Elysium Echoes Umsebenzi Ophambili Wokuqhubeka Njengoko Kwenzeka: Umtsalane Wobugcisa Bale Mihla Onokushukunyiswa ngu-Yiru Wang

Uyilo olubizwa ngokuba yi-Elysium Echoes Umsebenzi Ophambili Wokuqhubeka Njengoko Kwenzeka: Umtsalane Wobugcisa Bale Mihla Onokushukunyiswa olwenziwe ngu-Yiru Wang ngumwini obekekileyo webhaso elinobukhazikhazi le-2025 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo loBugcisa obuHle kunye nokuFakwa kwoBugcisa.

IbhronziUbugcisa obuHle· 2025

Elysium Echoes Umsebenzi Ophambili Wokuqhubeka Njengoko Kwenzeka: Umtsalane Wobugcisa Bale Mihla Onokushukunyiswa

ngu Yiru Wang

Umxhasi: SaturnVII Studio

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ubugcisa obuHle

10,748

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#170527

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Elysium Echoes Umsebenzi Ophambili Wokuqhubeka Njengoko Kwenzeka: Umtsalane Wobugcisa Bale Mihla Onokushukunyiswa

Isicatshulwa Sencwadi: I-Elysium Echoes ngumtsalane wobugcisa ojikelezayo ophonononga ubudlelwane phakathi kotshintsho lwendalo nokusinda kwabantu. Lo msebenzi wenziwe ngesinongo se-resin, isinyithi kunye ne-acrylic, unamacandelo apapashwe ngendlela ye-3D kunye nomatshini ojikelezayo, kwaye ubungakanani bawo ngu-45 nge-45 kwaye ngu-50 zeesentimitha. Amacandelo amathathu amele imifanekiso yobuntu, eyokuguqulwa kunye neyasemva kobuntu. Ukujikeleza okuqhubekayo kuphazamisa kwaye kudibanise le manqanaba ukubonisa utshintsho lwendaleko yendalo. Lo mtsalane umema abantu ukuba bacinge nzulu ngobuchwepheshe, indalo kunye nekamva loluntu.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Elysium Echoes Umsebenzi Ophambili Wokuqhubeka Njengoko Kwenzeka: Umtsalane Wobugcisa Bale Mihla Onokushukunyiswa ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Elysium Echoes Umsebenzi Ophambili Wokuqhubeka Njengoko Kwenzeka: Umtsalane Wobugcisa Bale Mihla Onokushukunyiswa iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Elysium Echoes Umsebenzi Ophambili Wokuqhubeka Njengoko Kwenzeka: Umtsalane Wobugcisa Bale Mihla Onokushukunyiswa iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: Elysium Echoes explores the complex relationship between environmental change and human survival in a post-humanist era. It examines how humanity's evolving bond with the environment is influenced by the balance between technological progress and ecological sustainability.
Imilinganiselo nePakishini: 45*45*50cm
Iithegi: 3D Printing, Art Installation, Interdisciplinary Art, FutureEcology, ContemporaryTechArt
Ubuchwepheshe Bokuvelisa: Rotating Motor, 3D Printing, Resin, Metal, Acrylic
Umngeni Woyilo: Elysium Echoes deconstructs the complex bond between humans and nature, prompting reflection on technological progress and its impact on life and evolution. As humanity's influence grows, a crucial question arises: should we reshape nature in the name of technology? Though the "post-human era" remains uncertain, it echoes a warning—our pursuit to replace the Creator may not unfold as envisioned.
Uphando: This research uses a speculative, practice-led approach to explore how technological progress reshapes humanity’s relationship with nature in the Anthropocene. Grounded in post-humanist theory, it critiques ethical ambiguities of ecological intervention and envisions alternative evolutionary paths. Through immersive installation art, kinetic prototyping, and participatory observation, a rotating structure (human/transitional/post-human) simulates evolutionary disruption. Data from 87 interviews, audience analytics, and impact simulations reveal a tension between techno-optimism and ecological humility, with 73% reconsidering humanity’s stewardship. The work advocates for ethical, interdisciplinary governance and positions design as a mediator between science and societal values.
Inkuthazo: In the post-human era, I explore how shifting environments and productivity levels shape human gene selection. Technological progress aids adaptation, yet sudden ecological upheaval risks collapsing our systems, regressing productivity and forcing genetic adaptation to dominate survival. Here, mutation emerges as life’s most reliable tool.
Ubude Beprojekthi: London Design Week 14–21 September 2024
Dutch Design Week 19–27 October 2024
Ukuhamba Komsebenzi: This dynamic installation explores biodiversity and evolution in the transition from humans to post-humans. Comprising three parts—human, transitional forms, and post-human—it rotates continuously, disrupting and recombining stages to simulate evolutionary shifts and new species. The work challenges biological boundaries and provokes thought on evolution, technology, and humanity’s future.
Amalungu Eqela: YIRU WANG