Patrick Chen ᱨᱮᱱᱟᱜ M-Town Office এম-টাউন অফিস লবি ইনটেরিয়র ডিজাইন ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020
M-Town Office এম-টাউন অফিস লবি ইনটেরিয়র ডিজাইন
Patrick Chen ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Hplus Architectural Design Consulting Co.,Lt.
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#99231 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
M-Town Office এম-টাউন অফিস লবি ইনটেরিয়র ডিজাইন ᱵᱟᱵᱚᱛ ᱛᱮ
এম-টাউন অফিস চীনের সাংহাইরিন মেৎ ইনআ আধুনিক উঁচু-বারিয়া অফিস বারিআকরে লবি ইনটেরিয়র ডিজাইন কানা। এন প্রজেক্ট ১৫০০০ বর্গমিটার এলাকাকে সাবাড় লাদেয়াকানা আর চতুষ্কোণ ফ্লোর প্লান আকরে থানা, য়াড়্ আকরে এলিভেটর হল, রেস্টরুম আর শ্যাফ্ট থাপনা মেনাকো। লবি ছেদানরে গাপ্পে তলা মে ভাগ কানা, বায় জুড়ি সাজাওগে বরনসাক তেলোতে বাধোনি রিবনরে জাহাংগে গঠন সিরজাওৎ কেদাক আর সেড়েংকরে দিয়াগোনালরে বুমেরাং ধরাক আকরে জুড়াওকানা। ফ্লোরর তেলো বায় জুড়ি রেখাকো আর ইতাক সেড়েংকরে দিয়াগোনাল গঠনকো ছেদানরিন লগে সাজাওকানা। এলাओ आर बेজ रोंगকो পাথর, স্টেইনলেস স্টিল আর এলুমিনিয়াম পেলটের সাথে জোড়ে লাগাওকানা।
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
M-Town Office এম-টাউন অফিস লবি ইনটেরিয়র ডিজাইন ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ M-Town Office এম-টাউন অফিস লবি ইনটেরিয়র ডিজাইন ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- It is a modern high-rise with parallel long windows and streamline shapes that bring about visual effects - an avant-garde, futuristic feel quite unlike those of its neighboring buildings. Such spatial sensation continues in the design of the lobby, making it an extension of the building itself into the public space within, and thereby enhancing the impact the entire building has on the viewer.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 15000 square meter
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The floor plan is presented in a square. Such facilities as the main elevator halls, restrooms and shaft are at the center of the building. The outer ring of the shallow square is divided into two L shapes, in one of which the lobby is located. In the expansive space that is vaulted, large French windows shape a medium area between the inside and the outside. Using white and beige as the keynote colors, we combine stone materials with stainless steel and aluminum plates, and construct a unique, bright high-tech office setting for business. With the purest colors and materials, the simplicity and consistence of the space are achieved.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- n keeping with the division design of the ceiling and the floor, for the façade we make use of forms that go diagonally and turn upward. In this way, variety is added to the usually monotonous and dull walls, and the dialogue among the ceiling, the floor and the walls is formed, shaping an architectural lexicon of evenness and continuity. The interior design and the building itself echo each other through the streamline, curvy shapes. What’s more, by means of the enriched and diverse design, the building conveys our understanding of the users. People working in the office building will burst with spiritual vitality and gain access to a pleasant, cheerful working space.
- ᱯᱨᱮᱨᱚᱱᱟ
- We divide the lobby ceiling into three levels, and, by using the turns of the L-shaped planes, create continuous curves on the ceiling. Like layer-upon-layer of ribbons or winding lines of athletic tracks, they start from one side of the lobby, twist and extend, finally gathering diagonally on another side of the L shapes and forming a winding division resembling a boomerang.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Shanghai, China
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This boomerang not just cleverly connects the dots of silk screen printing on the outer edge and the brown corrugated aluminum sheets on the inner edge, but corresponds with the curvy lines on the floor covering. Thus the contrast of the inner vs. outer and the upper vs. lower is formed, breaking the stillness and seriousness that is common in traditional office buildings. An exceptional vibrancy thus comes into being.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Patrick Chen
Qiang Tao
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
