Interference Ubugcisa Bemifanekiso Eqingqiweyo ngu-Lai Jiebin

Uyilo olubizwa ngokuba yi-Interference Ubugcisa Bemifanekiso Eqingqiweyo olwenziwe ngu-Lai Jiebin ngumwini obekekileyo webhaso elinobukhazikhazi le-2023 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo loBugcisa obuHle kunye nokuFakwa kwoBugcisa.

IsilivereUbugcisa obuHle· 2023

Interference Ubugcisa Bemifanekiso Eqingqiweyo

ngu Lai Jiebin

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ubugcisa obuHle

54,789

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#148173

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Interference Ubugcisa Bemifanekiso Eqingqiweyo

Imilo yemithi imele indalo, kwaye ilaphu limela ukungenelela kwabantu kwindalo. Lo msebenzi udibanisa ubume bendalo yasekuqaleni namathuba okungenelela kwabantu, udala isithuba somfanekiso esinomxholo wezendalo esingqongileyo, kwaye usebenzisa izinto zemilo yemithi ezikwimifanekiso yeencwadi zeSong Dynasty kwimifanekiso eqingqiweyo. Xa abantu begqalele kule misebenzi, baya kucinga ngaphi uluntu luye khona kunye nobudlelwane phakathi kwendalo nabantu.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Interference Ubugcisa Bemifanekiso Eqingqiweyo ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Interference Ubugcisa Bemifanekiso Eqingqiweyo iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Interference Ubugcisa Bemifanekiso Eqingqiweyo yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The tree shape symbolizes nature, and the cloth on it symbolizes the interference of human forces in nature. It collides the primitive nature of nature with the possibility of human interference, suggesting that although the environmental situation of today's highly developed earth looks very beautiful, it has major hidden dangers. When people stare at the works, they think about the future of mankind and the relationship between nature and mankind.
Imilinganiselo nePakishini: Each monomer is about 4.8m long, 1.5m wide and 2.5m high
Iithegi: Sculpture, public art, contemporary art, ecological art
Ubuchwepheshe Bokuvelisa: Transparent resin is selected for material creation through 3D printing technology to explore the performance of 3D printing technology in the context of contemporary art, create a tragic scene space with the theme of ecology, reflect the natural attribute, spatial expression and artistic conception transmission of transparent resin, apply the modeling elements of trees in Chinese traditional literati paintings of Song Dynasty to sculpture, and retain Chinese classical aesthetics, Make the whole work present an elegant state.
Umngeni Woyilo: Create a visual and touchable artistic image with a certain space, so as to reflect social life and express aesthetic feeling, aesthetic emotion and aesthetic ideal
Uphando: The emergence of ecological art reflects people's reflection and Reflection on the consciousness of environmental damage, and is the expression of the progress of the times. As a work of public art, with the eyes of criticism and reflection, it has more profound value and contribution to the disclosure of the contradiction between man and nature, and can also reflect the level of civilization.
Inkuthazo: The inspiration comes from the author's childhood rural life. In the process of perceiving the "tree" since childhood, what lingers is that the "tree" is used in the form of tools to provide daily necessities and "service" for drying quilt covers for people living nearby. The author felt sad about the "pressure" of trees since childhood. Why should a tree bear so much weight for mankind. Nowadays, people's interference with nature is more like one quilt after another
Ubude Beprojekthi: The project was completed in April 2022, and was exhibited in Shandong Art Museum in May 2022, 798 Art District in Beijing in June 2022, and the Himalayan Art Museum in Shanghai in December 2022. It is now collected by Zhuhai Huanyu City
Ukuhamba Komsebenzi: Compared with literati paintings in other times, Chinese literati paintings in Song Dynasty have more obvious characteristics, rich ideas and simple painting style, which has great reference value for the current painting art. The shape of the tree in the works is inspired by the literati painting of the Song Dynasty. Through repeated deliberation on the tree language in the literati painting of the Song Dynasty, it is finally presented in its own works.
Amagunya Emifanekiso: Image # 1, # 2, # 3, # 4, # 5 artist Lai jiebin