟᱹᱨ ᱩᱫᱩᱜ ᱮᱢᱟ᱾ ᱠᱩᱥᱤᱭᱟᱜ ᱥᱟᱢᱟᱱ ᱠᱚ ᱨᱮᱭᱟᱜ ᱛᱮᱭᱟᱨ ᱫᱚᱦᱚ ᱫᱚᱦᱚ ᱛᱮ, ᱥᱟᱦᱮᱫ ᱴᱷᱩᱢᱤᱫ ᱠᱚ ᱨᱮᱭᱟᱜ ᱞᱟᱜᱟᱣ ᱫᱚ ᱧᱮᱞ ᱨᱟᱹᱥᱠᱟᱹ ᱰᱷᱮᱨᱟᱣ ᱟ - ᱯᱟᱛᱷᱚᱨ ᱠᱷᱚᱱ ᱢᱟᱨᱵᱚᱞ, ᱦᱮᱸᱫᱮ ᱥᱟᱦᱮᱫ ᱠᱷᱚᱱ ᱴᱟᱤᱴᱟᱱᱤᱭᱚᱢ ᱢᱩᱰᱤ, ᱟᱨ ᱞᱟᱠᱲᱤ ᱨᱮᱭᱟᱜ ᱯᱟᱹᱛᱞᱟᱹ ᱯᱚᱨᱚᱛ ᱠᱷᱚᱱ ᱞᱟᱠᱲᱤ ᱴᱮᱵᱩᱞ ᱦᱟᱹᱵᱤᱡ; ᱱᱚᱶᱟ ᱫᱚ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱪᱚᱥᱢᱟ ᱛᱮ ᱢᱤᱫ ᱜᱮ ᱫᱷᱟᱹᱨᱛᱤ ᱨᱩᱯ ᱧᱮᱞ ᱞᱮᱠᱟ᱾ ᱱᱚᱶᱟ ᱯᱨᱚᱡᱮᱠᱴ ᱨᱮ, ᱵᱟᱪᱷᱟᱣ ᱠᱟᱱ ᱯᱷᱨᱮᱸᱪ ᱯᱷᱚᱨᱱᱤᱪᱚᱨ ᱫᱚ ᱯᱟᱪᱷᱮ ᱟᱨ ᱥᱟᱢᱟᱝ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱨᱟᱹᱥᱠᱟᱹ ᱥᱚᱢᱟᱱ ᱛᱮᱭᱟᱨ ᱮᱫᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Awakening In Nature ᱵᱟᱥᱟ ᱚᱲᱟᱜ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Awakening In Nature ᱵᱟᱥᱟ ᱚᱲᱟᱜ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This project brings out the appearance of the San-sui (landscape) using the exquisite selection of the building materials.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- This space is 178 square meters
- ᱴᱮᱜ ᱠᱚ
- Interior Design, Residential, House, Space, Zen
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- We use segmentation methods to create different visual perceptions of the stones, referring to the designated space functions. Integration of wood material in the study room represents a peaceful walk in the forest; the facade of the public space with marbles depicted being surrounded by mountains. Wood veneer, fluoric acid glass, iron pieces, and marble, also utilized throughout the entire space, which sustained the integrity of the design theme and ensure San-sui integration into the design.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- To materialize the abstract scenes from ancient Chinese arts by using modern design, the selection and usage of stone material become the main challenge. We have created a light and warm space for the project while incorporating a large area of stone in the design to present a coordinated and strong visual sense. Further in the design, the selections of different types of wood panels also enriched the expressions of the space and added a sense of softness and temperateness echoing to characteristics of the owner.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The whole project based on the affection of the owner to the Mother Nature, in an artistic interpretation way, or in short, Sansui. We selected natural materials and integrated the unprocessed simplicity and retained texture to the space. Further we used the ambient lighting to enhance the natural atmosphere, creating a space, allowing the owner and the guests to relax and refresh with imaginations.
- ᱯᱨᱮᱨᱚᱱᱟ
- The imagery of the San-sui (Landscape in Mandarin) has always been the standard of the aesthetics of the Orientals. It represents the perception of the mind state and the art taste. It is also the embodiment of the peace of mind.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in January 2018 and finished in June 2018 in Taipei,Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The installment of the iron pieces divides and enriches the visual extension, from stone to marble, from black iron to titanium plating, and from veneer to wooden table; it is like changing the lense and the focus depth of a beautiful landscape. In this project, we selected a distinctive French furniture to make a perfect balance of Western and Orientals, the heavy and the light.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- MAGGIE YU
HUANG MING WEI - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Moooten Studio
ᱥᱯᱚᱱᱥᱚᱨᱰ
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