Fading Traditional Trades and Crafts Buug oo uu sameeyey Jesvin Yeo

Naqshadda Fading Traditional Trades and Crafts Buug oo uu sameeyey Jesvin Yeo waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Daabacaadda iyo Warbaahinta La Daabacay ee 2022 Abaalmarinta Dahabka ah ee A' Design Award.

DahabDaabacaad· 2022

Fading Traditional Trades and Crafts Buug

Jesvin Yeo uu sameeyay

Ku Guuleystaha Abaalmarinta Dahabka ah ee A' Design Award ee Qaybta Daabacaad

659,971

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #140455

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Fading Traditional Trades and Crafts Buug

Buuggu waxa uu adeegsadaa sawir-qaadista 3D si uu u diiwaangeliyo oo u muujiyo tafaasiisha qallafsan ee shaqooyinka ay si fiican u diyaariyeen farshaxan-yaqaannada dhaqanka ee reer Singapore, laga bilaabo doomaha masduulaaga xaashida ah iyo dahabka Hindida ilaa kabaha Peranakan. Bogagga midabku waxay astaan u yihiin kor u kaca iyo hoos u dhaca farshaxan dhaqameedka, maaddaama warshaduhu ay bilaabaan xilligii koritaankooda ( caajisin) ilaa da'da dahabka ah (jaalle) oo si tartiib tartiib ah u lumay (caddaan). Tamaashiirta pastel-ka ah ayaa ku lifaaqan akhristayaasha si ay u hadheeyaan boggaga oo ay u ogaadaan farshaxanka lumay ee dhaxal dhaqameedkan aan la taaban karin ee Singapore, maadaama anaga oo keliya aan bini'aadamku ilaalin karno, taageeri karno oo soo celin karno.

Aqoonsiga

Wax ku saabsan Abaalmarinta Dahabka ah ee A' Design Award

Fading Traditional Trades and Crafts Buug waa guuleystaha Abaalmarinta Dahabka ah ee A' Design Award, aqoonsi sharaf aad u weyn oo la siiyo naqshado heerka koowaad ah, cajiib ah oo aan caadi ahayn. Guuleystayaasha Dahabka waa hal-abuurro cusub oo aad u badan, aragti fog leh oo si indho-qabsi ah u dhalaalaya, kuwaas oo ka tarjumaya caqli, xikmad iyo xirfadda naqshadeeyayaashooda. Fading Traditional Trades and Crafts Buug waa shaqo la filayo inay noqoto hal-abuur aad loo ammaano, dejisa isbeddello cusub oo weyn, keenta qiimo aan hore loo arag. Naqshadahan ku guuleystay Abaalmarinta Dahabka ah ee A' Design Award waa shaqo cajiib ah oo la ixtiraamo, waxtar weyn leh oo hormarisa xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Fading Traditional Trades and Crafts Buug waa shaqo abuurta dareenno xoog leh oo rabitaan ah, kicisa xiiso, dhiirigelisa hal-abuur una soo jiidata.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: What makes this book unique is the use of the 3D embossing technique, not just embossing, to highlight the intricate details of the works meticulously crafted by traditional Singaporean artisans, from dragon boats to Peranakan beaded shoes. With the pastel chalk, the book encourages reader engagement by colouring pages to discover the lost art of our ancestors, as only we humans can help safeguard, support and bring attention to the significance of this intangible cultural heritage.
Cabbirka & Qaabaynta: Book Box: 145mm (width) x 305mm (height) x 52mm (thickness)
Book Box Sleeve: 540mm (width) x 220mm (height)
Book: 140mm (width) x 298mm (height) x 40mm (thickness)
Book Sleeve: 530mm (width) x 298mm (height)
Inside pages (accordion fold): 4350mm (width) x 290mm (height)
3 Hard Covers: Inside Cover, Front and Back Covers
Summado: Traditional Artisans, Traditional Crafts, Cultural Artifacts, Intangible Cultural Heritage
Tiknoloojiyada Soo Saarka: The making of this book explores how to combine traditional book forms with new technologies, make traditional book forms more interesting through unusual structures and visual stimuli, and push the boundaries of book design. The book is of significance to the design field because it not only records the traditional crafts for future designers to explore and contribute to the local craft landscape but also examines book design as a form of vanishing traditional craft.
Caqabadda Naqshadda: The project challenges were facing the covid-19 pandemic and the difficulty of making 3D embossed plates. Production of the book was delayed for 6 months due to the intricateness of the artefacts and further halted for 8 months due to the spread of the coronavirus. The team worked closely with the production houses to ensure things could move forward smoothly, and we are grateful that all challenges were managed well in the end.
Cilmi-baadhis: Given the scarcity of available resources, the approach included analysing oral history data collected by the National Archives of Singapore under the Vanishing Trades project in the 1980s and conducting fieldwork with current and retired artisans to understand the current situation and future substantiate the findings. The aim of the project is to document Singapore lost or vanished traditional crafts so that future generations can learn about them even after they disappear.
Dhiirrigelinta: Working with traditional artisans, I learned that when our ancestors came to Singapore in the 19th century from Malaya, China and India, they brought their values and livelihoods with them. These livelihoods include various forms of traditional crafts that have largely enriched Singapore cultural heritage. Thus, it is essential to record these crafts, some of which have vanished or will vanish within the next 20 years, and trace their place to the roots of their meaningful beginnings.
Muddada Mashruuca: The project started in May 2015 in Singapore and finished production in December 2021. The book is on sale from March 2022.
Socodka Hawlgalka: The colour pages of the book symbolize the rise and fall of traditional crafts, as the industry begins its developmental period (dull colour) to its golden age (yellow colour) and gradually fades (white colour). The pastel chalk is attached for readers to shade the pages and discover the lost arts of this intangible cultural heritage of Singapore.
Shatiyada: Copyrights belong to Jesvin Yeo, 2021
Xubnaha Kooxda: Jesvin Yeo
Alvin Ng.
Amaanta Sawirrada: All images: Photographer Victor Gui, 2021 and 2022