Utopia Gbigba Awọn Obinrin láti ọwọ́ Yina Hwang

Utopia Gbigba Awọn Obinrin láti ọwọ́ Yina Hwang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àṣà Ìmúra, Aṣọ àti Ẹ̀wù.

FàdákàÀṣà Ìmúra· 2020

Utopia Gbigba Awọn Obinrin

látọ̀wọ́ Yina Hwang

Oníbàárà: Yina Hwang

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Àṣà Ìmúra

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

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Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Utopia Gbigba Awọn Obinrin

Ninu ikojọpọ yii, Yina Hwang ni atilẹyin nipataki nipasẹ awọn apẹrẹ ti o jẹ afiṣapẹẹrẹ ati aibaramu pẹlu ifọwọkan ti aṣa orin si ipamo. O curated gbigba yii da lori akoko pataki ti gbigba ara rẹ lati ṣẹda ikojọpọ ti awọn aṣọ aṣọ asọye sibe ati awọn ẹya ẹrọ lati ṣe itan ti iriri rẹ. Gbogbo atẹjade ati aṣọ ni iṣẹ na jẹ atilẹba ati pe o lo alawọ alawọ PU ni akọkọ, yinrin, Mash Mash, ati Spandex fun ipilẹ awọn aṣọ.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Utopia Gbigba Awọn Obinrin jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Utopia Gbigba Awọn Obinrin yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Utopia Gbigba Awọn Obinrin jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: The designer was brought up in a Korean society where everybody demanded perfection in appearance. Since young, her asymmetrical face made her feel like she was ugly or not up to society’s demand of perfection. That put her in a box where it restricted her freedom of thought and expression. Yina curated this collection based on her pivotal moment of self embracement while she was traveling the world in 2018, to create the functional yet abstract garments to embody the story of her experience.
Ìwọ̀n àti Àpò: US size 2 to 6
Àwọn Àkọlé: Embracement, Self-empowerment, Balance, Symmetricity, Asymmetricity
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: To start this collection, I self-experimented by going towards the other end of the spectrum of what society views as “perfect” by using surgery tape to distort my physical appearance to lay down the foundation of what I will be creating. The distortion led to the collages. The collages led to the prints which also created the silhouettes to my initial prototypes. Every print and fabric in the project is original and I mainly used PU leather, Satin, Power Mash, and Spandex for the base of the fabrics.
Ìpèníjà Àpèsè: The challenge was getting the right prints on the right fabric. Every fabric has a different result of prints and has a different approach to sewing. I went through a series of fabric tests and garment prototypes to reach the final result.
Ìwádìí: As I immersed myself into the underground music culture, I was inspired by how people with different backgrounds, shapes, colors, genders, and sexuality are embraced under one roof and it led me to a self-empowering moment. I researched its culture, how diverse people live and what they wear. These researches and experiments laid down the foundation of this project.
Ìmísí: This project was mainly inspired by the shapes that are symmetric and asymmetric with a touch of underground music culture. Depending on the line of division, a symmetrical shape can be simultaneously asymmetric. It’s all about how you choose to perceive it. Every shape has its own beauty and every beauty has it’s own shape. This project aims to break down the wearer’s restriction for the freedom of expression, and help the wearers bring out their own spirits.
Àkókò Iṣẹ́ Àkànṣe: This project started in September 2018 and finished in January 2020 in New York and was presented in New York Fashion Week on February 7th, 2020 in New York, USA.
Ìlànà Ìṣiṣẹ́: Some of the garments can transform the shapes by attaching/detaching fabric panels using snaps.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Copyrights belong to Yina Hwang, 2020.
Ìfọwọ́sí Àwòrán: Image #1: Photographer John Carlo, 2019
Image #2: Photographer John Carlo, 2019
Image #3: Photographer John Carlo, 2019
Image #4: Photographer John Carlo, 2019
Image #5: Photographer John Carlo, 2019