✓ ᱯᱩᱨᱥᱠᱟᱨ-ᱯᱟᱨᱠᱷᱟᱭᱟᱠᱟᱱ ᱤᱴᱟᱞᱤ ᱯᱨᱚᱯᱷᱮᱥᱚᱱᱟᱞ
Edoardo Petri
- ✓ 2 ᱜᱚᱴᱟᱝ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮᱱᱟᱜ ᱡᱤᱛᱠᱟᱨ᱾
- ✓ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱱ ᱨᱮ ᱵᱤᱥᱮᱥ᱾
- ✓ ᱱᱟᱣᱟ ᱪᱮᱛᱟᱱᱤᱭᱟᱹ, ᱢᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱟᱨ ᱱᱟᱣᱟᱴᱟᱨᱤ᱾
ᱰᱤᱡᱟᱭᱱᱟᱨ
Edoardo Petri ᱵᱟᱵᱚᱫ ᱨᱮ
Sensitive and attentive, during his studies he undertakes an intense research activity on spatial continuity, understood as a flow of events, in search of balance and freedom between space, form and function, subsequently determining the aesthetic and qualitative value of his works . He likes to deal with very different themes in scale and complexity but characterized by a style closely linked to a thought of indissoluble uniqueness where the compositional process based on contemporary anologies creates new languages and architectural spaces of great style.
Dynamism and spatiality become fundamental matrices in his projects, dedicating great attention to the nature of the materials and their prerogatives existing at the time of the compositional act. In his architecture there is always a bilateral relationship between architecture and human being and between man and nature, man and space live a symbiotic relationship. Recognizing design as a free source of creation, he combines product design with architecture, creating symbiotic relationships between the two arts.
ᱚᱠᱟ ᱨᱮ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢ ᱮᱱᱟ
ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱮᱱᱟ
ᱰᱤᱡᱟᱭᱤᱱ ᱵᱤᱥᱟᱭ ᱠᱚ ᱡᱟᱦᱟᱝ ᱨᱮ Edoardo Petri A' Design Award ᱡᱤᱛᱟᱣ ᱮᱱᱟ᱾
ᱯᱚᱨᱴᱯᱷᱚᱞᱤᱭᱚ
Edoardo Petri ᱫᱟᱨᱟᱭᱛᱮ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱠᱟᱹᱢᱤ ᱠᱚ
Edoardo Petri ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ ᱡᱟᱦᱟᱱ ᱠᱚ A' Design Award and Competition ᱫᱟᱨᱟᱭᱛᱮ ᱢᱟᱱᱟᱣ ᱮᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱵᱤᱵᱷᱟᱡᱚᱱ ᱠᱚ
ᱰᱤᱡᱟᱭᱤᱱ ᱵᱤᱥᱟᱭ ᱞᱮᱠᱟᱛᱮ ᱨᱮᱝᱠᱤᱝ ᱠᱚ
Designers.org ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱤᱵᱷᱟᱡᱚᱱ ᱠᱚ ᱨᱮ Edoardo Petri ᱨᱮᱭᱟᱜ ᱥᱛᱷᱟᱱ᱾
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱢ ᱱᱤᱛ ᱴᱷᱤᱠ ᱡᱟᱭᱜᱟ ᱨᱮ ᱢᱮᱱᱟᱢ