Guanshan Aqoonsiga Sumadda oo uu sameeyey Hong Jia Min

Naqshadda Guanshan Aqoonsiga Sumadda oo uu sameeyey Hong Jia Min waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Garaafigga, Sawir-gacmeedka iyo Isgaarsiinta Muuqaalka ee 2025 Abaalmarinta Birta ah ee A' Design Award.

BirGaraafig· 2025

Guanshan Aqoonsiga Sumadda

Hong Jia Min uu sameeyay

Macmiilka: Jijia Brand Creative Studio

Ku Guuleystaha Abaalmarinta Birta ah ee A' Design Award ee Qaybta Garaafig

2,022

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #172951

Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Guanshan Aqoonsiga Sumadda

Guanshan waa aqoonsi sumadeed (brand identity) loo sameeyay dukaan shaah caano ah. Naqshaddan waxay saldhig uga dhigan tahay xarfaha Shiinaha, iyadoo casriyeynaysa qaab-dhismeedka far-qoraalka dhaqameed ee "clerical script" halka ay sii haynayso ruuxdiisa qadiimiga ah. Iyadoo ku salaysan cilmiga quruxda walxaha Bariga (Eastern object aesthetics), aqoonsigu wuxuu isku daraa sawirrada fargeetooyinka khadka (ink wash fans) iyo alaabta shaaha. Astaanta dhexe waxay muujinaysaa fargeeto iyo koob shaah oo isku dul saaran habsami, taasoo abuurta labo macnood oo isku dhafan. Xariiqyada khadka ee ku sawiran waxay muujiyaan qaab-dhismeedka bamboo-ga ee fargeetada wareegsan ee dhaqameed, halka muuqaalka koobku ku dhisan yahay koobabka shaaha ee Jianzhan.

Aqoonsiga

Wax ku saabsan Abaalmarinta Birta ah ee A' Design Award

Guanshan Aqoonsiga Sumadda waa guuleystaha Abaalmarinta Birta ah ee A' Design Award, aqoonsi sharaf leh oo la siiyo naqshado wanaagsan oo buuxiya shuruudaha xirfadeed iyo kuwa warshadeed ee laga filayo hal-abuurro si wanaagsan loo naqshadeeyay. Guuleystayaasha Birta waxay muujiyaan xirfad weyn, takhasus sare, fahan khabiir iyo awood hal-abuur oo abuurayaashooda. Guanshan Aqoonsiga Sumadda waa hal-abuur la filayo inuu noqdo mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, wax ku ool ah oo cusub. Naqshadahan ku guuleystay Abaalmarinta Birta ah ee A' Design Award wuxuu isku daraa hab-dhaqannada ugu wanaagsan warshadda wuxuuna leeyahay sifooyin farsamo oo karti leh oo ku xiran aqoon iyo hibo. Dhammaystirkeeda awgeed, Guanshan Aqoonsiga Sumadda waa mudan ixtiraam, waxaana loo naqshadeeyay inay keento hagaajin nololeed oo ka caawisa in adduunka laga dhigo meel ka wanaagsan.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Cabbirka & Qaabaynta: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Summado: Oriental, Creativity, Tea , Ink Painting, Chinese
Tiknoloojiyada Soo Saarka: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Caqabadda Naqshadda: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Cilmi-baadhis: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Dhiirrigelinta: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Muddada Mashruuca: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Socodka Hawlgalka: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Shatiyada: Copyrights belong to Hong Jia Min, 2024.
Xubnaha Kooxda: Hong Jia Min
Amaanta Sawirrada: Hong Jia Min