Light Field Ofisa Mamanu i Totonu e Wei Ting Mou and Ze Li Peng - Puyu Design

O le mamanu Light Field Ofisa Mamanu i Totonu e Wei Ting Mou and Ze Li Peng - Puyu Design o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Apamemea i le Vaega Tauva Mamanu Totonu.

ApamemeaTotonu· 2025

Light Field Ofisa Mamanu i Totonu

na mamanuina e Wei Ting Mou and Ze Li Peng - Puyu Design

Tagata Fa'atau: PUYU Interior Design

Manumalo o le A' Design Award Apamemea i le Vaega Totonu

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #168886

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Light Field Ofisa Mamanu i Totonu

Light Field o se ofisa i totonu i Taiwan, i luga o se nofoaga sa avea muamua ma fale gaosi apa. E aofia ai le vaega e tusa ma le 132.2 mita fa'atafafa ma e fa'aaoga e fai ma nofoaga faigaluega fa'apea fo'i ma faletusi mo le fa'aputuga a le pule o meaafale laupapa tetele. O se pa'u lanu moana loloto e fa'atulaga fa'aletupu L ma nofoa lanu samasama e fa'ailoga ai le vaega talia. O fa'amau uamea ufiufi titaniume e vaevaeina ai le ofisa ma vaega talanoaga a'o fa'atumauina ai pea le fuafuaga tatala. O le fola sima fa'alaugatasi a'ana lava ma faamalama tetele e lagolago ai le fa'aauau pea o le avanoa ma le malamalama masani. O pu piʻo e ta'ita'ia ai le femalagaaʻiga i le va o vaega.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Light Field Ofisa Mamanu i Totonu, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Light Field Ofisa Mamanu i Totonu e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Light Field Ofisa Mamanu i Totonu e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: To break the rigidity of conventional office layouts, the designers adopted a 'deconstructed circulation' approach, using non-linear visual axes for a dynamic spatial experience. The reception area features a bold blue L-shaped bar as the focal point, complemented by yellow seating, balancing vitality and rationality. Titanium-plated metal cabinets subtly divide office and discussion zones, maintaining openness while ensuring privacy. Large wooden furniture pieces from the owner's collection were placed to highlight their natural textures.
Fua & Fa'apipi'i: The space spans approximately 132.2 square meters and initially had no clear layout plan. The designers employed a 'layered' approach to organize the flow, enabling visitors to transition gradually from the open entry area to the semi-private office, and further into the exclusive collection display area. Curved archways serve as transitional mediums, showcasing smooth lines that guide visitors seamlessly through the space. This unobstructed visual guidance also enhances the overall narrative of the space.
Fa'ailoga: Modern Design, Color Flash Design, Artwork, Crude Wood Furniture, Curved Elements, Bright Lighting.
Tekonolosi Gaosiga: The project skillfully balances contrast and harmony through diverse materials. Self-leveling cement mortar flooring enhances tactile delicacy and spatial continuity, while large glass windows maximize natural light, reducing the need for artificial illumination. Dark wooden desks complement wall art, establishing a stable, layered ambiance. The color strategy follows a 'warm-cool balance' principle, where the deep blue reception bar contrasts with the natural wood-toned office area, with gray-white flooring as a neutral bridge, creating a modern yet inviting atmosphere.
Lu'itau o le Mamanu: Integrating the owner's collection of large wooden furniture with modern design posed a challenge. The designers used materials like titanium-coated metal partitions and wooden tables to harmonize the old and new. Since the furniture varied in height and form, custom curved steps were created in the discussion area to adjust the furniture to ergonomic standards. Strategic lighting was used to highlight these steps, enhancing spatial dynamics and reinforcing the interaction between the host and visitors, ensuring comfort and functionality.
Su'esu'ega: Interior design goes beyond functionality, engaging users through aesthetic narratives that reveal the space's fluidity under different lights and angles. Situated amidst open fields with a city view, the site presents an intriguing contrast. The designers embraced this by blending modern design with wooden furniture, embodying the theme of 'admiring art amidst scenic fields' the project's name, Light Field, Art View. Curved archways and a layered color scheme enhance depth, while a thoughtful lighting plan adds warmth and drama.
Fa'aosofia: Located amidst open fields, the site was once a tin sheet factory and has been carefully transformed into a workspace that balances functionality with artistic refinement. The owner, passionate about wooden artworks and contemporary design, envisioned the office as both a workspace and a gallery for their collection. The designers embraced an 'object-driven space' concept, using wood's texture, color, and form to unify the design. This approach blends traditional craftsmanship with modern architectural aesthetics, creating a space that embodies both creativity and practicality.
Umi o le Poloketi: The project finished in November 2024 in Taiwan.
Fa'agasologa o Galuega: The owner highly praised the outcome, recognizing that the project successfully avoided the rigidity typical of conventional offices and created a work atmosphere that is both functional and sensuous through the layering of visual and tactile elements. Furthermore, the design also took into consideration the need for multifunctional use, including areas for immediate staff interaction, private meetings, and a relaxation zone, shaping an office that adapts to various scenarios.
Sui o le 'Au: Wei-Ting Mou, Ze-Li Peng
Fa'aaloaloga o Ata: PUYU Interior Design