Where The Root Is Primary Function: Mamanu o Totonu o le Ofisa e Carlie Ling - K.D Hsu

O le mamanu Where The Root Is Primary Function: Mamanu o Totonu o le Ofisa e Carlie Ling - K.D Hsu o se manumalo maualuga tele o le fa'ailoga mamalu 2020 A' Design Award Ario i le Vaega Tauva Mamanu Totonu.

ArioTotonu· 2020

Where The Root Is Primary Function: Mamanu o Totonu o le Ofisa

na mamanuina e Carlie Ling - K.D Hsu

Tagata Fa'atau: Design Onboard

Manumalo o le A' Design Award Ario i le Vaega Totonu

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #92875

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Where The Root Is Primary Function: Mamanu o Totonu o le Ofisa

O le Where The Root Is o se mamanu o totonu o le ofisa o loo tu i totonu o se fale iloga i le ogatotonu o Shanghai. O le a'a o se laau e avea ma faavae autu o le mamanu. O laina o le fafie walnut pogisa e sopoia le faalo lafolafo e faaata mai ai a'a felavasa'i. O le fola fafie faataitai ma puipui fafie mamana e faailoga ai le fealuaiga ma le faaaogaina, ae o puipui matala e mafai ai ona ui atu le malamalama ma le ea. O se nofoaga e talia ai le lauti e faafeiloai ai malo ma paaga faapolofesa. O le kapeta efuefu ma le ufiufi puipui fulufulu mamoe e maua ai i le vaega faigaluega se leo filemu, ma o le ofisa o le pule e vavaeeseina e faamautinoa ai le faalilolilo.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Where The Root Is Primary Function: Mamanu o Totonu o le Ofisa, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Where The Root Is Primary Function: Mamanu o Totonu o le Ofisa e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Where The Root Is Primary Function: Mamanu o Totonu o le Ofisa o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The client of this project is a high-achieving young entrepreneur with great strategic view from Shanghai. He Choose the HsingKuo Building, in the center of Shanghai City, to be the location of the headquarter, situated in a historic building imbued with dark walnut-texture design vocabulary so that all guests and employees can be greeted with a traditional Chinese tea-style reception, so that all professional partners can have a relaxing tea-tasting space for interaction.
Fua & Fa'apipi'i: The interior was planned to accommodate guest reception and office usage, with the open-plan layout for the interactive domain when visitors arrived, as the aroma of quality tea inundated the interior made of widely-used walnut texture and color, as well on screens styled based on classic Chinese window lattices while the transparency afforded by the screen providing good ventilation and light penetration.
Fa'ailoga: Chinese Tea Art, Office, Wooden Screen,Walnut Timber,Grey Color, High-Tech Woven Fabric
Tekonolosi Gaosiga: With Circular Sky and Square Earth as the design core which borrowed from the ancient Chinese concept of Round Sky as Roof over the Grid of Earth, the flat ceiling intersected with timber line work to manifest the interwoven roots of Trees, an enriched image of premium spatial quality, while patterned timber flooring and wooden grille screen outline circulation and usage demarcation in a subtle yet connective fashion.
Lu'itau o le Mamanu: With such old building in Shanghai, the lack of ceiling height, and of column interval, the design featured lightweight ceiling work and darkened walnut flooring so as to connect with repetitive storage volumes that extends the overall spatial-visual, while the timber grille screen brings transparency and layered quality from different angles, as the open and flexible screen also skillfully divided yet casually connected each sub-spaces.
Su'esu'ega: Around the project site, there are many old trees with winding branches and roots framed by black metal window frames, as the exterior greenery was brought into the interior, permeating through glass partitions before forming an array of layered visuals of light, shadow, and trees. As much the interior was given a consistent warmth, it has also become a space for gathering and consolidation via interaction, epitomized by the interwoven eastern ambiance with western simple line work.
Fa'aosofia: With the unique urban qualities of Shanghai that epitomizes the intersection of East and West, this project is located in a residential building of western-influenced exterior and the old Shanghai-styling interior, a unique elegance in itself. The design team utilized the Root as the core design concept, and dark walnut-texture symbolizing Trees and its steadiness, all of which articulated the stern quality the corporation represents.
Umi o le Poloketi: The project was completed in May 2019 in Shanghai.
Fa'agasologa o Galuega: As the office was treated with grey-color carpet and wool wall carpet for a pure and elegant office ambiance, the office of the supervisor was well concealed and separated from the other open spaces, along with its own tea-tasting room furniture by humble chairs and wooden tables from Ming Dynasty, to ensure privacy, while the back of the room was treated with grey tiles covered by high-tech woven fabric, reminiscence of the traditional Chinese wisdom re-interpreted with modern design vocabulary.
Sui o le 'Au: Kai Ning Ling
Kai Ti Hsu
Fa'aaloaloga o Ata: Kai-Ti Hsu
Zhao Wu
(2019)