Pierre De Ronsard Mamanu Totonu o le Fale Falaoa e Yang Su

O le mamanu Pierre De Ronsard Mamanu Totonu o le Fale Falaoa e Yang Su o se manumalo maualuga tele o le fa'ailoga mamalu 2020 A' Design Award Auro i le Vaega Tauva Mamanu Totonu.

AuroTotonu· 2020

Pierre De Ronsard Mamanu Totonu o le Fale Falaoa

na mamanuina e Yang Su

Tagata Fa'atau: Nonezone Design

Manumalo o le A' Design Award Auro i le Vaega Totonu

15,561

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #97726

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Pierre De Ronsard Mamanu Totonu o le Fale Falaoa

O le Pierre De Ronsard o se totonu o le fale falaoa e aofia ai le 110 sikuea mita. O le mamanu e faaalia ai le faagasologa o le taoina o falaoa ma meaai suamalie i totonu o le avanoa faatauina e tasi e matala. O le manatu taialaina o se tuaoi lē manino i le va o le faleoloa ma le auala totonu o le maketi faatau. O se puipui pio ua tuituia ma vali i le lanu pa'epa'e ivory e tu latalata i le faitotoa autu, ma o le va o pu e suia faasolosolo. O laupepa uamea faapipiiina e eseese le maualuluga e avea ma iunite faaali ma o se faatuina fegalegaleai. O poloka mautu e sui ai vaeluaga tumau, ina ia fesootai ai le totonu ma fafo.

Le Fa'ailogaina

E Uiga i le A' Design Award Auro

O le A' Design Award Auro na manumalo ai Pierre De Ronsard Mamanu Totonu o le Fale Falaoa, o se faamaoniga matuā mamalu e tuuina atu i mamanu o le tulaga muamua, matagofie ma maoaʻe. O ē manumalo i le Auro o galuega fou tele, matuā vaai i le lumanaʻi ma susulu e faaalia ai le atamai, le poto ma le tomai o tagata mamanu. E faamoemoeina Pierre De Ronsard Mamanu Totonu o le Fale Falaoa e avea ma mea fou e matuā vivii, e faatulaga ai uiga fou ma tetele, e tuuina mai ai se tau e leʻi iai muamua. O lenei mamanu na manumalo i le A' Design Award Auro o se galuega ofoofogia, ua faaaloalogia, e aogā tele ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Pierre De Ronsard Mamanu Totonu o le Fale Falaoa e fatuina ai lagona malosi o le manaʻo, faaosofia le tuinanau, faalauiloa le fatufatuaʻi ma faamalosia i tatou.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: As a retail shop mainly for displaying the baking process and desserts, this project is designed to create a spatial feature with the concept, and establish the special atmosphere, so as to extend the possibility of the shop design. The relationship of mutual penetration endows the space with openness to some extent, and connects the internal and external space with the physical dissolution and fusion.
Fua & Fa'apipi'i: The project covers a total of 110 square meters.
Fa'ailoga: Interior, Commercial, Baking Shop, Boundary, Modern, Elegant, Simple, Intervention
Tekonolosi Gaosiga: The laminated metal sheets with various heights play roles of displaying and interactive installation with customers.
Lu'itau o le Mamanu: One side of the site faces the inner street of the shopping mall, and therefore starting from the thought of the boundary, a block is used to replace the interface, to obtain an ambiguous boundary of space by the minimalist design.
Su'esu'ega: As Martin Heidegger said, the boundary is not the stop of something, but the appearance of something new. As the case is located in an inner street facing shopping malls, designers take the boundary thinking as the starting point, replace the interface with body blocks, and blur the boundary of space through subtraction design.
Fa'aosofia: Pierre de ronsard represents the well-known Eden Rosegem, and also the name of a modern French poet, who was widely spread for his description of human beings with a metaphor of flowers. It is selected for the name of a shop by the owner, as an extension of romantic meaning.
Umi o le Poloketi: The project started in July 2018 in Wuxi and finished in November 2010 in Wuxi.
Fa'agasologa o Galuega: Centered on the concept of ambiguous boundary, the perforated curved wall with ivory paint near the main entrance responds with the gradually varied spacing of holes.
Pateni: Copyrights belong to Yang Su, 2018.
Sui o le 'Au: Yang Su
Fengshuai Zhang
Daoxiang Gong
Hai Wang
Fa'aaloaloga o Ata: Image #1: Photographer Ming Chen, Display Rack, 2018.
Image #2: Photographer Ming Chen, Bar Counter, 2018.
Image #3: Photographer Ming Chen, Seat, 2018.
Image #4: Photographer Ming Chen, Display Rack, 2018.
Image #5: Photographer Ming Chen, Entrance, 2018.