Michael Lam ᱨᱮᱱᱟᱜ Surely ᱠᱚᱞᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2020
Surely ᱠᱚᱞᱟ ᱡᱟᱭᱜᱟ
Michael Lam ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Surely
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#99584 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Surely ᱠᱚᱞᱟ ᱡᱟᱭᱜᱟ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱱᱚᱣᱟ ᱫᱚ ᱢᱤᱫ ᱠᱚᱞᱟ, ᱟᱹᱥᱩᱞᱚᱜ ᱟᱨ ᱠᱤᱨᱤᱧ ᱵᱮᱯᱟᱨ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫ ᱴᱷᱟᱶ ᱨᱮ ᱡᱩᱲᱟᱹᱣ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱣᱟ ᱚᱲᱟᱜ ᱫᱚ ᱢᱤᱫ ᱥᱚᱨᱠᱟᱨᱤ ᱞᱩᱜᱽᱲᱤ ᱦᱩᱠ ᱠᱟᱹᱨᱠᱷᱟᱱᱟ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱡᱷᱚᱛᱚ ᱚᱲᱟᱜ ᱫᱚ ᱠᱩᱴᱟᱹᱢ ᱨᱮᱱᱟᱜ ᱫᱟᱜᱽ ᱪᱤᱱᱦᱟᱹ ᱫᱚᱦᱚ ᱛᱮ ᱫᱚᱦᱚ ᱮᱢ ᱠᱟᱛᱮ ᱫᱚᱦᱚ ᱮᱢ ᱟᱠᱟᱫᱼᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱛᱷᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤᱭᱟ, ᱵᱟᱦᱨᱮ ᱥᱟᱶ ᱵᱷᱮᱜᱟᱨ ᱥᱟᱹᱫᱤᱜ ᱠᱟᱱᱟ ᱟᱨ ᱢᱤᱫ ᱱᱟᱶᱟ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱚᱱᱩᱵᱷᱚᱵᱽ ᱮᱢᱟ᱾ ᱵᱟᱹᱲᱛᱤ ᱠᱮᱴᱮᱡ ᱥᱟᱡᱟᱣ ᱵᱟᱭ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ, ᱠᱤᱪᱷᱩ ᱱᱟᱨᱚᱢ ᱥᱟᱡᱟᱣ ᱠᱚ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱹᱨᱟᱹᱢ ᱵᱟᱰᱟᱭ ᱮᱢᱟ᱾ ᱥᱤᱨᱡᱚᱱ ᱟᱨ ᱯᱩᱭᱞᱩ ᱫᱷᱟᱯ ᱛᱟᱞᱟᱨᱮ ᱵᱷᱮᱜᱟᱨ ᱫᱚ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱵᱷᱚᱵᱤᱥᱚᱛ ᱞᱟᱹᱜᱤᱫ ᱪᱟᱹᱞᱩ ᱛᱮᱫ ᱞᱟᱹᱜᱤᱫ ᱟᱨᱦᱚᱸ ᱵᱟᱹᱲᱛᱤ ᱨᱩᱠᱷᱤᱭᱟᱹᱲ ᱜᱮᱭᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Surely ᱠᱚᱞᱟ ᱡᱟᱭᱜᱟ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Surely ᱠᱚᱞᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Designers are take time as the starting point of thinking. In the chaotic and decadent old factory, they skillfully use the sense of dislocation in time to create the gap between the inside and the outside, between the object and the space, to show the spatial context of living against the time, appearing along with the time, so as to provide a deeper and meaningful place experience for the viewers.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Design area：10763 sq.ft
- ᱴᱮᱜ ᱠᱚ
- Interior, Space, Art, Retail, Photography
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Main Material：Special Paint, Terrazzo, Original Solid Wood, Ultra-white Glass
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- In the process, the designer and the owner experience the overthrow and replay of the design scheme, the reconstruction and disassembly of the wall, and the continuous replacement of the soft decoration display, which is not so much full of various imperfect factors, but rather a design co creation process in which both parties continuously influence each other.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Shortly after the project was put into operation, without marketing planning, it quickly became a hot topic in Hangzhou, China, and one of the most popular art punch points in the country. It is a space for photography and art, a new benchmark of the industry and a new fashion stronghold in the city.
- ᱯᱨᱮᱨᱚᱱᱟ
- The whole building retains the mottled and contiguous texture of the wall, transforms into the uniform skin texture of the indoor space, and falls behind the outdoor environment, creating a sense of surprise for the viewer to invert the time, creating a unique space experience, secondly, abandoning too much hard decoration, releasing more relaxed space for high-quality soft display. And display, create the contrast with the base of the original space.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in Hangzhou, China in March 2018 and was completed in Hangzhou, China in 2019.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- According to time, weather and unpredictable natural light, the designer enters the room through the opening to form rich shadows and lines, so that the space can get rid of boredom and become active. After moving to the interior space of the main building, the walls are cleaned, showing a mottled and rough texture again, giving off a simple atmosphere, thick and stable. The exquisite art installation is in a corner, embracing the whole space in an introverted way.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- All pictures:Da qi Zhang / Michael Lam (Designer)
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
