Rinn Kyoto Miyagawasuji Hitotose Aki Le Mamanu Totonu o le Faletalimalo e Miki Orihara

O le mamanu Rinn Kyoto Miyagawasuji Hitotose Aki Le Mamanu Totonu o le Faletalimalo e Miki Orihara o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Ario i le Vaega Tauva Mamanu Totonu.

ArioTotonu· 2025

Rinn Kyoto Miyagawasuji Hitotose Aki Le Mamanu Totonu o le Faletalimalo

na mamanuina e Miki Orihara

Tagata Fa'atau: Rinn Kyoto Miyagawasuji Hitotose Aki

Manumalo o le A' Design Award Ario i le Vaega Totonu

16,739

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #170630

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Rinn Kyoto Miyagawasuji Hitotose Aki Le Mamanu Totonu o le Faletalimalo

O le Rinn Kyoto Miyagawasuji Hitotose Aki o se mamanu totonu o se faletalimalo o loo i luga o le Miyagawa-suji, o se auala i Kyoto o loo faatumauina ai foliga masani o le taulaga anamua. O le mamanu e mulimulita'i i tulafono faalotoifale mamafa i lanu, foliga ma sitaili o fale. O le fuafuaga o le faamalamalamaina e taialaina ai malo mai le malamalama vaivai i le faitotoa e oo atu i potu e sili atu ona malamalama, ma o le faamalamalamaina lē tuusaʻo e faaalia ai le foliga o puipui. O le pepa washi na faia faatasi ma se tusiata pepa faalotoifale o loo faaaogaina i le tele o auala, e aofia ai le togafitiga kakishibu, le miloina koyori ma le faaputuputuina fukuro-bari. O le sini o se nofoaga filemu ma mafanafana mo se nofoaga faigofie e malolo ai.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Rinn Kyoto Miyagawasuji Hitotose Aki Le Mamanu Totonu o le Faletalimalo, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Rinn Kyoto Miyagawasuji Hitotose Aki Le Mamanu Totonu o le Faletalimalo e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Rinn Kyoto Miyagawasuji Hitotose Aki Le Mamanu Totonu o le Faletalimalo o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: This facility is located on Miyagawa-suji and features a design that emphasizes harmony with its surroundings. The lighting plan makes full use of materials and cooperation with a local washi paper artist has been designed with local production for local consumption in mind. Kakishibu washi paper and the koyori technique are used to add shading, aiming to create a facility with concern and warmth in the traditional streetscape.
Fua & Fa'apipi'i: Although Japanese paper is used extensively, it is expressed in a variety of ways. Japanese paper mixed with clay and colored Japanese paper plus plastering, kakishibu, which has been used since ancient times for its antiseptic and water-repellent properties koyori, in which Japanese paper is picked up and twisted by hand fukuro-bari, in which the surface is covered to seal the cavity, and furthermore, lighting is installed in the cavity.
Fa'ailoga: Interior Design, Hotel Luxury, Living space, Guesthouse, Asia , Japan
Tekonolosi Gaosiga: Kyoto has strict regulations in place to protect its traditional landscape, and the colors, shapes and designs of buildings must conform to a prescribed style. We have actively worked to comply with these regulations, incorporating external lighting into the interior of the first floor without any sense of incongruity, and creating a “stillness” and “movement” atmosphere on the second floor, created by Kyoto artisans.
Lu'itau o le Mamanu: While overcoming the strict landscape regulations, how can we create a new style without destroying the good image that many people have of Kyoto's machiya? We also carefully considered what kind of measures would be needed to ensure that guests would be comfortable in the hot summers and cold winters.
Su'esu'ega: We held discussions with the Japanese paper artists about colors and construction methods, and solved the problem in a variety of ways. We also reread works such as Junichiro Tanizaki's In Praise of Shadows, E. Oryong's The Shrinking Japanese Mind and Bruno Taut's Nippon and summarized our way of thinking.
Fa'aosofia: The space has been created to reflect the Japanese aesthetics of drawing in, with the intention of capturing the atmosphere of Miyagawa-cho, Kyoto, inside the room. To change from the dim light upon arrival at the inn to the brightness of the interior, the lighting is based on Junichiro Tanizaki's In ei Raisan. In the guest rooms, indirect lighting is used to accentuate the texture of the walls, and the materials and lighting are carefully selected.
Umi o le Poloketi: 605-0801 4-297-10 Miyagawasuji Higashiyama-ku Kyoto city
Completed on October 26, 2023.
Fa'agasologa o Galuega: Design plays an important role in shaping cities. I also think it has a role to play in passing on culture to the next generation. I hope this book will be a chance for many people to learn about the importance of design.
Sui o le 'Au: Lead Designer : Miki Orihara
Interior Designer : Mao Namikawa
Graphic Designer : Kei Sakai
Washi paper-making artist : Wataru Hatano
Fa'aaloaloga o Ata: Main Image / Toshihide Kajiwara
Image #1 / Toshihide Kajiwara
Image #2 / Toshihide Kajiwara
Image #3 / Toshihide Kajiwara
Image #4 / Toshihide Kajiwara