Typotect Boitsebiso ba Setšoantšo sa Khoebo ka Seulah Choi

Moralo oa Typotect Boitsebiso ba Setšoantšo sa Khoebo ka Seulah Choi ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Dikerafikhe, Ditshwantsho le Puisano ka Pono.

BoronseKerafikhe· 2020

Typotect Boitsebiso ba Setšoantšo sa Khoebo

ka Seulah Choi

Moreki: Seulah Choi

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Kerafikhe

12,105

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #104366

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Typotect Boitsebiso ba Setšoantšo sa Khoebo

Typotect ke boitsebiso ba setšoantšo sa khoebo bo entsweng bakeng sa musiamo wa bonono ba sejwalejwale bo inehetseng mosebetsing wa Piet Zwart, moetapele wa modernism. Lebitso lena le kopanya mantswe a mabedi, e leng typography (thutobongodi) le architect (moqapi wa meaho), ho bontsha mafapha a mabedi ao Piet Zwart a neng a sebetsa ho ona. Boitsebiso bona bo hlalosa hape ka tsela e ncha dintlha tse tharo tse fumanwang meralong ya hae: mebala e meraro ya motheo, dikarolo tse otlolohileng tse tshesane, le dibopeho tse bataletseng tse behilweng sebakeng se bulehileng. Mola o mosweu o motshesane wa bofubelu o hlaha ka hodimo ho ntlha e nngwe le e nngwe ya tshebediso, ha mmala o mosootho le o mosehla e le ona a tlatsang dibopeho tse bataletseng. Boitsebiso bona bo thehilwe hodima kgatiso mme bo sebediswa dipostareng, dikarateng tsa mabitso, dithekethe le distikara tsa marako.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Typotect Boitsebiso ba Setšoantšo sa Khoebo ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Typotect Boitsebiso ba Setšoantšo sa Khoebo e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Typotect Boitsebiso ba Setšoantšo sa Khoebo e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: 'TYPOTECT' is a modern museum of 'Piet Zwart' who was a pioneer of modernism. The name of the museum is a mixed word with 'Typography' and 'Architect', due to his designer career. He used 3 primary colors, line and plane shape in his works. By reinterpreting his works, the identity of 'TYPOTECT' museum has designed. Modernism designers are still inspirationing many designers these days and I thought reinterpreting his works could give more inspirations to many people.
Boholo le Phuthelo: This are print-based works. Poster was worked in 594(mm)x841(mm) but could be change in a same ratio. Name card is basically 50(mm)x70(mm).
Lithegi: branding, identity, communication, design, art museum, modern museum, museum, graphic, graphic identity
Theknoloji ya Tlhahiso: It is mostly print-based brand identity design. It could be printed on the paper(for example, namecard and ticket), or on a sticker so it can be decorated on the wall.
Phephetso ya Moralo: After done with finding out the characteristics of his works and reinterpreting it, it was challenging how I could make this brand identity not only looking and feeling like his original works and careers but also new modern design museum. I tried to make it simple and kept using a linear shapes to show his work identity.
Dipatlisiso: For this project, I tried to go to all the modern museums in Newyork City. It gave me an idea of why people enjoys modern art and what makes people feel interesting about it. Also I researched about Piet Zwart by googling him and looking up by books. Basically he was famous designer so it was easy to find his pieces but it was hard go know his personal insights and thoughts. Reading books and some instructions about his design pieces helped me finding out and making up the identity of TYPOTECT museum. In conclusion, I could find out his main characteristics inside his works and could reinterpret his works for new type of modern museum branding.
Kgothaletso: When I was in NewJersey, studying graphic design, I learned about Piet Zwart who was known as a pioneer of modernism. I thought his works were very unique and shows his identity very well. He only used 3 primary colors mostly in his works. Also using a linear shapes and composition in his works were very attractive to me because he actually was a typo&graphic designer and also an architect. Inspired by this, I thought it would be fun interpreting his pieces and making an identity of Piet Zwart.
Nako ya Projeke: The project was started in 2016 in NewJersey and finished in March, 2020. The reason why it took so long is because I wanted to keep developing it and renewal it to keep it in the trend. The latest version of the proeject won the Silver Winner in Asia Design Prize 2019.
Tsamaiso ya Mosebetsi: Main characteristics of the project is using 3 primary colors, a linear shape and making a composition in the space. The light line which is mostly used with color red on the top of every brand application must used very thin stroke. Also color-based pain shape is better using color blue and yellow because it's less outlooking then red. Plain shape, reshaped square and a line must be used in logo with 3 main colors.