Chin-Shu Chen ᱨᱮᱱᱟᱜ Love Symbol ᱵᱟᱹᱥᱟ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2020
Love Symbol ᱵᱟᱹᱥᱟ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ
Chin-Shu Chen ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Fe Design Company
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#88469 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Love Symbol ᱵᱟᱹᱥᱟ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱯᱩᱛᱷᱤ ᱚᱱᱚᱲ: ᱢᱟᱭᱟᱸ ᱥᱟᱸᱠᱮᱛ (Love Symbol) ᱛᱟᱭᱶᱟᱱ (Taiwan) ᱨᱮᱭᱟᱜ ᱛᱟᱭᱯᱮᱭ (Taipei) ᱨᱮ ᱢᱮᱱᱟᱜ ᱡᱟᱦᱟᱸ 150 ᱴᱷᱤᱠ ᱯᱷᱩᱴ ᱠᱷᱚᱸ ᱵᱟᱲᱟᱭ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟᱭ ᱾ ᱫᱷᱟᱱᱴᱮ ᱠᱚᱴᱷᱟ ᱨᱮᱭᱟᱜ ᱢᱩᱬᱩᱛ ᱵᱮᱵᱷᱟᱨ ᱴᱷᱚ ᱡᱟᱛᱟᱨ ᱢᱩᱢᱩᱨ ᱡᱚᱲᱟᱣ ᱠᱟᱱᱟ ᱠᱚᱠᱚ ᱛᱮᱲᱟᱜ ᱢᱟᱨᱵᱚᱞ ᱰᱷᱟᱺᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱱ ᱯᱩᱨᱵᱤ ᱥᱮᱨᱢᱟ ᱪᱤᱛᱟᱹᱨ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱵᱟᱦᱨᱮ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱴᱷᱮᱱ ᱛᱮ ᱦᱟᱹᱥᱩ ᱠᱟᱛᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱚᱱᱟ ᱰᱷᱤᱸᱨᱤ ᱴᱷᱚ ᱵᱟᱨᱟᱸᱰᱟ ᱛᱮ ᱦᱮᱸ ᱴᱷᱮᱱ ᱛᱮ ᱠᱟᱴᱴᱮᱡ ᱟᱠᱟᱱᱟ ᱾ ᱢᱩᱬᱩᱛ ᱵᱮᱵᱷᱟᱨ ᱴᱟᱲᱟᱨ ᱨᱮ, ᱢᱤᱫ ᱵᱩᱫ ᱴᱷᱟᱱ ᱨᱮ ᱟᱹᱯᱩ ᱦᱚᱲ ᱫᱚ ᱟᱛᱩ ᱨᱮᱭᱟᱜ ᱵᱟᱵᱟ ᱟᱨᱦᱚᱸ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱨᱮᱭᱟᱜ ᱫᱚᱨᱠᱟᱨ ᱠᱚᱣᱟ ᱠᱚ ᱫᱮᱠᱷᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱦᱮᱸ ᱨᱮ ᱫᱟᱨᱩ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ ᱫᱟᱭᱟ ᱟᱨᱦᱚᱸ ᱡᱟᱦᱟᱱ ᱟᱨ ᱟᱫᱤᱵᱟᱥᱤ ᱡᱟᱭᱜᱟ ᱠᱚ ᱦᱮᱸ ᱛᱮ ᱡᱚᱲᱟᱣ ᱠᱟᱛᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱟᱫᱤᱵᱟᱥᱤ ᱡᱟᱭᱜᱟ ᱴᱷᱚ ᱟᱹᱫᱷᱟ-ᱠᱷᱩᱞᱟ ᱠᱟᱱᱟ ᱟᱨ ᱡᱟᱦᱟᱱ ᱨᱮ ᱠᱩᱲᱤ ᱥᱤᱸᱜᱤ ᱫᱚ ᱛᱟᱦᱮᱸᱱ ᱟᱭᱚᱜᱼᱟ ᱾ ᱚᱱᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱚᱠᱟ ᱦᱟᱸᱰᱤᱭᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱚᱱᱟᱲ ᱟᱨ ᱢᱚᱱ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱚᱱᱟ ᱠᱚ ᱚᱱᱴᱮ ᱛᱟᱦᱮᱸ ᱢᱮ ᱠᱟᱴᱴᱮᱡ ᱟᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Love Symbol ᱵᱟᱹᱥᱟ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Love Symbol ᱵᱟᱹᱥᱟ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The stone of gradient colors and correspondence with oriental ink-painting landscape has been selected for the main wall of the living room, which is extended to the hallway to imply the heritage of sentiment. The back of the main wall is designed as a Buddha Hall, featuring the calligraphy drawn by the father, injecting the room with abundantly artistic foundation.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The interior space is 150 square feet without the expression of too many different materials. The designer was requested for customization in the pre-construction phase and developed with the extensive expression from lifestyle.
- ᱴᱮᱜ ᱠᱚ
- Marble wall, oriental ink-painting, natural lighting, humanistic dimension
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The ceiling is designed with wood, the scope introducing public area to the private space, which also corresponds with the hallway and the stone, adding warmth to the room. In the public area featuring natural materials, the coarse or fine patterns show the release of organized linear and dimensional impression.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The public area is semi-open designed with integration of the movement and natural lighting between the internal and external space, which is simple and delicate. And in the private domain, the room freely releases the imagination for life and implementing sentimental dimension towards humanity while blending arts in between the lines and dimensions, which correspond with the lighting, colors and materials through low-profile but remarkable style.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Designer was requested for customization in the pre-construction phase and developed with the extensive expression from lifestyle. The main wall in the living room extends the majestic and spacious atmospheres through the special patterns of natural marble, incorporated with the wood features of ceiling and wall. Designer pursues and builds a humanistic construction space through the authenticity of design, providing the dwellers with the surviving situation that passes down the beautify relation and sentiment.
- ᱯᱨᱮᱨᱚᱱᱟ
- The 150 square feet unit customized for design in the pre-construction phase is a gift left behind by the deceased father to his wife and children. The fathers care and love for the family can be observed from the location of the building to the interior layout and arts.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in January 2018 and finished in August 2018 in Taiwan, Taipei.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The dining room arranges for an absolutely tranquil image of the space through rational colors but also explains the sentimental and warm cultural attitude through the embellishment of vibrant colors. The material in general introduces the co-existence of coldness and warmth, realizing the sentimental performance between sense and sensibility through every unexpected turn. The study room on contrary emphasizes on functional arrangement by taking consideration of the function of work processing.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
