Beimu Ingaphakathi Levenkile Enkulu ngu-Huson

Uyilo olubizwa ngokuba yi-Beimu Ingaphakathi Levenkile Enkulu olwenziwe ngu-Huson ngumwini obekekileyo webhaso elinobukhazikhazi le-2021 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweNdawo yangaPhakathi kunye noMboniso.

IbhronziIngaphakathi· 2021

Beimu Ingaphakathi Levenkile Enkulu

ngu Huson

Umxhasi: Beimu Home

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ingaphakathi

11,250

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#116018

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Beimu Ingaphakathi Levenkile Enkulu

I-Beimu yindawo yangaphakathi yevenkile enkulu eDongguan, eChina, egubungela i-800 metha ezisikwere. Uyilo luthobisa ukuboniswa kweemveliso kwaye lugxininisa kwindawo ngokwayo, ukuze abatyeleli babanjwe ngumlinganiselo wendawo yangaphakathi. Ubuso bakhiwe ngokusikwa babe ziibhloko ezimnyama nezimhlophe ngemigca elula. Ecaleni kophawu lweqhaga, kuvulwe ifestile enye ye-3.3 metha ezisikwere, edala umbono ophakathi kwangaphakathi nangaphandle. Umbala obomvu nomnyama benza umhlaba orolekileyo owenza ukuhamba kucothe. Iitafile nezitulo zobungakanani obahlukeneyo zinika iindawo ezininzi zeentlanganiso, ukuphumla nengxoxo.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Beimu Ingaphakathi Levenkile Enkulu ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Beimu Ingaphakathi Levenkile Enkulu iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Beimu Ingaphakathi Levenkile Enkulu iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The client of Beimu flagship store hopes to further improve its brand paradigm through space design strategy.

The creative logic of a designer consists of three parts: the change of business model and the manipulation of consumer psychology under the background of the era; the uniqueness and displeasure of cultural aesthetics in the context of globalization; and the gradual design refinement technology starting from concept to form
Imilinganiselo nePakishini: The store is about 40M（L）*20M（W） and covers an area of 800 square meters.
Iithegi: Flagship store, BEIMU Home, Commercial Exhibition, OD·O office
Ubuchwepheshe Bokuvelisa: designers strive to create the symbol and spirit of the brand. Through the building facade, black and white color blocks are cut out with simple lines. Beside the highlighted brand logo, only a window of 3.3 square meters is opened to form a mutual peeping relationship inside and outside. The window plays the role of "soul and eye" and sends heartbeat signals to passers-by. Red and black construct a maze of time stagnation, guiding visitors to observe and pay attention to the strangeness after alienation. On the one hand, the deliberately elongated channel serves as the adjustment and transition of emotions, and on the other hand, it further strengthens the curiosity of the first-time visitors. Mirrors, stairs, and clever use of light all connect the feelings between people and space.
Umngeni Woyilo: Symbol and spirit communication of brand building
Uphando: the creative logic of designers consists of three parts: the change of business model and the pinch of consumer psychology under the background of the great times, the uniqueness and unpleasure of cultural aesthetics in the context of globalization, and the gradual design refinement technology which begins with the concept of form.
Inkuthazo: Designers advocate weakening products, emphasizing space, retaining visitors with the charm of space itself, and achieving stronger business interaction. The development of the Internet has transformed space into a new space of the dual world of reality and virtual. Therefore, the design of modern commercial space not only depends on pure aesthetic judgment, but also bears the responsibility of brand identity media.
Ubude Beprojekthi: The project started in Dongguan in April 2020 and completed in September 2020, opening to the outside world.
Ukuhamba Komsebenzi: How to ease the antagonistic relationship between buyers and sellers is the focus of designers' thinking.
Provide multiple negotiation scenarios for visitors to choose from, the designer's purpose is to weaken the commercial characteristics of space. The combination of tables and chairs with different scales and styles shows that the space is not only a place for commercial negotiation, but also a clubhouse for old friends gathering, but also a place for leisure and rest for the surrounding residents.
Amalungu Eqela: HUSON
Zhou Yanjie
Yi Yongxian
Lin Wuyuan
Ye Bohui
Tang Xiaobo
Amagunya Emifanekiso: Picture#0000：photographer Ouyang yun,2020
Picture#0001：photographer Ouyang yun,2020
Picture#0002：photographer Ouyang yun,2020
Picture#0003：photographer Ouyang yun,2020
Picture#0004：photographer Ouyang yun,2020