Uyilo olubizwa ngokuba yi-Qin Uthotho lweePoster olwenziwe ngu-Kaidi Mao ngumwini obekekileyo webhaso elinobukhazikhazi le-2021 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweGrafiki, umZobo kunye noNxibelelwano oluBonakalayo.

IbhronziIgrafiki· 2021

Qin Uthotho lweePoster

ngu Kaidi Mao

Umxhasi: Kaidi Mao

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Igrafiki

9,015

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#124488

Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Qin Uthotho lweePoster

I-Qin luthotho lweeposter oluhlalutya kwakhona isiko lomzobo wemifanekiso yamazwe aseTshayina ngokusetyenziswa kwemidiya yedijithali. Igama elithi Qin livela kwigama lesiTshayina elithetha ukungena okanye ukuhamba ngaphakathi, kwaye uphawu olubhaliweyo lumanyanisa iimpawu zamanzi kunye nentliziyo. Imifanekiso iqala njengeefoto ze zize ziphuhliswe ngezixhobo zedijithali ezifana nePhotoshop, iCinema 4D kunye neProcreate. Olu thotho lwenziwa ngobungakanani obubini kwaye lunokuboniswa kuphrinti okanye kwiskrini, kwigalari okanye ekhaya. Injongo kukubonakalisa imbono yamaTaoist ngendalo kubaphulaphuli behlabathi liphela.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Qin Uthotho lweePoster ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Qin Uthotho lweePoster iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Qin Uthotho lweePoster iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Imilinganiselo nePakishini: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Iithegi: Art, poster, Taoism, culture, landscape, painting
Ubuchwepheshe Bokuvelisa: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Umngeni Woyilo: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Uphando: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Inkuthazo: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Ubude Beprojekthi: The project started in September 2019, finished in May 2020 in Los Angeles.
Ukuhamba Komsebenzi: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.