Shanghai Wzt Aristo Pavilion Faʻataʻitaʻiga Totonu o le Faʻaaliga o Aganuʻu e Shanghai Wei Design Co. Ltd

O le mamanu Shanghai Wzt Aristo Pavilion Faʻataʻitaʻiga Totonu o le Faʻaaliga o Aganuʻu e Shanghai Wei Design Co. Ltd o se manumalo maualuga tele o le fa'ailoga mamalu 2024 A' Design Award Ario i le Vaega Tauva Mamanu Totonu.

ArioTotonu· 2024

Shanghai Wzt Aristo Pavilion Faʻataʻitaʻiga Totonu o le Faʻaaliga o Aganuʻu

na mamanuina e Shanghai Wei Design Co. Ltd

Tagata Fa'atau: Shanghai Wei Design Co..Ltd

Manumalo o le A' Design Award Ario i le Vaega Totonu

20,263

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #161196

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Shanghai Wzt Aristo Pavilion Faʻataʻitaʻiga Totonu o le Faʻaaliga o Aganuʻu

O le Shanghai Wzt Aristo Pavilion o se fale faʻaaliga o aganuʻu i totonu e aofia ai le 600 sikuea mita i le Itumalo o Xuhui, Shanghai. O le mamanu e faʻalauiloaina ai le aganuʻu masani a Saina ma e faʻavae mai le fausaga faʻa-Huizhou o le itulagi o Jiangnan i Saina. O laʻau faʻalava ma pou, sa naʻo le lagolagoina o le mamafa muamua, ua toe faʻaaogaina ma faʻaalia e avea ma elemene autu o le totonu o le fale. O faʻavae o pou ua vaneina i metotia o le vaneina o maʻa faʻa-Huizhou, e faʻaalia ai le plum, le orchid, le ofe ma le chrysanthemum e fai ma vaitau e fa o le tausaga. O se laulau umi faigofie ma laupapa acrylic manino e tuufaatasia ai elemene faʻaonaponei ma elemene masani.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Shanghai Wzt Aristo Pavilion Faʻataʻitaʻiga Totonu o le Faʻaaliga o Aganuʻu, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Shanghai Wzt Aristo Pavilion Faʻataʻitaʻiga Totonu o le Faʻaaliga o Aganuʻu e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Shanghai Wzt Aristo Pavilion Faʻataʻitaʻiga Totonu o le Faʻaaliga o Aganuʻu o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The interior design of Aristo Mansion, committed to promoting the exchange of traditional Chinese culture, distinguishes itself from the conventional neo-Chinese design style. The project exhibits beams and columns, which are integral load-bearing structures in traditional Chinese architecture, as part of the interior design. This not only embodies the structural aesthetics of Chinese architecture but also ensures the utility of the space. Additionally, it accents the harmonious integration of the functionality of the structure with its ornamental aspects.
Fua & Fa'apipi'i: The area is 600m²
Fa'ailoga: Culture, Tradition, Modernity, Space, Design, Chinese Studies
Tekonolosi Gaosiga: To restore the original beam and column structure interiorly, the project reuses components. The column bases are intricately carved using Huizhou stone carving techniques, symbolizing the alternating of four seasons represented by Plum, Orchid, Bamboo, and Chrysanthemum. The desktop crafted from transparent acrylic panels delivers a visually appealing experience where modern and traditional spaces reflect and complement each other.
Lu'itau o le Mamanu: Making an accurate trade-off between modernity and tradition, and achieving a harmonious coexistence without conflict, poses a great challenge in the field of design. The minimalist long table and its accompanying cushions seamlessly integrate modern elements. The minimalist design language not only reconciles with modern aesthetics, but also upholds the continuity of blending to the traditional environment without surprise.
Su'esu'ega: Making an accurate trade-off between modernity and tradition, and achieving a harmonious coexistence without conflict, poses a great challenge in the field of design. The minimalist long table and its accompanying cushions seamlessly integrate modern elements. The minimalist design language not only reconciles with modern aesthetics, but also upholds the continuity of blending to the traditional environment without surprise.
Fa'aosofia: The project is inspired from the essence of ancient architecture in the Jiangnan region of China, particularly the architectural style of Huizhou. This style has drastically influenced the conceptualization of the project. The design team extensively studied the core components of Huizhou architecture, such as column bases and wax gourd beams, along with other iconic structural elements. This enables them to link traditional with modern design contexts.
Umi o le Poloketi: At the entrance of the architectural space, the hanging wall structure, a sort of suspended partition, only unveils a rocky landscape and atomized water beneath the suspended interface. Actually a pine tree is concealed behind this hanging wall which holds great significance in Chinese culture as a symbol of perseverance, nobility and non-corruption. Through the clever installation of this pine tree, it metaphorically embodies the traditional Chinese virtue of a "gentleman" characterized by modesty and reservation.
Fa'agasologa o Galuega: The project kicked off on March 2021 in Xuhui District, Shanghai, and is scheduled to be finalized and put into operation by September 2021.
Sui o le 'Au: Wei Liang, Feng Weiqiang, Yang Hongdan, Huang Weishan, Huang Qinbang