Fò lọ sí àkóónú
Ike Ile láti ọwọ́ Hatsuo Morimoto

Ike Ile láti ọwọ́ Hatsuo Morimoto jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.


IdẹÌkọ́lé· 2021

Ike Ile

látọ̀wọ́ Hatsuo Morimoto

Oníbàárà: moKA architectural design office

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìkọ́lé

11,833

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #110168

Àwọ̀

Àpẹrẹ Náà

Nípa Ike Ile

Ike jẹ́ ilé abẹ́tà mẹ́ta pẹ̀lú iyẹ̀wu òkè (penthouse), tí a kọ́ sí agbègbè ìlú tí ó pọ̀ jùlọ ní olùgbé ní Nagoya, Japan. Ilé tí a fi kọnkiti alágbára kọ́ ní àyè ilẹ̀ tí ó jẹ́ mítà onígun mẹ́rin 365 àti àyè pákó ilẹ̀ tí ó jẹ́ mítà onígun mẹ́rin 602. Àwọn ògiri òde ni a ṣe pẹ̀lú kọnkiti tí ó ní àwòrán igi, tí a ṣe nípa fífi pákó sedar bo àpótí àmúgbẹ́nu kí a tó da kọnkiti sí i. Àwọn ilẹ̀kùn gareji tí a fi igi ṣe, gíláàsì ògiri aṣọ (curtain wall) àti àwọn bulọ́ọ̀kì odi òkúta ni ó parí ìrísí òde ilé náà. Ọgbà kékeré mẹ́ta (pocket gardens) mú ìmọ́lẹ̀ àìtọ̀nà, afẹ́fẹ́ àti ewéko wá sínú àwọn yàrá. A ti yí àwọn ilẹ̀ òkè padà díẹ̀ (offset) kí ìmọ́lẹ̀ oòrùn lè ṣì máa dé àwọn ilé tí ó wà nítòsí.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Ike Ile jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Ike Ile yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Ike Ile ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The concrete of the outer wall skin of the building is grained.
This kind of skin is expressed by pasting a cedar board inside the formwork and pouring concrete into it.
By providing this concrete wall three-dimensionally, it gives a sense of dynamism to the architecture.
By changing the composition of the surface, it becomes a sculptural accent of the overall form.
These "deviations" provide space for light and wind to enter and exit, and also provide benefits to the interior space.
Ìwọ̀n àti Àpò
Site area 365㎡, floor area 602㎡, 3 stories + penthouse, reinforced concrete construction
Àwọn Àkọlé
Architecture, House, Concrete, Curtain wall, Garden, Japanese
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
As a designer, I am also aware of the cityscape in this residential area.
The exterior material should have been fashion-independent.
I used universal wood grained concrete exposed finishes, garage door wood, curtain wall glass, and stone fence blocks.
These have a solid design that directly conveys the texture of the material.
In a densely populated urban area, it contributes to the formation of a good cityscape without being eccentric.
Ìpèníjà Àpèsè
Neighboring houses need to be considerate of each other because they stand urgently in this environment of the city.
The shape of this house is offset toward the upper floors so that the neighboring house does not limit all sunlight.
Furthermore, it is designed to acquire the necessary living space while suppressing the height, which is a legal constraint.
Ìwádìí
Since the Meiji era, 150 years ago, feudal regulations have been removed, and it has become possible to own land and build houses according to financial resources.
The site in the city area is becoming more fragmented, the distance to the neighboring house is becoming closer, and privacy is becoming more conscious.
The property awareness of land and buildings is increasing, and people tend to be nervous about actions at the border.
But housing should not be too closed.
The task this time is a perfect balance of the transparency of the various skins that architecture wears.
Ìmísí
The urban areas of Japan are often densely populated with houses.
It is necessary to think about the architectural space in the limited site, even though it is imminent with the neighboring house.
How to arbitrate with the surrounding environment is an important design issue.
Residents want to hide their private life, but it's stuffy to be closed.
Therefore, we focused on materials that have various transmission functions on the exodermis.
Àkókò Iṣẹ́ Àkànṣe
This project started in Nagoya in October 2016, started construction in May 2017, and was completed in January 2019.
Ìlànà Ìṣiṣẹ́
This house occupies about 70% of the land.
I try to encourage indirect light and ventilation into the room by setting up gardens as pockets in three places.
As a result, the residents can see the greenery arranged there from the interior space of the house.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
copyright (c) moKA design. All rights reserved.

Oníṣọwọ́

Ṣàwárí Ju Designers.org Lọ

Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.

Àpèsè Dídára Tọ́sí Ìmọ̀yìn Ńlá

A' Design Award jẹ́ àmì ẹ̀yẹ àgbáyé tí àwọn onídàjọ́ ń fúnni fún àpèsè dídára. Kópa nínú A' Design Award láti ní àǹfààní láti gba ìmọ̀yìn tí o tọ́sí, gba òkìkí, ọlá àti ìpolówó fún iṣẹ́ rẹ. Yan iṣẹ́ rẹ fún A' Design Award kí o sì dije fún ẹ̀bùn A' Design Prize tó gbajúmọ̀.

Yan