Xinyu Zheng tarapyndan Floral Album Moda Kolleksiýasy

Xinyu Zheng tarapyndan döredilen Floral Album Moda Kolleksiýasy dizaýny Moda, Egin-eşik we Geýim Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirModa· 2026

Floral Album Moda Kolleksiýasy

dizaýner: Xinyu Zheng

Müşderi: Tulip 'n room

Moda Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Floral Album Moda Kolleksiýasy hakynda

Floral Album 1980-nji ýyllaryň maşgala fotosuratlaryndan ylham alnan moda kolleksiýasydyr. Kolleksiýa ulanylman galan (deadstock) matalardan birnäçe el işi usullary bilen utgaşdyrylyp taýýarlanýar. El bilen keşdelemek, kroşe, monjuk işi, örmek we haç tikişi mahmal we gatlakly aç-açan dokma önümlerine ulanylýar. Kroşe bezegler we örülen bölekler geýýän adam hereket edende yşygy şöhlelendirýän payetka elementlerini öz içine alýar. Her egin-eşik aýratynlykda taýýarlanýar, şonuň üçin hiç bir bölek gaýtalanmaýar. Ähli bölekler erkin ölçegdedir. Kolleksiýa jikme-jik el işini üns berilmeýän materiallaryň gaýtadan ulanylmagy bilen baglanyşdyrýar.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Floral Album Moda Kolleksiýasy A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Floral Album Moda Kolleksiýasy uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Floral Album Moda Kolleksiýasy jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Ölçegler we Gaplama: All the pieces are free size.
Bellikler: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Önümçilik Tehnologiýasy: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Dizaýn Kynçylygy: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Gözleg: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Ylham: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Taslama Dowamlylygy: This project was initiated in April 2023 and completed in September 2024 in New York.
Iş Akymy: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Patentler: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Topar Agzalary: /
Surat Awtorlary: Stefy Lin, 2024.