Haragana Alaga Isinmi láti ọwọ́ Tobias Kappeler jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.
IdẹOhun-èlò Ilé· 2022
Haragana Alaga Isinmi
látọ̀wọ́ Tobias Kappeler
Oníbàárà: Tobias Kappeler Design
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #127610Àpẹrẹ Náà
Nípa Haragana Alaga Isinmi
Haragana jẹ́ alaga ìsinmi tí a fi paipu irin tí a wọ́ àti disiki koki ṣe. A ti dín alaga yìí kù sí ẹ̀ka rẹ̀ pàtàkì, nítorí náà kò sí àwọn timutimu tàbí aṣọ ìjókòó tí a lò. Àwòrán rẹ̀ jọ àga apá, bí ó tilẹ̀ jẹ́ pé kò ní àwọn ibi ìtẹ́wọ́gbà. Ipò ìjókòó kékeré ti sẹ̀ntíméta méjìdínlọ́gbọ̀n (28) ń pe àwọn ènìyàn láti tẹ̀ sẹ́yìn kí wọ́n sì máa wo àyíká wọn fún àkókò tí ó gùn síi. Férémù tí ó ṣí sílẹ̀ jẹ́ kí alaga náà wúwo fẹ́ẹ́rẹ́fẹ́ fún ìríran, ó sì mú kí ó bá àyè inú ilé mu láìjẹ́ kí ó fa àfiyèsí púpọ̀. Àwọn disiki koki tí ó rọrùn ṣe ìyàtọ̀ pẹ̀lú ẹ̀ka paipu tí ó wọ́. Wọ́n fi ọwọ́ wọ́, wọ́n fi ọwọ́ rẹ́, tí wọ́n sì fi ọwọ́ dán gbogbo alaga kọ̀ọ̀kan.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Haragana Alaga Isinmi jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Haragana Alaga Isinmi yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Haragana Alaga Isinmi ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The Haragana is a lounge chair made from bent steel tubes and cork disks for seating. The outline of the chair resembles and reminds of an armchair however there are no cushions or upholstery. The chair is reduced to the essential structure, giving it a light and airy design, which fits perfectly in interior spaces without taking up too much space visually. The simple graphical cork seating disks provide contrast to the more complex underlying tubular structures.
- Ìwọ̀n àti Àpò
- The chair has a width of 75cm, a length of 65cm and a height of 65cm. To add additional support to the legs, a thin stainless steel rod was welded in between the legs. The seating position is purposely low 28cm to ensure people stay seated for longer and enjoy the experience, their surroundings and thoughts that come when taking a break.
- Àwọn Àkọlé
- Furniture Design, Chair Design, Lounge Chair, Tubular Design, Observation.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The chair was made from 19 and 16mm steel tubes and cork. After an extensive study on the design territory “observation” small scale prototyping and sketching the chair was produced fully by hand without any automated machines. Steel tubes were bent by hand and welded together, piece by piece. First the outline, then the inside structure, then the legs and lastly the seating of the chair. After welding it together, the chair was sanded down and spray painted. The cork was sanded and then added.
- Ìpèníjà Àpèsè
- The challenge was to produce a chair with a complex curved shape that was still symmetrical. This required several attempts and an in-depth observation from several angles. As tubular systems for furniture design have been explored before, the challenge was to come up with a design that is new and still interesting. To keep the light feel of the chair, the structure needed to be strong and stable.
- Ìwádìí
- The project started with an exploration into the theme of observation and how to create a seating experience that could last for a longer period. A strong driver of the project was prototyping on a scale of 1:10 with steel rods that were spot-welded together. This allowed for quick iterations on different shapes and to explore different curves and their relation with each other. The tools used to produce the chair were very simple, a tube bending machine, a welding machine and a sanding machine.
- Ìmísí
- We live in a fast-paced world where everything must happen instantly and thus, we often forget to take a break, lean back and just observe our surroundings. The aim was to create a chair in which you stay and remain seated for a while.
Studying the territory of observation the design invites and resembles this as well. What you see, is actually not what you see. Perceived is an armchair due to the emphasized outline which resembles an armchair, however, there are no armrests. - Àkókò Iṣẹ́ Àkànṣe
- The project started in January 2020 and was developed by myself as part of my MA/MSc Innovation Design Engineering degree. The project duration was 4 weeks and was exhibited at the Royal College of Art in February 2020.
- Ìlànà Ìṣiṣẹ́
- Due to its low and comfortable seating point, it invites people to stay seated for longer. In addition, having only the essential structures and the seating of the chair, its light and open design smoothly integrates into the interior without claiming too much attention but still allowing for a more complex shape to be present.
- Àwọn Ọmọ Ẹgbẹ́
- Tobias Kappeler
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