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Cut and Paste Iyasọtọ láti ọwọ́ Lisa Winstanley

Cut and Paste Iyasọtọ láti ọwọ́ Lisa Winstanley jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán, Àpèjúwe àti Ìbánisọ̀rọ̀ Ojú-Ìwòran.


WúràÀwòrán· 2021

Cut and Paste Iyasọtọ

látọ̀wọ́ Lisa Winstanley

Oníbàárà: Lisa Winstanley

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Àwòrán

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #103530

Àwọ̀

Àpẹrẹ Náà

Nípa Cut and Paste Iyasọtọ

Ohun elo irinṣẹ iṣẹ akanṣe yii, Ge ati Lẹẹ mọ: Idilọwọ awọn Plagiarism wiwo, sọrọ koko kan ti o le ni ipa lori gbogbo eniyan ni ile-iṣẹ apẹrẹ ati sibẹsibẹ plagiarism wiwo jẹ koko-ọrọ ti a ko ni ijiroro. Eyi le jẹ nitori aibikita laarin gbigbe itọkasi lati aworan ati didakọ lati inu rẹ. Nitorina, ohun ti iṣẹ akanṣe yii ṣe imọran ni lati mu imoye si awọn agbegbe grẹy ti o wa ni ayika iṣipaya wiwo ati ipo eyi ni iwaju awọn ibaraẹnisọrọ ni ayika ẹda.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Cut and Paste Iyasọtọ jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Cut and Paste Iyasọtọ yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Cut and Paste Iyasọtọ ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
This project addresses a topic that affects everyone in the creative industry at some point in their career. Yet visual plagiarism is an issue that is seldom discussed, perhaps due to the ambiguity between taking reference from an image and copying from it. Rather than preach morality, what this project provides is awareness; enabling participants to make informed choices. The collaterals were created to support an active learning workshop with the main aim to provide a platform for discussion
Ìwọ̀n àti Àpò
The book is A5 with a bespoke die cut folder at the back which contains the folded A3 poster, A6 4pp activity, die cut bookmark and kiss cut sticker sheet. These are all housed in a bespoke die cut outer folder which also contains an A5 notepad and pocket for 5 A6 postcards
Àwọn Àkọlé
branding, logo, book, poster, stationery kit, postcards, stickers, bookmark, workshop
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
This project was printed on RJ Maple bright stock of various weights dependent on the item. The outer folder is a bespoke die cut as is the 36pp book which contains a double sided poster, bookmark, A6 postcards and sticker set. The stationery kit is custom designed and contains pencils, paperclips and a sharper to complement the custom note paper
Ìpèníjà Àpèsè
The design utilises the existing colour palette and fonts of the University brand, alongside culturally appropriate imagery and rich, real-world examples of visual plagiarism, homage, pastiche and parody. The notion of a cut and paste visual culture is present throughout, as a reminder for participants to consider ethical intentions as part of their creative practice and the secondary, juxtaposed theme of ‘copy cats’ is playfully illustrated; humorously referencing this common idiom and introducing a more palatable lightness to a somewhat serious topic.
Ìwádìí
To support an active learning workshop, print collaterals were developed including, an outer folder, a 36 page book, bookmark, posters, postcards, stickers, a notepad and a custom designed stationery kit. The brief was to create an integrated design system which would appeal to a target audience of young Singaporean designers, to guide them through complex topics via an active learning pedagogy.
Ìmísí
The designs were inspired by constructivist layout with rich, culturally appropriate imagery and bold, angled typography. The brief was to create an integrated design system which would appeal to a target audience of young Singaporean designers, to guide them through complex topics via an active learning pedagogy.
Àkókò Iṣẹ́ Àkànṣe
The project was launched in January 2020 at the School of Art, Design and Media, Nanyang Technological University, Singapore
Ìlànà Ìṣiṣẹ́
This project intends the user to fully interact with each component of the pack. The book is intended to be a tool for sketching ideas, writing notes and experimenting. The postcards are designed as case studies for discussion and debate. The A6 activities as practice based and require users to ideate and experiment. The stationery set facilitates this interaction and the outer folder provides a study container to house the full kit.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
Copyrights belong to Lisa Winstanley, 2020
Àwọn Ọmọ Ẹgbẹ́
Art Director: Lisa Winstanley
Research Assistant: Wu You
Photographer: Lisa Peh Jiaxian
Film: Eugene Lim Ming Zheng
Ìfọwọ́sí Àwòrán
Photographer: Lisa Peh Jiaxian
Film: Eugene Lim Ming Zheng

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