Cats In The Bag Mosebetsi wa Mantlha: Setshwantsho ka Kozo Asada

Moralo oa Cats In The Bag Mosebetsi wa Mantlha: Setshwantsho ka Kozo Asada ke mohlodi oa khau e hlomphehang haholo ya 2021 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Dikerafikhe, Ditshwantsho le Puisano ka Pono.

TšepeKerafikhe· 2021

Cats In The Bag Mosebetsi wa Mantlha: Setshwantsho

ka Kozo Asada

Moreki: Kozo Asada

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Kerafikhe

7,909

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #112319

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Cats In The Bag Mosebetsi wa Mantlha: Setshwantsho

Mongolo wa Buka: Cats In The Bag ke letoto la ditshwantsho tse behilweng ka feiming tse bontshang dikatse di phomola ka hare ho mekotla. Mosebetsi o mong le o mong wa bonono o hlahisa ketsahalo e bonolo ya bophelo ba letsatsi le letsatsi le katse. Letoto lena le hlahisa dikatse tse nang le boya bo bolelele, boya bo bokgutshwane le tse se nang boya, tse kopantsweng le mekotla ya dibopeho tse fapaneng. Ditshwantsho tsena di tshwantshitswe ka mokgwa wa dijithale ebe di gatiswa hodima dipale tsa acrylic ka mokgwa wa silk screen. Dipale tse ngata tse gatisitsweng di beoa ka hodimo ha tse ding ka har'a feiming e hlophisitsweng ka tlhoko, ho na le pampiri le sheete ya ho seha tse behilweng ka morao, e leng se etsang hore setshwantsho se bonahale se le boraro-dimentšene ha tsela eo o shebang ka yona e fetoha. Karolo e nngwe le e nngwe e sekweranyana e lekana ka boholo ba dimilimithara tse 422 ka tse 422.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Cats In The Bag Mosebetsi wa Mantlha: Setshwantsho ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Cats In The Bag Mosebetsi wa Mantlha: Setshwantsho e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Cats In The Bag Mosebetsi wa Mantlha: Setshwantsho e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This is a project to bring the presence of cats into everyday life.
He drew a simple graphical representation of a cat and a bag, a scene that could exist in everyday life.
When you actually look at the work, it looks three-dimensional and therefore attracts your attention in your daily life.
The theme of the work is cats with a wide variety of hair, including long-haired, short-haired, and hairless cats.
She has also chosen to use bags with different appearances.
Boholo le Phuthelo: Height:422mm x Width:422mm x Depth:50mm (including the frame)
Lithegi: cat, bag, illustration, art, silkscreen
Theknoloji ya Tlhahiso: He examined what methods are appropriate for fixing digitally painted illustrations to the acrylic plates.
A silk-screening technique was employed. We also experimented with a method of creating a three-dimensional effect by layering the acrylic plates.
An original picture frame is made to fit two acrylic plates.
Materials used: acrylic plate, silk screen, acryl gouache. paper, cutting seat.
Phephetso ya Moralo: When you see a painting in an actual gallery.
Which size of exhibit looks the most beautiful?
Because of the distance between you and the person viewing your work and the influence of the lighting.
Which size of picture is best suited to create
He created and considered a variety of sizes.
For the display of this piece, there was a need to create the minimalist and simple presence of the illustration, so I
He made it a primitive square.
Dipatlisiso: The first thing we did was to investigate what types of cats there are.
They have different lengths and patterns of hair depending on the type.
It also has its own unique pose and big changes in appearance.
He have examined those differences in combination with the bag and the way it looks attractive.
Kgothaletso: This project was born from the essential relationship between cats and bags in daily life. It is common to see a cat sleeping in a bag or a plastic bag in daily life with a cat, which is a posterior neck.Cats are said to have always liked small spaces, and it is said that they used to protect themselves from enemies and to rest in small spaces. For cats kept in modern houses, the bag seemed to be used as a single nest for them.Watching them resting in their bags, as if the two had been that way from the beginning. I felt that the relationship was complementary to each other.
Nako ya Projeke: The project began in Tokyo in April 2016.
Solo exhibitions have been held in Tokyo and Hiroshima.
Tsamaiso ya Mosebetsi: Multiple silkscreened acrylic boards are stacked on top of each other, and paper and cutting sheets are placed at the bottom to create a single painting.
Between the acrylic boards, He put them in a special frame.
It is made to produce a three-dimensional effect by shifting the viewfinder's perspective from a few millimeters away.
Diphatente: Copyrights belong to Kozo, 2016
Litho tsa Sehlopha: Art Director: Kozo Asada, Illustrator: Kozo, Photographer: Arisa Kasai
Litlotla tsa Setshwantsho: Image 1: Illustration Kozo, Photographer Arisa Kasai, 2016 .
Optional Image 1: Illustration Kozo, Photographer Arisa Kasai, 2016.
Optional Image 2: Illustration Kozo, Photographer Arisa Kasai, 2016.
Optional Image 3: Illustration Kozo, Photographer Arisa Kasai, 2016.
Optional Image 4: Illustration Kozo, Photographer Arisa Kasai, 2016.