Дизајн Janus Dizajn enterijera bara аутора Junlin Zhang је високо цењени добитник веома престижне награде 2024 Сребрна награда A' Design Award у категорији такмичења Дизајн ентеријера и изложбених простора.
СребрнаЕнтеријер· 2024
Janus Dizajn enterijera bara
аутор: Junlin Zhang
Клијент: Janus
Добитник награде Сребрна награда A' Design Award у категорији Ентеријер
Верификовани добитник награде
Верификујте статус награде за #156360Дизајн
О дизајну Janus Dizajn enterijera bara
Janus je viski i koktel bar koji se nalazi u Čangši, u Kini. Enterijer se prostire na oko 200 kvadratnih metara i raspoređen je na dva sprata. Fasadu čine jednostavni crni geometrijski blokovi sa klasičnim detaljima, a na konzolnoj platformi nalazi se klasična skulptura. Prvi sprat predstavlja prateći prostor, dok je drugi sprat glavni prostor koji prima dnevnu svetlost kroz otvor na krovu. Stepenište koristi labave drvene gazišta koja daju mekan zvuk i blagi odskok pod nogama. Drveni furnir sa vertikalnom teksturom i ogledalski polirani nerđajući čelik oblikuju atmosferu.
Признање
О награди Сребрна награда A' Design Award
Janus Dizajn enterijera bara је добитник Сребрне награде A' Design Award, изузетно престижног признања које се додељује врхунским, предивним и импресивним дизајнима. Добитници Сребрне награде неизмерно су бриљантна и изузетно креативна дела која илуструју изузетну стручност, таленат и оштроумност својих дизајнера. Очекује се да Janus Dizajn enterijera bara буде дивно, узорно дело, запажено професионално и дубоко иновативно. Овај дизајн награђен Сребрном наградом A' Design Award веома је запажен, дивљен изум који користи и помера границе уметности, науке, дизајна и технологије. Janus Dizajn enterijera bara је творевина којој многи завиде, која буди жеље, доноси позитивна осећања и изазива чуђење и дивљење.
Иза дизајна
Комплет за медије
Заслуге, чланови тима и технички детаљи које је обезбедио дизајнер.
- Јединствене карактеристике
- Janus is a whisky and cocktail bar with a social aspect. Our client had two demands: one was that the audience should not interpret this place according to the literal meaning of Janus or their traditional concepts, and the other was that the audience should have more than two different spatial experiences in this place. These different spatial experiences combine as an integral whole rather than to be independent ones.
- Димензије и паковање
- 200 meter-square
- Ознаке
- bar, whisky, postmodernism, hard and warm feeling, retroism, experimental
- Технологија производње
- What exactly are we talking about when we talk about spatial ambience? Is it sunlight, air, sound, materials, textures, or colours? I began to think about the overall relevance of the façade in relation to the first and second floors. They are at once traditional, strong and thick, even a little archaic and they are at the same time receptive, inclusive, interesting and experimental. I tried to use postmodernism to summarise the atmosphere created inside and outside the building. I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
- Дизајнерски изазов
- I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
- Истраживање
- I tried to decipher the form of beauty, but I found that I could not describe or categorise it accurately and clearly. It can be specific things such as people, air, light, sound or colour. When we deal with different clients and different conditions of the place, the results are unpredictable. It reminds me of Louis Kahn, who asked the red brick what it wanted to be.
- Инспирација
- When I first went to the site for mapping, I was very excited and surprised by the light on the second floor, when the sunlight was pouring down from the daylight opening. My first reaction was that the place already has distinctive features that can bring audiences different moods, and experiences in the daytime and night-time. I then began to conceptualise how to create two or more different atmospheres in the space. Creating is the art of making a meaningful whole out of individual components
- Трајање пројекта
- The project was launched in March 2023 in Changsha, China and completed in June 2023 in Changsha, China
- Ток рада
- When I open the door to the first floor, the confrontation between the interior space and the facade appeared which is confrontation in colour, material, the whole and the fragmented. But this does not detract from the formal unity of the exterior and interior. The retroism without losing the independent style declares their relevance. The staircase guides to the upward space, and I deliberately used loose wood as the tread of the staircase. Stepping on it has a rustling sound and can feel the rebound of the wood. This is completely different from the feeling of crossing the first floor with steady steps. The first floor also doesn’t have the light and shadow spilling out from the top. The low linear strip of light on the side of the handrail is a safety cue as well as an orientation. People in such environment begins to become focused and anticipated. The spatial atmosphere of the second floor is basically the same as what I had conceived. Everything is as it is. There is no conflict, no exaggerated arrangement, no criticism and no attempts. I am like a director who arranges the work of each department and position in an orderly manner. Covered wood veneer with vertical grain delivers both hard and warm feeling. Mirrored stainless steel breaks the calm and refract light and images that change with the activities of the people in the space. Sometimes it is cold, sometimes warm, sometimes noisy, sometimes quiet and ambiguous.
- Чланови тима
- Lead designer: JunLin Zhang
Extension designer: WenLiang Liu
Rendering designer: JingYu Zhang - Заслуге за фотографије
- Ueya photography（Lei Liu）
Спонзорисано
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