ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Jidong Cao ᱨᱮᱱᱟᱜ Yujintai Club ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Jidong Cao ᱨᱮᱱᱟᱜ Yujintai Club ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020

Yujintai Club ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Jidong Cao ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Osten Space Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

7,695

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#98039 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Yujintai Club ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱡᱩᱡᱤᱱᱛᱟᱭ ᱵᱮᱡᱤᱝ ᱨᱮ ᱛᱟᱦᱮᱸ ᱚᱠᱟ ᱮᱠᱠᱟᱛᱮ ᱢᱤᱫ ᱱᱤᱡᱚᱨᱟᱜ ᱠᱞᱟᱵ ᱵᱷᱤᱛᱨᱤ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱯᱨᱚᱡᱮᱠᱴ 350 ᱴᱷᱟᱨᱤ ᱢᱤᱴᱚᱨ ᱡᱟᱭᱜᱟ ᱯᱟᱲᱟᱶ ᱦᱩᱭᱮᱱᱟ ᱟᱨ 2018 ᱨᱮ ᱯᱩᱨᱟᱹᱣ ᱦᱩᱭᱮᱱᱟ ᱾ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮ ᱥᱚᱝ ᱟᱨ ᱢᱤᱝ ᱠᱟᱞ ᱨᱮᱭᱟᱜ ᱥᱟᱨᱤ ᱥᱩᱱᱫᱟᱨ ᱵᱟᱵᱚᱛ ᱤᱫᱤ ᱠᱟᱛᱮ ᱱᱤᱛᱚᱜ ᱡᱩᱜ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱨᱮ ᱦᱚᱲ ᱦᱚᱲᱟᱣ ᱠᱟᱱᱟ ᱾ ᱚᱲᱟᱜ ᱵᱩᱛᱟ ᱠᱚ ᱫᱩᱨᱟᱝ ᱨᱚᱜ ᱢᱟᱨᱵᱚᱞ ᱛᱮ ᱛᱮᱭᱟᱨ ᱦᱩᱭᱮᱱᱟ, ᱚᱠᱟ ᱨᱮ ᱵᱩᱨᱩ ᱟᱨ ᱜᱟᱰᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱢᱮᱱᱟᱜ ᱠᱟᱱᱟ ᱾ ᱪᱮᱴ ᱨᱮ ᱫᱩᱨᱟᱝ ᱨᱚᱜ ᱟᱭᱱᱟ ᱠᱟᱴ ᱵᱮᱵᱷᱟᱨ ᱦᱩᱭᱮᱱᱟ ᱚᱠᱟ ᱡᱟᱦᱟᱱ ᱠᱚ ᱫᱟᱜ ᱟᱨ ᱟᱨᱟᱲ ᱤᱡ ᱠᱚ ᱨᱮᱭᱟᱜ ᱟᱢᱛᱟ ᱡᱮᱢᱚᱱ ᱥᱟᱦᱴᱟ ᱮᱢᱟ ᱾ ᱵᱟᱪᱷᱟ ᱟᱠᱟᱱ ᱯᱷᱨᱮᱢ ᱠᱚ ᱚᱲᱟᱜ ᱠᱚ ᱦᱟᱴᱤᱧ ᱠᱟᱛᱮ ᱮᱠᱠᱟᱛᱮ ᱟᱹᱨᱟᱢ ᱨᱚᱜ ᱨᱤᱫᱚᱢ ᱛᱮᱭᱟᱨ ᱦᱩᱭᱮᱱᱟ ᱾ ᱟᱨᱟᱲ ᱵᱤᱨᱤᱫ ᱪᱟᱥᱟᱨᱤ ᱡᱟᱭᱜᱟ ᱱᱤᱛᱚᱜ ᱚᱲᱟᱜ ᱨᱮ ᱦᱚᱨᱤᱭᱟᱲ ᱵᱟᱝ ᱛᱟᱦᱮᱸᱱ ᱠᱚ ᱨᱮᱭᱟᱜ ᱡᱚᱠᱷᱟᱹ ᱮᱢᱟ ᱟᱨ ᱮᱠᱠᱟᱛᱮ ᱟᱹᱨᱟᱢ ᱢᱚᱱ ᱵᱟᱵᱚᱛ ᱥᱟᱦᱴᱟ ᱮᱢᱟᱭ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Yujintai Club ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Yujintai Club ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This case focuses on restraint and balance of materials. While drawing materials from nature, the designer also uses multidimensional combination and rendering techniques to infuse freehand brushwork and elegance into the club, so that the spatial relations of clubs are clea and graceful.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project covers a total of 350 square meters. The rich line rhythm, flexible frame hollow-out division, collision deduction of various elements, free freehand brushwork and geometric rules constitute, virtual and real complement each other, together to deduce a calm and quiet aesthetic demeanor.
ᱴᱮᱜ ᱠᱚ
Interior, Commercial, Club, Zen, Modern, Elegant, Simple, Oriental Aesthetics, Traditional Culture
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The ground is made of dark-grained marble with mountains and rivers, and the deep-gray base on the large surface renders the sense of ritual and vigorous momentum. On the top, the ripples are washed up by the static dark gray mirror, and the sparkling waves sublimate a vast and boundless artistic conception.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
In order to solve the problem of scarcity of landscape green plants in modern buildings, the addition of landscape art potted area not only strengthens the spirituality and meditation of space, but also sublimates the poetry and artistic style.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Those precipitated thousands of years of cultural context, infiltrating the moment in Beijing. Yujintai Club is located in Beijing East Third Ring North Road, occupying the core area of CBD planning. It is not only in the prosperity of the main city, but also away from the world to maintain quiet and elegant.
ᱯᱨᱮᱨᱚᱱᱟ
Based on the design concept of "reproducing the innovative expression of Song and Ming aesthetics in modern architectural space", the designer absorbs the humanistic flavor of Song and Ming Dynasties and the surrounding natural elements, deduces the essence of Oriental traditional culture in combination with modern design techniques, and draws a picture of "leaving the city without leaving the life".
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in June 2018 in Beijing and finished in September 2018 in Beijing.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Entering the porch, the traditional primitive simplicity Ming-style four-door cabinet, water-shaped auspicious mica ornaments, combined with the imitation of Song Huizong's "Ruihe Tu", constitute the elegant and classical space.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Jidong Cao, 2019.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Jidong Cao
Xiuzhu Fan
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Erqing Li, Reception Area, 2019.
Image #2: Photographer Erqing Li, Study, 2019.
Image #3: Photographer Erqing Li, Porch, 2019.
Image #4: Photographer Erqing Li, Guest Room, 2019.
Image #5: Photographer Erqing Li, Catering Area, 2019.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ