Porous Manifold Itiya Yasejapan ngu-Ryumei Fujiki and Yukiko Sato

Uyilo olubizwa ngokuba yi-Porous Manifold Itiya Yasejapan olwenziwe ngu-Ryumei Fujiki and Yukiko Sato ngumwini obekekileyo webhaso elinobukhazikhazi le-2019 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo loBugcisa obuHle kunye nokuFakwa kwoBugcisa.

IsilivereUbugcisa obuHle· 2019

Porous Manifold Itiya Yasejapan

ngu Ryumei Fujiki and Yukiko Sato

Umxhasi: F.A.D.S + Fujiki Studio, KOU::ARC

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ubugcisa obuHle

41,472

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#72501

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Porous Manifold Itiya Yasejapan

Eli ligumbi letiye lexeshana laseJapan eliboniswe kwi-Echigo-tsumari Art Triennale 2018 kwaye inesakhiwo esinendlwane enesithuba se-tatami esifakwe kwisikwere seenyawo ezilishumi. Kulo mboniso, abakhi bezakhiwo baceliwe ukuba baphendule kumxholo wendlela yokoyisa ingqikelelo yendawo elinganayo eyayigquba kwinkulungwane yama-20. I-skeleton yayiyilwe kusetyenziswa ipateni engacwangciswanga eyayibizwa ngokuba yiVoronoi Division ukuphazamisa indawo elinganayo. Kwaye kwacetywa ukuba i-architecture enenani elikhulu lemingxuma into enokuvulwa kwaye ivalwe njengoko kuyimfuneko ukunxibelelana ngaphandle njengento ephilayo.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Porous Manifold Itiya Yasejapan ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Porous Manifold Itiya Yasejapan iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Porous Manifold Itiya Yasejapan yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Imilinganiselo nePakishini: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Iithegi: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Ubuchwepheshe Bokuvelisa: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Umngeni Woyilo: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Uphando: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Inkuthazo: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Ubude Beprojekthi: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Ukuhamba Komsebenzi: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Iipathenti: F.A.D.S + Fujiki Studio, KOU::ARC
Amalungu Eqela: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Amagunya Emifanekiso: Masahiro Hoshida, Fujiki Studio, KOU::ARC