Gordafarid Galuega Muamua: Ofu e Mina Aliyari

O le mamanu Gordafarid Galuega Muamua: Ofu e Mina Aliyari o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Uʻamea i le Vaega Tauva Mamanu Laei.

UʻameaLaei· 2025

Gordafarid Galuega Muamua: Ofu

na mamanuina e Mina Aliyari

Tagata Fa'atau: Kahkeshan Shahab Danesh

Manumalo o le A' Design Award Uʻamea i le Vaega Laei

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #167683

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Gordafarid Galuega Muamua: Ofu

Book Text: O Gordafarid o se ofu na faia mai kapeta Peresia ua toe faaaogaina. O kapeta lalaga-lima ua faaleagaina ma le mafai ona toe faaaogaina e fausia ai le ofu i le tino maualuga ma tumau ai lo latou faatulagaga muamua. O ofuvae e faia i le ie linane e faaaoga ai le auala o le "draping", na maua le manatu mai i ofu o ituaiga Iran. O se fusipoo e tuufaatasia ai le fua faatatau faageometi Iran ma le auala o le origami. O se selu-taulima e faia i uaea afi uamea ma ie e mafai ona fetuutuunai i ituaiga eseese i luga o le tino. O fusi feliuliuai e mafai ai ona suia le lapopoa ma le galuega. E mafai foi ona tautau le vaega kapeta i luga o se puipui po o le tuu i luga o le fola.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Gordafarid Galuega Muamua: Ofu, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Gordafarid Galuega Muamua: Ofu e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Gordafarid Galuega Muamua: Ofu ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: This dress is a bridge between history and modernity
Reusing damaged and unusable handicrafts (Iranian carpets) and introducing them into the fashion industry without changing the original structure of the work, as well as the headband, which is a combination of Iranian geometry and modern origami technique

The items have multiple uses,
A springy and soft shawl that we can give different forms to on the body
. A carpet that can be worn or hung on the wall or placed on the floor as a work of art
Fua & Fa'apipi'i: Blouse : width 250mm x 500mm
Pants: width 700mm x 1100mm
One look size 38
Fa'ailoga: Sustainable fashion, fashion design, clothing, cultural design, origami technique, persian carpet, redesign, draping
Tekonolosi Gaosiga: This garment uses environmentally friendly materials such as linen in the pants and carpet in the torso

The pants are made using the draping technique, modeled after the clothing of Iranian tribes.

The garment and accessories use variable straps to allow for changing size and function.

A combination of metal spring wires and fabric is used to create a flexible and formable scarf.
Lu'itau o le Mamanu: Our main challenge in this project is how to combine the main concept, i.e. free woman, with the identity of Iranian culture and art, and also the correct interaction of these two concepts with fashion with a modern approach, considering sustainable fashion.
Paying attention to the fact that not everything damaged is worthless and can be given meaning and life again by redesigning.
And another problem solved by the project is how to transform handicrafts into clothing while maintaining the original structure of the material and its harmony with the body's form and anatomy, which has turned it into a comfortable and stylish garment.
Su'esu'ega: Research and Investigations:
Historical facts about the clothing, arts and crafts of Iranian peoples throughout history have been made according to the different empires, and the commonalities and consequences of each part of their clothing have been considered. For this project, historical books such as the Shahnameh have been referred to in order to better understand the authenticity of Iran and the influential Iranian women, their role and power.
Fa'aosofia: The inspiration for this design is the expression of courage, freedom and beauty of women against anti-women thinking, who stand amidst the limitations of which the Maripach spring shawl is a symbol of these thoughts, and despite their wounds, which are shown on the torso of the dress with the damaged carpet, they inspire beauty and freedom.

Because of the social, cultural and artistic meaning of this work, we named it Gard Afridi, a symbol of a brave and free woman in Ferdowsi's Shahnameh.
Umi o le Poloketi: The project started in May 2024 in Semnan and Finished in December in 2024 in semnan .
Fa'agasologa o Galuega: Transmitting a sense of authenticity and beauty using an old Persian carpet, hand-woven trousers inspired by the Persian tribal customs, a red headband worn by Achaemenid warriors after winning a war, and a spring shawl that expresses limiting thinking like a cocoon wrapped around a woman, but a woman with her courage inspires freedom and beauty.
Sui o le 'Au: Mina Aliyari
Shahin Nayyer
Fa'aaloaloga o Ata: Images #1 to #5 : Photographer Mahdie Jalali ,Gordafarid ,2024