MioBar Umsebenzi Oyintloko: Uyilo lwabaPapashi ngu-Naoya Katagami

Uyilo olubizwa ngokuba yi-MioBar Umsebenzi Oyintloko: Uyilo lwabaPapashi olwenziwe ngu-Naoya Katagami ngumwini obekekileyo webhaso elinobukhazikhazi le-2026 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweGrafiki, umZobo kunye noNxibelelwano oluBonakalayo.

IbhronziIgrafiki· 2026

MioBar Umsebenzi Oyintloko: Uyilo lwabaPapashi

ngu Naoya Katagami

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Igrafiki

10,743

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#176803

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-MioBar Umsebenzi Oyintloko: Uyilo lwabaPapashi

Umbhalo weNcwadi: Le projekthi ibonisa uvuselelo lweMioBar njengeGran Caffe emva kweminyaka elishumi elinesithathu isebenza. Isiphumo soyilo siquka iphecana, incwadi yemifanekiso, kunye nohlobo lwamagama olwenziwe ngokukodwa olubonisa imo enobunono kodwa efikelelekayo yangaphakathi oluguqulweyo. Iphefumlelwe yinkcubeko yekhefi yase-Italiya, le projekthi isebenzisa amajika oyilo lwezakhiwo njengeemotifu zokubhala kwaye ihlanganisa umfanekiso wokufota ukurekhoda iimpawu zendawo kunye nobukho babantu. Iveza ikhefi njengendawo yokunxibelelana kwentlalo ngaphakathi komxholo wayo wasekuhlaleni.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

MioBar Umsebenzi Oyintloko: Uyilo lwabaPapashi ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. MioBar Umsebenzi Oyintloko: Uyilo lwabaPapashi iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. MioBar Umsebenzi Oyintloko: Uyilo lwabaPapashi iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: This project marks the transformation of MioBar into Gran Caffe after 13 years. The brochures and photography were designed to convey the refined atmosphere of the renewed space, inspired by the elegance of historic Italian cafes. A custom typeface, subtly echoing the bar's architectural curves, reinforces the identity. More than a place to drink coffee, it aspires to embody the cultural essence of cafes as timeless spaces for reflection and connection.
Imilinganiselo nePakishini: Leaflet: A6, 8 pages, folded brochure.
Menu: A3, single-sheet.
Photo book LULTIMOGIORNO: B5, 124 pages.
Typeface Rinata: custom original type created specifically for MioBar.
All elements feature original photography by the designer.
Iithegi: Hiroshima, Gran Caffe, Italian Cafe Culture, Graphic Design, Leaflet, Photography, Book Design, Custom Typeface, Visual Communication, Branding
Ubuchwepheshe Bokuvelisa: The project combined custom typography, editorial design, and photography. An original typeface was created, inspired by the curved architectural features of the renovated cafe interior. The leaflet was realized through color photography shot with Leica equipment, while the photo book LULTIMOGIORNO was produced using monochrome film that I photographed and self-developed. This hands-on process, from capture to refinement, ensured a unified and authentic visual identity aligned with the Gran Caffe's ambience.
Umngeni Woyilo: The main challenge was translating the essence of a Gran Caffe into visual communication without reducing it to decoration. Balancing historical references with contemporary sensibility required close study of architectural curves and cultural symbols. Limited resources and alignment with the client's renovation vision added complexity, but addressing these constraints resulted in a design that resonates authentically with both space and community.
Uphando: Research for this project focused on the cultural and spatial role of cafes, particularly the transition from a neighborhood bar to a Gran Caffe. The objective was to explore how architecture, typography, and visual communication shape atmosphere and memory. Methods included observing Italian cafe traditions and analyzing spatial curves, which inspired the custom typeface Rinata. Findings indicated that careful design can elevate daily experiences and reinforce cultural identity.
Inkuthazo: Editorial Design

The inspiration came from the transformation of MioBar into a "Gran Caffe," envisioned as a cultural space rather than just a coffee bar. The aim was to express the spirit of its refined yet welcoming interior through graphic design. Drawing from the curved architectural details, I created the original typeface Rinata, complemented with photography to capture both atmosphere and story. The result is a design that not only informs but also evokes the essence of cafe culture.
Ubude Beprojekthi: The project began in March 2025 in Hiroshima, Japan, with the renovation of MioBar into Gran Caffe Mio. The design work, including leaflet, photo book, and custom typography, was completed by June 2025 in Hiroshima, and officially presented to the public at the cafe's reopening in July 2025.
Ukuhamba Komsebenzi: This project goes beyond a simple restaurant renovation, aiming to convey the essence of a Gran Caffe to the local community. The leaflet serves as an accessible guide, while the photo book offers a reflective experience of the renewed space. Combined with custom typography, these elements invite people in Hiroshima to engage with the cafe and the cultural heritage it represents.
Amagunya Emifanekiso: Naoya Katagami