Tomohiro Katsuki ᱨᱮᱱᱟᱜ Fontworks Inc. Tokyo ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ ᱜᱷᱚᱨ ᱵᱷᱤᱛᱨᱤ ᱠᱚ ᱰᱤ�org᱾ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020
Fontworks Inc. Tokyo ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ ᱜᱷᱚᱨ ᱵᱷᱤᱛᱨᱤ ᱠᱚ ᱰᱤ�org᱾
Tomohiro Katsuki ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Prism Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#98988 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Fontworks Inc. Tokyo ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ ᱜᱷᱚᱨ ᱵᱷᱤᱛᱨᱤ ᱠᱚ ᱰᱤ�org᱾ ᱵᱟᱵᱚᱛ ᱛᱮ
Fontworks Inc. Tokyo ना बाबतेत, ये एक टाइप फाउंड्री के लिए मुख्य कार्यालय आंतरिक है, जो टोक्यो के मिनातो-कु में एक इमारत की पांचवीं मंजिल पर स्थित है। यह कार्यालय 431 वर्ग मीटर में फैला है और एनालॉग और डिजिटल कार्य के संलयन के इर्द-गिर्द योजनाबद्ध है। एक सी-आकार का डेस्क कर्मचारियों के बीच रचनात्मक कार्यों और सहयोग का समर्थन करता है। दीवार के केंद्र में स्थापित एक बड़ा डिस्प्ले फुकुओका में क्रिएटिव लैब के साथ जुड़ा रहता है, ताकि दोनों स्थल ऑनलाइन संवाद कर सकें। प्रवेश द्वार के पास एक सीढ़ी-आकार की बेंच आगंतुकों के साथ आकस्मिक बैठकों की अनुमति देती है। सामग्री में कारपेट टाइल्स, लकड़ी, कोरियन, स्टील और कॉर्क बोर्ड शामिल हैं।
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Fontworks Inc. Tokyo ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ ᱜᱷᱚᱨ ᱵᱷᱤᱛᱨᱤ ᱠᱚ ᱰᱤ�org᱾ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Fontworks Inc. Tokyo ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ ᱜᱷᱚᱨ ᱵᱷᱤᱛᱨᱤ ᱠᱚ ᱰᱤ�org᱾ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Fontworks Inc. moved its headquarters from Fukuoka City, Fukuoka Prefecture, to Minato-ku, Tokyo, for the purpose of providing further communication business and expanding our business.
Even in the new office, build have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely” - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- AREA:Total 431㎡
Located on the 5th floor of the building.
Ceiling height:CH2900ｍm（slab:H4100ｍｍ） - ᱴᱮᱜ ᱠᱚ
- Interior, Office, Design ,Font
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.Even in the new office, Fontworks have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely” Made. Will create, nurture and provide free ideas in our natural environment so that Fontworks can continue to provide services that are close to such changes in the environment.
MATERIAL LIST
1.Original Color Carpet Tile
2.Concrete PVC ＆ Laminated Sheets
3.Wood PVC
4.PAINT
5.Corian
6.Aluminum Paint ＆Laminated Sheets
7.Wood Melamine decorative board
8.Artificial greening
9.OSB pattern Original Laminated Sheets
10.Artificial leather fabric
11.BLACK ＆ WHITE Writing Laminated Sheets
12.Steel（BLACK ＆ WHITE Paint）
13.Cork board - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- In 2018, when Fontworks celebrated our 25th anniversary, have formulated a tag line called “Character More Freely” with all our employees, and have been developing specific business activities over the past year. The fonts that Fontworks have consistently provided since our founding are also evolving at a tremendous speed in the environment in which they are used. From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.
Considering their history and beliefs, it was difficult to give an answer on what the future should be like with their approval. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- We used various spreadsheet matrices to extract the root of the design.
Fusing the past and the present to find out what the future should be.
Both conventional and latest are needed, Hybridize them to create a new standard. - ᱯᱨᱮᱨᱚᱱᱟ
- On the there is an initial “C” -shaped desk that is common to keywords such as “Creative and Collaboration” that are necessary for a new office environment. In addition, a large display that is always connected to Creative Lab from Fukuoka is installed in the center of the wall to enable active communication between the two sites in online. At the entrance, there was a stair-shaped bench and display, and a space for casual communication with people outside the company was created while ensuring
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- ADD:Nisshin Aoyama Building 5F, 3-4 Kita Aoyama, Minato-ku, Tokyo, Japan,
The project design started in Feb 2019 in Fukuoka,Japan and finished in July 2019. Construction started in Tokyo in Aug 2019 and finished in Dec 2019. - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The characters have changed from handdraft typefaces to digital fonts with the times, but both co-exist without changing.
Analog and digital, Traditional and new technologies...
People change, but the essence does not change.
Considers the essence of mankind and expressed office space design from the font. - ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- 1.Tomohiro Katsuki : PRISM DESIGN
2.Masanori Kobayashi : PRISM DESIGN
3.Yao Di : PRISM DESIGN
4.Naoki Ohtake : Design Studio GAKU - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- All Photo Image : PHOTOGRAPHER,Katsumi Hirabayashi
ᱥᱯᱚᱱᱥᱚᱨᱰ
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