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Anima Code Faʻamoemoega Autu: Faʻailoga Faʻamaonia a le Tagata Lava Ia e Takuma Yamazaki

O le mamanu Anima Code Faʻamoemoega Autu: Faʻailoga Faʻamaonia a le Tagata Lava Ia e Takuma Yamazaki o se manumalo maualuga tele o le fa'ailoga mamalu 2021 A' Design Award Apamemea i le Vaega Tauva Mamanu Manatu.


ApamemeaManatu· 2021

Anima Code Faʻamoemoega Autu: Faʻailoga Faʻamaonia a le Tagata Lava Ia

na mamanuina e Takuma Yamazaki

Tagata Fa'atau: Takuma Yamazaki

Manumalo o le A' Design Award Apamemea i le Vaega Manatu

62,989

Lanu

Le Mamanu

E Uiga ia Anima Code Faʻamoemoega Autu: Faʻailoga Faʻamaonia a le Tagata Lava Ia

Tusitusiga o le Tusi: O le Anima Code o se faʻailoga faʻamaonia a le tagata lava ia, faʻatasi ai ma se code QR ua vaneina i luga. O lenei code o loʻo iai se ki faʻaoga e maua ai faʻamatalaga faʻatekonolosi a se tagata i luga o initoneti. E toʻatele tagata o loʻo faʻamauina o latou olaga i luga o media faʻaagafesootai, peitaʻi, e masani ona lē mafai ona toe maua nei faʻamaumauga pe a mavae le oti. O le Anima Code e mafai ai e i latou ua faʻanoanoa ona faʻaogaina se mata faʻailoga (scanner) i luga o se faʻailoga na uma ona faʻamaeʻaina muamua, ma faʻafesoʻotaʻi atu i faʻamaumauga faʻatekonolosi a le tagata ua maliu. O le faʻailoga na faia mai le glasi manino (acrylic), ma vaneina e ala i le leisa i fua tonu, e 10 mm le tafatafa ma 62 mm le umi. O le teuga (packaging) na faia mai le laupapa paulownia, o se mea aoga ua leva ona faʻaaogaina i Iapani mo le teuina o mea.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Anima Code Faʻamoemoega Autu: Faʻailoga Faʻamaonia a le Tagata Lava Ia, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Anima Code Faʻamoemoega Autu: Faʻailoga Faʻamaonia a le Tagata Lava Ia e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Anima Code Faʻamoemoega Autu: Faʻailoga Faʻamaonia a le Tagata Lava Ia e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa
Anima Code is a Hanko (Japanese personal seal) with an engraved QR code. The unique code contains a key to a person's online digital data, and after his or her death, the bereaved ones can reach the person's digital archives by scanning the code stamped beforehand. Through the physical interaction of stamping a seal, this project explores the secure yet intimate approach for inheritance in the digital era.
Fua & Fa'apipi'i
The dimensions of the stamp are 10mm square and 62mm long; the proportions complement the delicacy and precision of the QR code engraving. The packaging is made of paulownia wood, a material that is highly airtight and suitable for storage to maintain proper internal humidity. The box made of paulownia wood has been used in Japan since ancient times to store and preserve porcelain and art objects, and also means "inheritance".
Fa'ailoga
Hanko, Seal, Digital, Inheritance, QR Code, Analogue, Social Media, Die, Graves, Tomb
Tekonolosi Gaosiga
This product adopts acrylic as a major material for its highly weather-resistant and processability. This transparent material is also a metaphor for the intangibility and ambiguity of digital data and its anti-ageing property. In cooperation with a technical manufacturer, it will be laser-engraved to cut out highly precise dimensions. The engraved surface will also be hydrophilic coated for sharp-edge printing so that a camera can read at 10mm square QR code.
Lu'itau o le Mamanu
In terms of the attempt to bridge the present world to afterlife, this product exists between the real and unreal worlds. Because of its unique characteristic of the project, the biggest challenge was how I could design ambiguity without ruining the function as a stamp. For proceeding the project, deliberation and respect for various cultures and religions are also required, reconciling diverse views on life and death with the universality of the event of passing away.
Su'esu'ega
In addition to the digital data after one’s death, the shortage of land for cemeteries and their management has become a social issue in recent times. In a complex age that is technology-driven but still largely material, this project examines the end of life from both digital and analogue perspectives. Through the miniaturization of graves and the harmonization of data and physicality, this product is intended to be an alternative solution to these problems.
Fa'aosofia
Since the rise and domination of social media, many of us continue to leave a trace of our life online with texts, photos and videos. While that uploaded media collective has the potential to projects a multifaceted view of an individual's life, however, once the contributor dies, such digital archives are forgotten and not accessible to even our loved ones. I found the possibility of a physical and emotional act of stamping as a solution to this ongoing social issue.
Umi o le Poloketi
Began in Japan in 2019 and is underway for official launch in 2021.
Fa'agasologa o Galuega
Users register their social media accounts with the product through a dedicated service before their death. A stamp is produced with an imprinted QR code that serves as an access key to those online services. People who are given the seal will be able to read it with a camera and access the archived data of the deceased.
Sui o le 'Au
Takuma Yamazaki
Fa'aaloaloga o Ata
Photo:Takuma Yamazaki
Design: Takuma Yamazaki

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