Muse Conceptual Exhibtion naMichelle Poon

Dhizaini Muse Conceptual Exhibtion naMichelle Poon ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2021 Mubairo weGoridhe we A' Design Award muChikwata cheKukwikwidza cheGirafiki, Mifananidzo neKutaurirana kweMeso.

GoridheGirafiki· 2021

Muse Conceptual Exhibtion

na Michelle Poon

Mutengi: Michelle Kason

Mukundi weMubairo weGoridhe we A' Design Award muChikwata cheGirafiki

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Nezvekwa Muse Conceptual Exhibtion

Muse ipurojekiti yekuyedza dhizaini inodzidza mimhanzi yemunhu kuburikidza nezviitiko zvitatu zvekuisa izvo zvinopa nzira dzakasiyana dzekunzwa mimhanzi. Yekutanga inongonakidza kushandisa thermo-inoshanda zvinhu, uye yechipiri inoratidza decoded maonero emimhanzi nzvimbo. Yekupedzisira ishanduro pakati pemimhanzi notation uye mafomu ekuona. Vanhu vanokurudzirwa kupindirana nekumisikidzwa uye kuongorora mimhanzi nekuona nemaonero avo. Mharidzo huru ndeyekuti vagadziri vanofanirwa kuziva kuti maonero anovakanganisa sei mukuita.

Kuzivikanwa

Nezve Mubairo weGoridhe we A' Design Award

Mubairo weGoridhe we A' Design Award wakahwinwa ne Muse Conceptual Exhibtion, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini ekutanga, anoshamisa uye akanakisa. Vakunda veGoridhe mabasa ane zvitsva zvakawanda, ane chiratidzo uye anopenya, anoratidza njere, uchenjeri nehunyanzvi hwevagadziri vawo. Muse Conceptual Exhibtion inotarisirwa kuva chigadzirwa chinorumbidzwa kwazvo, chinoita mafambiro matsva uye chakakura, chinopa kukosha kusati kwamboonekwa. Dhizaini iyi yakahwina Mubairo weGoridhe we A' Design Award basa rinoshamisa, rinoremekedzwa, rinobatsira zvikuru uye rinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Muse Conceptual Exhibtion inomutsa manzwiro akasimba ekuda, inomutsa mwoyo, inokurudzira kugadzira uye inotikwezva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: Muse is an experimental design project studying the musical perception of the human through three installation experiences, two sensational and one logical. People are encouraged to interact with the installations and explore the music visually with their own perception. We try to understand how people understand music here.
Kukura & Kupakiwa: The exhibition is proposed to be in Hong Kong Museum of Art Gallery 4. It includes three installations which is 2m x 2m x 3m each for two of the cylinder exhibits (the Senses and Shades) and three tables for the third interactive exhibit (the Table).

There are also a set of printed materials, such as poster, brochures, printed and digital tickets, which align back to the exhibition brand.
Matagi: exhibition, music, perception, visual communication, graphic design, experiement, conceptual
Tekinoroji Yekugadzira: Thermo-active fabric for the Senses.
Acrylic Tiles for the Table.
Antalis Skin Paper for printed matierals.
Changamire yeDhizaini: Research part:

With the current situation of coronavirus, I could not provide an extensive performance that surrounds the participants. This makes sensing spatiality less specific than in under a real performance as participants could only rely on their imaginations while listening to their headphones.

Creative part:

I stuggled to code or turn raw data into infographics or coded graphics. The topic of 'musical Perception' digs very deep into human psychology and it is somehow hard for anybody to understand the final deliverables. I developed a many possibilities before coming up wth using simple and minimalistic approach to code the raw dats collected.
Tsvakurudzo: Readings:

Perception is ineffable. Any written language on the earth failed us in fully communicating perceptions. Perception could be sensed and understood, but not necessarily be spoken. This situation is even more significant when it comes to music as music is often known to be ‘expressive’, ‘intangible’ and ‘free flow’. Music is something that could not be 100% translated to verbal communication. Music is so vague that perception plays a really big role on how we feel and are moved about it.

Musical Experiment:

A group of audience were asked to finish a set of doodles while surrounded by a group of choral performers. From the results, it is understood that human focus on differences and similarities, ups and downs, stable sounds and changes, as well as flat tones and big contrasts. Human always try to find repetitive patterns in a song, which is a reference of what we have always been exposed to.
Chikurudziro: The name ‘Muse’ is taken from the inspiration of Greek mythology. The Greek goddesses of art & music are the Muses. They are known as one entity, though there are actually 9 of them and each is unique in their own way. Its resonances with the concept of perception as perception could be understood universally to some extent, though still unique among each of us.
Nguva yePurojekiti: The project started dwith the research stage from September 2019 to January 2020, and the execution stage from January 2020 to June 2020.
Mafambiro eBasa: We perceive an object through sensations from our body and also our logical mindset which make sense of the sensations. Yet the channels for perceiving music is not limited to our ears only, but our eyes which see the performance, our hands and our bodies which feel the bass beat and frequencies. These information collected from the senses are sent to our brain to construct meaning and perception paved in to help making sense of the information collected.
Mapetenzi: Copyrights belong to Michelle Kasom, 2020
Zvikwereti zveMifananidzo: Michelle Kason