Paul Robb ᱨᱮᱱᱟᱜ Monk Latin and Arabic Geometric ᱪᱤᱠᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱜᱨᱟᱯᱷᱤᱠ· 2020
Monk Latin and Arabic Geometric ᱪᱤᱠᱤ ᱰᱤᱡᱟᱭᱤᱱ
Paul Robb ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Salt & Pepper
ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
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Monk Latin and Arabic Geometric ᱪᱤᱠᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱢᱚᱝᱠ ᱫᱚ ᱦᱤᱭᱩᱢᱟᱱᱤᱥᱴ ᱥᱟᱸᱥ ᱥᱮᱨᱤᱯ ᱨᱮᱭᱟᱜ ᱡᱷᱤᱡᱽ ᱟᱨ ᱯᱟᱲᱦᱟᱣ ᱡᱚᱝ ᱟᱨ ᱪᱟᱹᱣᱠᱟᱹ ᱥᱟᱸᱥ ᱥᱮᱨᱤᱯ ᱨᱮᱭᱟᱜ ᱰᱷᱮᱨ ᱱᱤᱭᱚᱢᱤᱛ ᱠᱮᱨᱮᱠᱴᱟᱨ ᱛᱟᱞᱟᱨᱮ ᱢᱤᱫ ᱥᱚᱢᱟᱱᱛᱟ ᱥᱮᱸᱫᱽᱨᱟᱭᱟ᱾ ᱡᱟᱦᱟᱸ ᱫᱚ ᱯᱩᱭᱞᱩ ᱞᱮᱴᱤᱱ ᱪᱤᱠᱤ ᱞᱮᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱞᱮᱱ ᱛᱟᱦᱮᱸᱫ, ᱢᱮᱱᱠᱷᱟᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱜᱮ ᱵᱟᱰᱟᱭ ᱮᱱᱟ ᱡᱮ ᱱᱚᱶᱟ ᱨᱮ ᱢᱤᱫ ᱡᱤᱞᱤᱧ ᱜᱟᱞᱢᱟᱨᱟᱣ ᱨᱮᱭᱟᱜ ᱡᱚᱨᱩᱨ ᱢᱮᱱᱟᱜ-ᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱟᱨᱚᱵᱤᱠ ᱵᱷᱟᱨᱥᱚᱱ ᱦᱚᱸ ᱥᱮᱞᱮᱫ ᱛᱟᱦᱮᱸᱱᱟ᱾ ᱞᱮᱴᱤᱱ ᱟᱨ ᱟᱨᱚᱵᱤᱠ ᱵᱟᱱᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮ ᱢᱤᱫ ᱜᱟᱱ ᱛᱟᱨᱠᱟ ᱟᱨ ᱥᱟᱹᱜᱟᱹᱭ ᱡᱤᱭᱚᱢᱮᱴᱨᱤ ᱨᱮᱭᱟᱜ ᱵᱤᱪᱟᱹᱨ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱥᱚᱢᱟᱱᱟᱱᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱥᱮᱥ ᱨᱮᱭᱟᱜ ᱫᱟᱲᱮ ᱫᱚ ᱵᱟᱱᱟᱨ ᱯᱟᱹᱨᱥᱤ ᱨᱮ ᱥᱚᱢᱟᱱ ᱢᱮᱞᱟᱝᱠᱤ ᱟᱨ ᱜᱚᱨᱚᱵᱽ ᱮᱢᱟ ᱠᱚᱣᱟ᱾ ᱟᱨᱚᱵᱤᱠ ᱟᱨ ᱞᱮᱴᱤᱱ ᱵᱟᱱᱟᱨ ᱜᱮ ᱵᱟᱝ ᱟᱛᱮᱫ ᱛᱮ ᱢᱮᱥᱟ ᱠᱟᱹᱢᱤᱭᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱟᱣᱩᱱᱴᱟᱨ, ᱥᱴᱮᱢ ᱢᱚᱴᱟ ᱟᱨ ᱜᱩᱞ ᱨᱩᱯ ᱢᱮᱱᱟᱜ-ᱟ᱾
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A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Monk Latin and Arabic Geometric ᱪᱤᱠᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Monk Latin and Arabic Geometric ᱪᱤᱠᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Monk is a multi-language geometric harmoniously balanced font in Arabic and Latin. The font family has its origins from the Benedictine and Franciscan writing. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms. Monk is a type family that seeks a balance between the openness and legibility of humanist sans serifs. Letterforms have a distinct direction of the ductus, a wide overall stance, large open counters that help in its legibility.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- True Type and Open Source Font
- ᱴᱮᱜ ᱠᱚ
- Typeface design, Font Design, Font Family, Monk, Graphic typeface
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Designed and produced in Fontographer
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The challenge was to create a modern typeface based on the historical research.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The Monk font family has its origins from the Benedictine and Franciscan writing. The initial research was based around the ancient text stored in and around Umbria in central Italy. Analyzing the form and structure of the monk's letter we created a modern approach to the forms creating repeatable geometric curves, which were applied first to create the Latin font. With a concept of open discussion through the religions, the next logical step for us was to develop those design rationals to Arabic lettering with the development of two harmonious fonts.
- ᱯᱨᱮᱨᱚᱱᱟ
- The font family has its origins from the Benedictine and Franciscan writing. Originally designed as a Latin typeface it was quickly seen that we needed to open a wider dialogue and expand the font to include an Arabic version, using the same rationale to the design. The strength of the parallel design process allows the two typeset languages to have balanced harmony and grace.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The Project started in 2017 and finish in September 2018, in Perugia Italy.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Our underlying concept was to develop a font that could communicate harmoniously in Arabic and Latin that was constructed with shared geometry. When used in an Arabic text western words would be seamlessly intergraded in the text.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- © Paul Henry Robb, Salt & Pepper 2018
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Design direction: Paul Henry Robb
Latin Font: Paul Henry Robb
Arabic Font: Naser Imache - Paul Robb
Design Ass: Tommaso Calderini - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- © Paul Henry Robb, Salt & Pepper
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