Clay Moulded Uyilo Lwangaphakathi Lwethiyetha ngu-Marius Mateika

Uyilo olubizwa ngokuba yi-Clay Moulded Uyilo Lwangaphakathi Lwethiyetha olwenziwe ngu-Marius Mateika ngumwini obekekileyo webhaso elinobukhazikhazi le-2025 Ibhaso Legolide le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweNdawo yangaPhakathi kunye noMboniso.

IgolideIngaphakathi· 2025

Clay Moulded Uyilo Lwangaphakathi Lwethiyetha

ngu Marius Mateika

Umxhasi: Mama architects

Umwini we-Ibhaso Legolide le-A' Design Award Kudidi Lwe-Ingaphakathi

68,756

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#171457

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Clay Moulded Uyilo Lwangaphakathi Lwethiyetha

IClay Moulded luyilo lwangaphakathi lwethiyetha yomculo eKlaipeda, eLithuania. Udongwe lugquma iindonga neesilingi, kwaye ngaphezulu kweetoni ezingama-30 zalo mathiriyeli zafakwa ngesandla. Ipateni yeholo eliphambili iyaqhubeka kwaye ihamba ukusuka kwelinye icala lendawo ukuya kwelinye. Kwaphuhliswa inkqubo yokugquma yamanqanaba asixhenxe kule projekthi, equka ukutshiza, ukwenza iipateni, ukomisa, ukukhuhla, ukugleyiza nolondolozo. Iindonga neesilingi ziyakwazi ukuvuleka nokuvaleka ukulawula ukubuya kwesandi, ngoko ke le ndawo iyakwazi ukulungela iikonsathi, imidlalo yeqonga neentlanganiso. Iholo lababukeli lihlalisa abantu abangama-700.

Ukuqatshelwa

Malunga ne-Ibhaso Legolide le-A' Design Award

Clay Moulded Uyilo Lwangaphakathi Lwethiyetha ngumphumeleli weIbhaso Legolide le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo yeklasi yokuqala, ephawulekayo nentle. Abaphumeleleyo beGolide ziimveliso ezintsha kakhulu, ezinombono ongaphaya nezikhazimlayo ezibonisa ubuchule, ubulumko nobuchule babayili bazo. Clay Moulded Uyilo Lwangaphakathi Lwethiyetha iyathenjwa ukuba ibe yimveliso edunyiswe kakhulu, ebeka umkhwa nekumgangatho wesikhumbuzo enikela ixabiso elingazange libonwe. Lo myilo uphumeleleyo weIbhaso Legolide le-A' Design Award yiprojekthi emangalisayo nehlonelwayo eluncedo kakhulu kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Clay Moulded Uyilo Lwangaphakathi Lwethiyetha idala iimvakalelo ezinzulu zonqweno, ivusa umdla, ikhuthaza ukuyila kwaye iyasikhwebela.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Imilinganiselo nePakishini: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Iithegi: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Ubuchwepheshe Bokuvelisa: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Umngeni Woyilo: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Uphando: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Inkuthazo: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Ubude Beprojekthi: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Ukuhamba Komsebenzi: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Amalungu Eqela: Architects: Marius Mateika
Amagunya Emifanekiso: Photographer: Leonas Garbačauskas