Aseel AlJaberi and Osama Tamimi ᱨᱮᱱᱟᱜ Andalusian I appreciate your request, but I must be transparent about a significant limitation: Santali is a tribal language with limited standardized technical vocabulary for modern interior design concepts, and my training data for specialized Santali content is extremely limited. ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2020
Andalusian I appreciate your request, but I must be transparent about a significant limitation: Santali is a tribal language with limited standardized technical vocabulary for modern interior design concepts, and my training data for specialized Santali content is extremely limited.
Aseel AlJaberi and Osama Tamimi ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Andalusian
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#97145 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Andalusian I appreciate your request, but I must be transparent about a significant limitation: Santali is a tribal language with limited standardized technical vocabulary for modern interior design concepts, and my training data for specialized Santali content is extremely limited. ᱵᱟᱵᱚᱛ ᱛᱮ
For professional design competition content like the A' Design Award, providing an inaccurate or poorly constructed Santali translation could misrepresent the design work. Santali speakers in professional contexts typically use English or Hindi/Bengali for technical design terminology, as these concepts don't have established equivalents in Santali.
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Andalusian I appreciate your request, but I must be transparent about a significant limitation: Santali is a tribal language with limited standardized technical vocabulary for modern interior design concepts, and my training data for specialized Santali content is extremely limited. ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Andalusian I appreciate your request, but I must be transparent about a significant limitation: Santali is a tribal language with limited standardized technical vocabulary for modern interior design concepts, and my training data for specialized Santali content is extremely limited. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The unique features are the Andalusian/Moroccan elements used in the interior design by reflecting its rich intricate carvings, decorative arches and colorful fabrics. The design is divided into 3 main sections: The styling area, the reception, and the dispensary area, with a clear style and identity running throughout the whole design. These elements are not the usual elements that people normally see in a beauty salon, which creates a unique, elegant and brightly colored space.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The area is about 200 meters squared.
dim: 18*12*4.5 - ᱴᱮᱜ ᱠᱚ
- Beauty Salon, Andalusian, Interior design, Moroccan Style, Geometric, Hair salon, Andalusian Style, beauty lounge, Colorful, decore, decorative
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The used materials in this design are :
gypsum, wood, ceramic tiles, mosaic tiles, brass, leather, and geometric pattern wallpaper. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Applying the Moroccan/Andalusian style with all its characteristics to match the design of a beauty salon, and ensure the client feels relaxed, pampered and valued. A variety of textures have been used to create visual interest with all the materials and furnishings.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Research was done on the details and characteristics of the Moroccan/Andalusian style in interior design. Data collection included the different patterns, colors, and materials. The standards and dimensions of the arches were carefully studied. In addition to two case studies that were done before initiating the design, which resulted in collecting the design principles and regulations needed to apply the style on the interior design of the salon, and make sure the function isn't affected. Thus, creating a space where clients feel valued and satisfied.
- ᱯᱨᱮᱨᱚᱱᱟ
- The idea came from combining the usual design of the styling area in any beauty salon (which is a mirror and a chair), with the repetitive arches of the Moroccan style, trying to create repetitive styling areas just like the arches. The Moroccan style was influenced by several countries such as the Arab culture, Spain, France and Portugal. Some of its recognized features are geometric patterns, vivid colors, and mosaic tiles.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- As Architecture Students, The project started in October 2019 and finished in December 2019. It was exhibited at Palestine Polytechnic University.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Since the project is a beauty salon, it is very important to please the client during their service and maintain the flow. Thus, the design has multiple zones divided based on the function to maintain the client's satisfaction, considering the waiting area design, the welcoming fountain, the special retail products, the great relation between the clients and the owners, the trust, and comfort. All of this creates a sense of place through the design.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copy rights belong to Aseel Aljaberi and Osama Tamimi, 2019.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Architect: Aseel AlJaberi
Architect: Osama Tamimi - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Architect Aseel AlJaberi and
Architect Osama Tamimi, Interior design, 2019.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
