Isabelle Tan tarapyndan Voice Print Kitap

Isabelle Tan tarapyndan döredilen Voice Print Kitap dizaýny Çap we Neşir Mediýa Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirÇap· 2026

Voice Print Kitap

dizaýner: Isabelle Tan

Müşderi: Isabelle Tan

Çap Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Reňkler

Dizaýn

Voice Print Kitap hakynda

Voice Print — sözleýiş kynçylyklary, ýagny adamlar gepleýän wagtynda ýüze çykýan arakesmeler we tertipsizlikler barada kitap. Kitapda sözleýşi wagt boýunça kartalaşdyrýan wizual nagyşlar bolan tipografik partituralar ulanylyp, sözleýşiň akgynlylygynyň iki ýagdaýa ýönekeý bölünmek däl-de, eýsem spektr görnüşinde bardygy görkezilýär. Partituralar arka tarapy güýçli görünýän ýarym dury kagyzda çap edilen. Ýalpyldawuk we ýagtylyk geçirmeýän kagyzda gara fonda ak reňkde ýazylan makalalar kontekst berýär we okyja ýol görkezýär. Kitabyň ölçegi 9-a 12 dýuým bolup, bu nota kagyzynyň ölçegi bilen deňdir.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Voice Print Kitap A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Voice Print Kitap uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Voice Print Kitap jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Voice Print is a book about disfluencies and the way we speak. It attempts to show the hidden complexities of fluent speech through typographic scores, showing that fluency exists on a spectrum rather than a simple binary. Alongside the scores are essays that provide context and guide the reader through the book. These essay spreads are white on black, and printed on glossy, opaque paper stock. It's design is intentionally rigid and mechanical, but still mimicking the fluidity of the scores.
Ölçegler we Gaplama: Width 228.6mm x Depth 304.8mm x Height 15mm
Bellikler: typography, book design, experimental typography, graphic notation, editorial design
Önümçilik Tehnologiýasy: The book is 9x12 inches, same size as sheet music. Scores are printed on translucent paper with significant show-through, representing the fluidity of human speech. Essays are white on black and printed on glossy, opaque paper, to contrast the scores.
Dizaýn Kynçylygy: The hardest part was translating something as fluid and emotional as speech into a strict visual system. Finding the right balance between structure and freedom required constant testing. Socially, it confronted cultural biases surrounding stuttering; technically, it involved designing a typographic method capable of capturing temporal and tonal variations. This process expanded the role of design as a tool for empathy and linguistic awareness.
Gözleg: This design research explores speech fluency through visual notation. The goal was to reveal the structure behind imperfect speech. Using recorded interviews, speech was transcribed into typographic scores that map sound over time. Participants included people with varying speech patterns. The results show visual and rhythmic similarities between stuttering and melisma, reframing disfluency as expression, not error, impacting how we perceive voice and identity.
Ylham: What is fluency? Is it the lack of stutters? Does it signify perfection? How do we show the hidden complexity behind fluent speech? When we mention fluency, thoughts of speaking smoothly often come to mind. Disfluencies have been viewed as undesirable due to cultural perceptions. What if our pauses and irregular flow of speech arent seen as undesirable?
Taslama Dowamlylygy: This project started in January 2023 NYC, and completed in July 2025 NYC.
Iş Akymy: Voice Print turns speech into visual scores. Each page transcribes how we talk, pauses, hesitations, and rhythm, into patterns on a grid, inspired by the musical score. By following a few design rules, speech becomes something you can see. It helps us recognize that stuttering and melismatic singing share structure, showing that our disfluencies are not flaws but part of how we express ourselves.
Topar Agzalary: Isabelle Tan