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Kabootar Khaneh Ilé-Ìgbádùn láti ọwọ́ Nima Keivani

Kabootar Khaneh Ilé-Ìgbádùn láti ọwọ́ Nima Keivani jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.


IdẹÌkọ́lé· 2021

Kabootar Khaneh Ilé-Ìgbádùn

látọ̀wọ́ Nima Keivani

Oníbàárà: Keivani Architects

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìkọ́lé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #123994

Àwọ̀

Àpẹrẹ Náà

Nípa Kabootar Khaneh Ilé-Ìgbádùn

Kuubu mímọ́ láti dín ìpa lórí àyíká rẹ̀ kù, tí a fi orùlé tó ní ìdọ̀bálẹ̀ pamọ́ sí ẹ̀yìn àwọn ògiri, a yà apá kan nínú ààyè inú ilé sọ́tọ̀ fún àwọn ẹyẹ, tí a ṣètò lọ́nà ilé-ẹyẹ ìbílẹ̀ àtijọ́. A ṣe àgbékalẹ̀ àwọn ààyè inú ilé yíká pátíò níbi tí àwọn ẹyẹ ń gbé, èyí tí ó ṣẹ̀dá eré apá onígun àti ìyàtọ̀ ìpele nínú àwọn ààyè, pẹ̀lú àpẹrẹ àwọn àkàsọ́ inú rẹ̀. Àwọn fèrèsé ilé náà pàápàá ni a ṣètò gẹ́gẹ́ bí eré apá inú ilé. Nínú ilé náà, a ti lo ohun èlò igi látí ṣẹ̀dá ìrílárá àdáyébá.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Kabootar Khaneh Ilé-Ìgbádùn jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Kabootar Khaneh Ilé-Ìgbádùn yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Kabootar Khaneh Ilé-Ìgbádùn ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Perhaps what sets this building apart is its new look at biophilic architecture, Architects have always paid attention to the use of plants and light and water. But this house has become a place for more interaction; birds. This is a house for humans and birds. In this respect, inspired by Iranian historical dovecotes, a part of interior space was dedicated for this purpose.The interior spaces is formed around the patio where the birds live, by creating cross-sectional play and level differences in the spaces, as well as the special design of the stairs and the holes inside it.
Ìwọ̀n àti Àpò
Field area 332 square meters (24.5 meters of length, 13.5 meters of Width), Ground floor area is 67 square meters, total built area 210 square meters, the buildings Height 10.6 meters.
Àwọn Àkọlé
villa, Biophilic architecture, home, Keivani Architects, Nima Keivani, Sina Keivani, Iranian architecture, residential, minimalism, minimal architecture
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
All the wood used in the construction of the building, such as the facade and sloping roof are made of old wood recycled from the old buildings of the place. The rocks used in landscaping are sedimentary rocks in the village that were collected and used in the site. A form of sloping roof was used in this building that had not been used before. In fact, the sloping roof are hidden behind the walls to maintain the cubic and minimalist form of the building. And rainwater is collected on the roof surface by drainage and utility pipes. And is used for irrigation of site plants
Ìpèníjà Àpèsè
The main challenges of the design team were how to create an atmosphere where humans can live together with birds but in kind of coexistence such a way that the independence, peace, and security of each is not lost. On the other hand, it must be made an interaction space between birds and different spaces inside the human house to affect the mood of the residents. Another challenge was the very limited budget that led the architects to a minimalist work.
Ìwádìí
The main strategy was to bring characteristics of the natural world into built spaces. as well as establishing a visual relationship, for example between light vs shadow.To achieve this goal, the design team began extensive studies on the traditional architecture of the region and finally decided to search more about historic pigeon houses in Iran. comprehensive research was conducted on the architecture of the indigenous houses of the region, such as air circulation, how to deal with climatic issues, spatial arrangement diagrams, vertical and horizontal connections such as stairs, corridors, screens.
Ìmísí
the basic concept of the design was to create a space for co-existence between humans and birds. After visiting the project site, the architecture team noticed the widespread presence of birds there. they decided to design a house where people could live next to them. inspired by Iranian historical dovecotes, a part of interior space that acts as a patio due to the use of glass material and the transparency around it. The interior spaces is formed around the patio. the also inspired from sections, voids and stairs of traditional architecture
Àkókò Iṣẹ́ Àkànṣe
The project designed in August 2017 in Shirgah Mazandaran IRAN and the construction finished in September 2018 in Tehran.
Ìlànà Ìṣiṣẹ́
The windows are arranged according to the interior section game. In addition to creating different sequences of view and the outside perspective, we will see the light radiating from different angles, and consequently playing the dance of light with a change in the angle of incidence. The staircase box is designed in such a way to be different in each floor, it has evolved into an exciting space. a window opens to the staircase from one of the bedrooms so that the user can see a larger window facing the outside of the staircase that allows one to view the tree from the other side of the courtyard.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
copy right by Keivani Architects 2019
Àwọn Ọmọ Ẹgbẹ́
Principal Architects: Nima Keivani & Sina Keivani
Graphic: Sahar Najafi & mahsa Kiani & Azin Hadizadeh
client: Masoud Adnani
construction manager: Masoud Adnani
Project Manager: Nima Keivani & Sina Keivani
BIM Manager: Sina Keivani
Ìfọwọ́sí Àwòrán
Image #1: Photographer Deed studio, facade, 2019. Image #2: Photographer Deed studio, facade, 2019. Image #3: Photographer Deed studio, Interior space, 2019. Image #4: Photographer Deed studio, Interior space, 2019. Image #5: Photographer Deed studio, Interior space, 2019.

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