Perception of the Eyes Faatufugaga Wearable e Karina Frances Edmonds

O le mamanu Perception of the Eyes Faatufugaga Wearable e Karina Frances Edmonds o se manumalo maualuga tele o le fa'ailoga mamalu 2020 A' Design Award Apamemea i le Vaega Tauva Mamanu Laei.

ApamemeaLaei· 2020

Perception of the Eyes Faatufugaga Wearable

na mamanuina e Karina Frances Edmonds

Tagata Fa'atau: Karina Frances

Manumalo o le A' Design Award Apamemea i le Vaega Laei

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #102508

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Perception of the Eyes Faatufugaga Wearable

Ua vaʻaia e mata uma le loloto o le tala faʻasolopito ma le lalelei. Ia te aʻu, o mata e pei o le faitotoʻa i le tasi tagata. O se loloto, e le gata o se faʻataʻitaʻiga mata e faʻaosofia ai lenei vaega. I se tulaga faʻapitoa, o mata e faʻaalia i lenei vaega e ala i le faʻaata faʻasolosolo o foliga i luga o fatafata. O le tamaitiiti ua faʻamamaina e le aano taua o le matāsusu. Ua seʻe laina laina a le leisa vaʻai i ni isi taʻavale. E manatua ai ata faʻaSaienitisi ma manatunatuga o le malamalama, o faʻatosinaga faʻatulagaga foliga faʻatulaga ae e leʻi paʻu atu i galu o se vaʻaiga le mautonu. O lenei vaega e talanoa e uiga i mata ma o latou mana fatuga.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Perception of the Eyes Faatufugaga Wearable, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Perception of the Eyes Faatufugaga Wearable e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Perception of the Eyes Faatufugaga Wearable e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The uniqueness in my design is born from the empowerment created for one to radiate. Empowerment is also my inspiration. My design mirrors an embodiment of this spirit. This garment speaks about eyes and their poetic power. The design boldly enhances the human body, through the rawness of the breasts, mimicking eyes, to the enhanced hip lines, through sculpture. The leather strips, architecturally strike down from the pupil (nipple) to create an illusion lasering out as a form of vision and structural support. Beauty in design shines when poetry meets function.
Fua & Fa'apipi'i: Size 6
Fa'ailoga: wearable art, eyes, vision, perception, poetry
Tekonolosi Gaosiga: The materials used for the geometric elements are particularly effective. By constructing a corsetry bodice from more robust elements with wire and stiffer fabric such as faux leather, the contrasting silhouette strips are enabled to be pulled tight and hold the criss-cross pattern beautifully, before falling into waves. This is reminiscent of scientific diagrams of refraction of light. The production of this design regarded structure, architecture, form and the body. In the making and testing of this design, I thought about physics regarding matters like the laws of gravity and structure in terms of its architecturally inspired form.
This dress has a sense of history in its construction echoing vintage hip lines whilst displaying thoroughly contemporary vision.(regard pdf) for full version of "Production, realization technology and materials)
Lu'itau o le Mamanu: Beginning with the research I was challenged with deep inner reflection, about myself, and identity regarding the theme “Who am I”. Especially because I haven't found myself in this stage of my life as a 15 year old. I believe we are always changing and growing as people, and a society. Also, I faced challenges that regarded transferring my ideas from my pen to the needle, as this was the first time I had created a collection.
Su'esu'ega: I looked at many sources that helped me better define my knowledge to create a 5 piece collection that could reflect me as a person and unravel my identity. Second, after building my knowledge to a level at which I was confident, I could begin the artistic journey, I began designing. Even when designing it seems as if research and design overlapped, because I was always learning something new. Everything I learned was applied to enhance my skills and help my ability in creating material that is so new to me in the arts. (regard pdf for full research)
Fa'aosofia: I was inspired by eyes and their magical properties with their ability to connect, reflect, and create visual poetry of the world around us. This poetic and magical ability for an eye to radiate vision is the inspiration for this dress. One can see these definitions through the garments architectural forms and illusions that run from the nipple to the ground.
Umi o le Poloketi: My fashion journey began with research April 2019, designing in May 2019, and finally completed in the summer of June 2019. The dresses were then showcased on the runway at NewYork FashionWeek Fall season (F/SS NYFW), the 7th of September 2019
Fa'agasologa o Galuega: The design has specific details that make the whole difference when looking at its performance as wearable art. While wearable art is very abstract and not the most wearable, I tried to make my designs so that they can still perform with attributes of the body making them more wearable. There are significant details that allow for this to happen, still encouraging the possibility of my design without making any major adjustments. This includes different systems created to convert art into wearable art.
Pateni: N/A
Sui o le 'Au: Tailor 15% work with patterns-( technical element).
Fa'aaloaloga o Ata: Image #1: Bruce Wang, 2019
Optional Image #2: Bruce Wang, 2019
Optional Image #3: Bruce Wang, 2019
Optional Image #4: Bruce Wang, 2019
Optional Image #5: Bruce Wang, 2019