ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Aleksandr Volkov ᱨᱮᱱᱟᱜ Mixed Reality ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱦᱚᱞᱚᱜᱽᱨᱟᱯᱷᱤᱠ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ

Aleksandr Volkov ᱨᱮᱱᱟᱜ Mixed Reality ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱦᱚᱞᱚᱜᱽᱨᱟᱯᱷᱤᱠ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱫᱚ ᱩᱛᱥᱟᱵ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱩᱛᱥᱟᱵ· 2020

Mixed Reality ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱦᱚᱞᱚᱜᱽᱨᱟᱯᱷᱤᱠ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ

Aleksandr Volkov ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Economiton

ᱩᱛᱥᱟᱵ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#99442 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Mixed Reality ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱦᱚᱞᱚᱜᱽᱨᱟᱯᱷᱤᱠ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱢᱮᱥᱷᱰ ᱨᱤᱭᱮᱞᱤᱴᱤ ᱫᱚ ᱢᱳᱥᱠᱳ ᱥᱚᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱚᱨᱡᱟ ᱨᱮᱭᱟᱜ ᱨᱮᱱᱤᱛᱤ ᱵᱟᱵᱚᱛ ᱢᱤᱫ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱴᱷᱟᱶ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱠᱟᱱ ᱢᱤᱫ ᱤᱱᱴᱨᱟᱠᱴᱤᱵᱷ ᱦᱚᱞᱚᱜᱽᱨᱟᱯᱷᱤᱠ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱫᱚ ᱯᱮᱯᱟᱨ ᱨᱮᱭᱟᱜ ᱠᱷᱟᱯᱨᱟ (Pepper's Ghost) ᱱᱤᱭᱟᱢ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱵᱟᱹᱲᱛᱤ ᱯᱚᱨᱚᱛ ᱛᱮ ᱥᱟᱸᱜᱤᱧ ᱠᱟᱱᱟ᱾ ᱢᱤᱫ LED ᱵᱮᱠᱰᱨᱚᱯ ᱠᱟᱸᱴ, ᱯᱮᱭᱟ ᱴᱷᱟᱶ ᱯᱨᱚᱡᱮᱠᱴᱚᱨ ᱟᱨ ᱪᱷᱟᱛᱨᱮ ᱛᱚᱞᱟ ᱠᱟᱱ LED ᱪᱟᱞᱟᱠ ᱫᱚ ᱦᱚᱞᱚᱜᱽᱨᱟᱯᱷᱤᱠ ᱯᱷᱚᱭᱤᱞ, ᱟᱹᱨᱥᱤ ᱟᱨ ᱟᱲᱟᱝ ᱥᱟᱶ ᱢᱤᱫᱛᱟᱸᱜᱤ ᱠᱟᱹᱢᱤ ᱮᱫᱟ᱾ ᱮᱱᱤᱢᱮᱴᱮᱰ ᱪᱟᱞᱟᱠ ᱟᱨ ᱩᱢᱩᱞ ᱫᱚ ᱯᱨᱚᱡᱮᱠᱴ ᱠᱟᱱ ᱡᱤᱱᱤᱥ ᱠᱳ ᱢᱤᱫ ᱡᱚᱨᱟᱶ ᱩᱯᱩᱥᱛᱤ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱮᱢᱟ ᱮᱫᱟ᱾ ᱦᱤᱨᱤᱧ ᱦᱚᱲ ᱠᱚ ᱴᱟᱪ ᱥᱠᱨᱤᱱ ᱨᱮ ᱢᱤᱫ ᱴᱳᱯᱤᱠ ᱵᱟᱪᱷᱟᱣ ᱠᱚᱣᱟ ᱟᱨ ᱦᱚᱭ ᱨᱮ ᱪᱤᱛᱟᱹᱨ ᱟᱨ ᱜᱨᱟᱯᱷ ᱠᱚ ᱟᱹᱠᱛᱩᱨ ᱚᱠᱛᱚ ᱟᱨ ᱢᱮᱴᱟᱣ ᱚᱠᱛᱚ ᱧᱮᱞ ᱠᱚᱣᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Mixed Reality ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱦᱚᱞᱚᱜᱽᱨᱟᱯᱷᱤᱠ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Mixed Reality ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱦᱚᱞᱚᱜᱽᱨᱟᱯᱷᱤᱠ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The interactive installation was the central part of the exhibition stand and told about the energy strategy of the city of Moscow. To solve the presentation problem, we used hologram technology using a special approach, which allowed us to get a deep illusion of the presence of real objects. Due to the combination of screens, projections, mirrors and sound, we got all the attributes of real objects, except touch.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
18000 х 10000 х 4500
ᱴᱮᱜ ᱠᱚ
Hologram, exhibition stand, interactive installation, holographic screen, Pepper’s Ghost, Ventuz, realtime graphic, infographics
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
We used the traditional Pepper’s Ghost concept. The setup itself consisted of a LED backdrop wall, three projectors for the floor and LED mounted to the ceiling. Using of the projectors gave the opportunity to extend animations from the backdrop wall via the floor onto the holographic foil. Also, we added plasticity to the hologram by providing it with an animated shadow. We created our own UI for a designers to make them work in general animation channel of entire scene.
ᱜᱚᱵᱮᱥᱚᱱᱟ
We have all seen holograms in science fiction films, but real technology is very far from these examples. How can we approach these results without going into fundamental physics? We found the most affordable technology and tried to add the missing elements. After going through different effects, we realized that the main thing that makes us believe in a hologram is its effect on the objects around, namely light and shadow. By adding these attributes, we get tremendous realism.
ᱯᱨᱮᱨᱚᱱᱟ
When we received a task to present a topic related to energy, we immediately wanted the graphics to be weightless and represent energy itself. When we started looking for suitable solutions, we discovered an old technology from 1584 - Pepper's Ghost. In its current form, it had a number of serious flaws and we decided to finalize it, which led us to unexpected and very interesting results.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started on October 3, 2017 in Moscow and finished on October 7, 2017. It was exhibited in the first International forum on energy efficiency and energy development "Russian energy week"
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Interaction with the installation took place using the touch screen. The user chose a topic of interest and watched objects, figures, and graphs that explain complex processes in the energy industry appear or dissolve in the air.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ