Jui-Ping Lee tarapyndan New Year Illýustrasiýa

Jui-Ping Lee tarapyndan döredilen New Year Illýustrasiýa dizaýny Sanly Sungat Bäsleşik Kategoriýasynda 2024 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirSanly Sungat· 2024

New Year Illýustrasiýa

dizaýner: Jui-Ping Lee

Sanly Sungat Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Reňkler

Dizaýn

New Year Illýustrasiýa hakynda

Asuda howlyda, gyşyň mylaýym gar ýagşynyň we güýzüň janly reňkleriniň arasynda, ajaýyp Kimono geýen nepis görnüş otyr. Bu sahna Wabisabi täsirini janlandyrýar, ýalňyzlygyň we rahatlygyň gözelligini bedenleşdirýär. Matanyň üstünde näzik nagyşlar bezeg berýär, esasan dabara alamaty bolan sosna agaçlary; we deňziň rahatlygyny aňladýan ritmiki Seigaiha. Ýakyndan seretmek has çylşyrymly jikme-jiklikleri açýar, çep tarapda suratkeşiň lakam adyny göterýän daş plastinka ýerleşýär; we Kimononyň üstünde 2020-nji ýyly, syçan ýylyny aňladýan syçan nagyşlary bar.

Ykrar etme

A' Design Award Demir Baýragy hakynda

New Year Illýustrasiýa A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. New Year Illýustrasiýa uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. New Year Illýustrasiýa jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Ölçegler we Gaplama: Original dimensions at 5600*3150 px, with 935 canvas layers
Bellikler: Illustration, Kimono, Furisode, Kouyou, Karesansui
Önümçilik Tehnologiýasy: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Dizaýn Kynçylygy: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Gözleg: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Ylham: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Taslama Dowamlylygy: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Iş Akymy: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.