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Gung Ho Ìṣẹ́ Àkọ́kọ́: Àwòrán Ìbòjú Ìwé Ìtàn Àwòrán Awàdà láti ọwọ́ Thomas von Kummant

Gung Ho Ìṣẹ́ Àkọ́kọ́: Àwòrán Ìbòjú Ìwé Ìtàn Àwòrán Awàdà láti ọwọ́ Thomas von Kummant jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán, Àpèjúwe àti Ìbánisọ̀rọ̀ Ojú-Ìwòran.


FàdákàÀwòrán· 2022

Gung Ho Ìṣẹ́ Àkọ́kọ́: Àwòrán Ìbòjú Ìwé Ìtàn Àwòrán Awàdà

látọ̀wọ́ Thomas von Kummant

Oníbàárà: Thomas von Kummant

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Àwòrán

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Àwọ̀

Àpẹrẹ Náà

Nípa Gung Ho Ìṣẹ́ Àkọ́kọ́: Àwòrán Ìbòjú Ìwé Ìtàn Àwòrán Awàdà

Gung Ho jẹ́ àwòrán ìbòjú tí a ṣẹ̀dá fún àtẹ̀jáde onígbámísíkẹ́ ti ilẹ̀ Faransé fún àkójọ ìwé ìtàn àwòrán awàdà tí a ń pè ní Gung Ho. Iṣẹ́ ọnà náà yẹra fún ìlà dúdú tí a fi ọwọ́ yà tí ọ̀pọ̀ ìwé àwòrán awàdà máa ń lò, ó sì lo ọ̀nà àpapọ̀ àwòrán gígé tí ó jẹ́ kí àwòrán náà ṣe kedere. A fi àwọ̀ ṣe àtọ́jú àwọn òjìji láti dá ìmọ̀lára onílojú ìṣẹ̀dá tí ó ṣe àtìlẹ́yìn fún ohùn ìtàn náà. A gbé ìtàn náà kalẹ̀ ní gúúsù Yúróòpù lẹ́yìn àjálù ńlá níbi tí ìwàláàyè ti dá lórí àwọn ìlú tí a fún lókun. Àwòrán náà mú àkókò ewu, ìgboyà ọ̀dọ́ àti agbára àdìrẹ́nàlínì ọ̀dọ́langba tí ó tú síta. A ṣe iṣẹ́ ọnà onídiríjítàlì náà pẹ̀lú páànù àwòrán.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Gung Ho Ìṣẹ́ Àkọ́kọ́: Àwòrán Ìbòjú Ìwé Ìtàn Àwòrán Awàdà jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Gung Ho Ìṣẹ́ Àkọ́kọ́: Àwòrán Ìbòjú Ìwé Ìtàn Àwòrán Awàdà yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Gung Ho Ìṣẹ́ Àkọ́kọ́: Àwòrán Ìbòjú Ìwé Ìtàn Àwòrán Awàdà jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Comic-Cover for the Comic Series Gung Ho.
The design of the comic series is an exceptional style for the French comic market. Without the drawn line, a kind of cut-out collage still tries to preserve the graphic legibility. Silhouettes are treated with colour to create an expressionistic impression, which serves the tone of the story. The synergy of narrative and aesthetics serves only the dramaturgy and the development of the comic. This Cover image captures the moment of released teenage adrenaline.
Ìwọ̀n àti Àpò
Edition DELUXE 280mm x 375mm hardcover, 60 pages
Àwọn Àkọlé
Illustration, comic, digital, photoshop, story, book, series, narrative, storytelling, characters
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Digital artwork for the cover of the french edition of Gung Ho - Court-circuit - Edition DELUXE 2.2, created with Photoshop and Wacom Tablet
Ìpèníjà Àpèsè
The script sets a certain tone with which the story is told. The challenge is to find a style that supports the tone of the story and gives the project uniqueness. When you see an image from the story, it has to be recognisable - that can only be an image from Gung Ho. The German comic market has not been able to develop due to the Second World War and is therefor very small - especially as far as in-house productions are concerned. To get our ambitious 420-page project financed, we had to enter the largest European comic market - the French market. With Edition Paquet we found a partner who supported us very well.
Ìwádìí
Sequential art is older than millennia as we can see on cave paintings. It is later found in antiquity and can be found in the High Middle Ages on the Bayeux Tapestry. With the printing of books, sequential art became known to a wider readership. In the late 19th century, picture sheets were published, just like short comic strips. Picture and word told a short story.
In France and Belgium at the beginning of the 20th century, a new form of comic strip developed - the comic book - in which longer stories were printed in continuation. The comic series was born. This is also where drawing styles developed, such as Ligne claire, whose best-known representative is Herge with his Tintin. What most comics had in common was that legibility was created by a line drawn with black ink.
Ìmísí
The inspiration came from our kids and the question - What if nature stroke back created a new aggressive species? The fictive story is telling happenings in a post apocalyptic south europe, where survival is only possible in fortified cities and settlements. Following the rules is a matter of life and death. Every child knows that. Until he becomes a teenager…
The theme of Gung Ho is on one hand about the destructive side of youth, but also on the other hand its power for renewal.
Àkókò Iṣẹ́ Àkànṣe
The project began in Munich in 2012. The first book was published in France in 2013. The project was completed in January 2021 in Munich with a publication in France in June 2021.
Ìlànà Ìṣiṣẹ́
The book was used in the Amiens region of France for classroom discussion and analysis. The aim is to adapt the book into film - animation or life action - or game media.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
GUNG HO © von Kummant / von Eckartsberg / Edition Paquet
Àwọn Ọmọ Ẹgbẹ́
artist: Thomas von Kummant
writer: Benjamin von Eckartsberg
editor: Edition Paquet

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