Jingumae Project, Tokyo Japan Galuega Fa'ata'atiaga o Totonu o Fale Nofoia e Kazushige Masuya

O le mamanu Jingumae Project, Tokyo Japan Galuega Fa'ata'atiaga o Totonu o Fale Nofoia e Kazushige Masuya o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Apamemea i le Vaega Tauva Mamanu Totonu.

ApamemeaTotonu· 2025

Jingumae Project, Tokyo Japan Galuega Fa'ata'atiaga o Totonu o Fale Nofoia

na mamanuina e Kazushige Masuya

Tagata Fa'atau: Kazushige Masuya

Manumalo o le A' Design Award Apamemea i le Vaega Totonu

9,792

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #172899

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Jingumae Project, Tokyo Japan Galuega Fa'ata'atiaga o Totonu o Fale Nofoia

O le Poloketi a Jingumae o se toe fa'aleleia o se fale mautotogi i Harajuku, Tokyo, e fa'asaga i le Malumalu o Togo. O le fuafuaga tulaga L e tu'ufa'atasia ai iunite se lua, ma o puipui ma faluga pi'o e fa'aleleia atili ai le gaioiga i totonu o le fale. O le la'au chestnut, ma'a, ma tioata gaosia lima o mea ia e fa'aaogaina fa'atasi ma se togafitiga fa'aitiitia o luga, ina ia tumau ma iloa lelei ata fa'anatura. O faitoto'a sese ma isi mea pi'o e ta mai i vaega ta'itasi o la'au malo atoa. O faluga parquet ma auiliiliga faitoto'a e fa'amanatu mai ai mamanu fa'a-Iapani masani o le laupepa fa'ava'ava'a. O lanu e pei o le eleele e fatuina ai se si'osi'omaga filemu ma matagofie mo le olaga i totonu o le taulaga.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Jingumae Project, Tokyo Japan Galuega Fa'ata'atiaga o Totonu o Fale Nofoia, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Jingumae Project, Tokyo Japan Galuega Fa'ata'atiaga o Totonu o Fale Nofoia e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Jingumae Project, Tokyo Japan Galuega Fa'ata'atiaga o Totonu o Fale Nofoia e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: This apartment renovation facing Togo Shrine in Harajuku blends natural materials to create a modern East-meets-West design inspired by Taisho-era aesthetics. The L-shaped layout merges two units, with curved walls and ceilings enhancing flow. Materials like chestnut wood, stone, and hand-blown glass emphasize sustainability and craftsmanship. Earthy tones and natural accents create a serene yet elegant atmosphere, offering a new model for urban living that harmonizes nature and modern life.
Fa'ailoga: Residence, apartment, natural materials, granite, solid wood, parquet, door
Tekonolosi Gaosiga: The sliding doors are crafted using a technique called sumimaru-gōshi, where the lattice is carved from a single piece of solid wood. Instead of attaching separately rounded pieces, the curves are directly shaped from one block of wood. This method achieves a simple yet elegant and softly refined impression.
Similarly, for other wooden elements, the curved (R-shaped) forms are also created by carving from single pieces of solid wood as much as possible, ensuring a sense of cohesion throughout the space.
Lu'itau o le Mamanu: Since this project began during the unprecedented time of the COVID-19 pandemic, sourcing materials, furniture, and fixtures took far longer than expected. However, this situation allowed us to secure time for deep discussions with the client about fundamental questions: What truly makes a home livable? What defines comfort? As a result, the project became a kind of antithesis to the prevailing trend of prioritizing economic efficiency, prompting everyone involved to reconsider the essence of their work.
Su'esu'ega: We were asked to reconsider the standard interior and architectural modules to ensure the client could live comfortably. Through discussions, we carefully reviewed factors such as circulation widths, dimensions at corners, and the overall flow of daily life. As a result, some areas required more generous spatial allowances than usual. However, upon completion, the client expressed great satisfaction, feeling that the space had become a truly unique environment tailored specifically for them.
Fa'aosofia: We created a space that feels in harmony with nature, as if bringing the serene environment and greenery of the shrine into the interior. Specifically, surface treatments were kept to a minimum to highlight the natural textures of the materials. Inspired by traditional Japanese lattice doors and patterns, these design elements are reflected in the parquet flooring and door detailing.
Umi o le Poloketi: The project started in October 2022 and finished in November 2024.
Pateni: Copyrights belong to Kazushige Masuya, 2024.
Sui o le 'Au: Shinichi Itami(life design kabaya co.,ltd)
Senior Designer
Yuki Monden(life design kabaya co.,ltd)
Designer
Taeko Shinchi(life design kabaya co.,ltd)
Designer
Yukihiko Asaka(life design kabaya co.,ltd)
Construction Manager
Fa'aaloaloga o Ata: Image #1: Photographer Daiki Morita, ZOOM, 2024
Image #2: Photographer Daiki Morita, ZOOM, 2024
Image #3: Photographer Daiki Morita, ZOOM, 2024
Image #4: Photographer Daiki Morita, ZOOM, 2024
Image #5: Photographer Daiki Morita, ZOOM, 2024