Hoshino Jinja Ithempeli ngu-Shigetaka Mochizuki

Uyilo olubizwa ngokuba yi-Hoshino Jinja Ithempeli olwenziwe ngu-Shigetaka Mochizuki ngumwini obekekileyo webhaso elinobukhazikhazi le-2024 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweLifo leNkcubeko kunye noShishino lweNkcubeko.

IsilivereIlifa leNkcubeko· 2024

Hoshino Jinja Ithempeli

ngu Shigetaka Mochizuki

Umxhasi: Mochizuki Corporation

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ilifa leNkcubeko

130,955

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#160556

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Hoshino Jinja Ithempeli

Yindlela entsha yokuqulunqa edibanisa ubugcisa bakudala nobusha, njengendlela yaseJapan yemveli yokwakha engasebenzisi zixhobo zentsimbi, i-Ishiba-building kunye nobalo lwamandla omda olusekelwe kuhlalutyo lwesakhiwo sanamhlanje. Uyilo, olwakhiwe ngemigca ethe tye neyime nkqo, lunobuhle obuphezulu kwaye luchaziwe njengobuhle besakhiwo obunomtsalane obusekelwe kuluvo lwaseJapan olulodwa ngobuhle.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Hoshino Jinja Ithempeli ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Hoshino Jinja Ithempeli iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Hoshino Jinja Ithempeli yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The simple design of the new covered hall, with its copper-sheet roof, the main element of the shrine, gabled roof, and horizontal and vertical lines of the pillars, stiles, and footings, expresses the Japanese sense of beauty with a very high level of design. This building is open to those who study, manage, and use architectural techniques, and functions as a place to learn about such knowledge.
Imilinganiselo nePakishini: Main applications Shinto shrine
Site area 0.402248ha
Building area 0.009565ha
Total floor area 0.009277ha
Maximum height 30.8395ft
Eaves Height 20.669ft
Iithegi: Mochizuki Corporation, Mochizuki Architects, Architectural Design Office, Shrine carpenter, traditional techniques, architect, Architect Builder,artisan,
Ubuchwepheshe Bokuvelisa: The masonry structure employed in this building has the aptitude to resist earthquakes and typhoons without damaging the earth.
The building was calculated and planned using the limit capacity design method, which is based on the frictional and restorative forces resulting from the combination of members, a characteristic of wooden architecture. It is truly an epoch-making building that makes full use of traditional Japanese construction methods and new technologies.
Umngeni Woyilo: function and reflect its role without eclipsing the sacred building. The sensitive design solution was to emphasize simplicity and strength.
Uphando: The building has been used as a training site for university and technical college students, engineers, and prefectural and city officials to foster younger generations and pass on traditional techniques, and has been widely covered by the media through several public tours. As a result, it has become possible to sustain the traditional techniques of architecture. The use of local wood contributes to tradition, culture, industry, and the environment, and the shrine has become a local landmark.
Inkuthazo: The design, composed of horizontal and vertical continuous lines, is aesthetically pleasing and unique to Japanese architecture, and is considered an "attractive structural beauty.
An innovative approach that combines traditional Japanese construction methods that use no hardware at all with modern structural analysis and "limit strength calculations" to create buildings that will last for 100 or 200 years, blending old and new technologies.
Ubude Beprojekthi: The project started in August 2019 in Toyokawa City, Aichi, Japan and finished in December 2021
Location 102 Kamikaizu, Hirao-chou, Toyokawa City, Aichi, Japan, Aichi,
Ukuhamba Komsebenzi: Tradition evolves through innovations and is reborn as a new tradition.
Centuries-old traditional skills and craftsmanship combined with new modern practices and designs, will be bridging to a new traditional residential architecture, that carries on succession of skills.
Amagunya Emifanekiso: Photographer, Yasuo Hagiwara