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Courtyards Ilé láti ọwọ́ Christos Pavlou

Courtyards Ilé láti ọwọ́ Christos Pavlou jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.


IdẹÌkọ́lé· 2024

Courtyards Ilé

látọ̀wọ́ Christos Pavlou

Oníbàárà: Christos Pavlou Architecture

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìkọ́lé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #154862

Àwọ̀

Àpẹrẹ Náà

Nípa Courtyards Ilé

Ilé olókùn méjì yìí ń pèsè àpapọ̀ àkànṣe ti àpẹẹrẹ ilé ìbílẹ̀ Saípírọ́ọ̀sì àti àwọn eroja ìgbàlódé, tí ó ṣakópọ̀ àwọn àgbàlá aláwọ̀ ewé ńlá mẹ́ta láti dá àwọn ìrékọjá dídán sílẹ̀ láàárín àwọn ààyè inú ilé àti òde ilé. Ní rírí idán ti gbígbé ní tòsí ẹ̀dá, pẹ̀lú àwọn ọgbà aládáni, àwọn àgbàlá aláwọ̀ ewé, nígbà tí ń gbádùn ìtùnú àpẹẹrẹ ìgbàlódé àti idán ìdàgbàsókè ìgbésí ayé. Àwọn àlà yípadà nípa mímú koríko àti ewéko wọnú ilé nípasẹ̀ àwọn àgbàlá àárín ilé, tí ó jẹ́ kí àgbàlá di ọ̀nà ìgbésí ayé tí ó jẹ́ kí àwọn olùlò gbádùn idán àwọn ìyípadà àkókò ìgbésí ayé.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Courtyards Ilé jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Courtyards Ilé yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Courtyards Ilé ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
In an inhospitable landscape the owners decide to build their "shelter". With no particular views, no neighbourhoods and not much greenery the surrounding rural space does not lend itself to extroversion. Between city and nature, isolation and sociability we are asked to create comfortable and safe living conditions. A design approach that includes the typology of the traditional Cypriot courtyard house was adopted as the basis of the concept.
Ìwọ̀n àti Àpò
ground floor roughly - 28m (length)X6.50m(width)
upper floor roughly - 34m(length)X5.25m (width)

three main courtyards:
courtyard No.1 - 9X9m
courtyard No.2 - 4X9m
courtyard No.3 - 6.5X6.20m
Àwọn Àkọlé
gardens, courtyards, outdoors, patios, atriums
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
A reversed concrete beam structural system is used and together with slim steel circular columns at chosen locations suggest an airy, minimalistic design. Floor to ceiling sliding aluminium glazing system are employed to enhance the interior space and strengthen the relationship between inside and outside. Landscape and green courtyards become another material of the architecture. To protect the western side of the house a light weight perforated wall, which seems to float over the ground floor, is made of Ytong blocks for better sound insulation and excellent thermal insulation.
Ìpèníjà Àpèsè
Straddling the line between city and nature, isolation and sociability, we were tasked with creating comfortable and safe living conditions in an entirely unfriendly environment. Enclosing private family life within its own boundaries and using inner courtyards as the primary structural elements overcame the problem of hostility and isolation.
Ìwádìí
The Cypriot rural house typology is studied here for the development of the design. Traditional Cypriot farmhouses are usually rectilinear in shape and enclosed within their own boundaries mainly with high walls and form a large internal courtyard. The upper floor of the house is a long rectilinear block which accommodates the bedrooms but also helps to enclosed better the courtyards on ground floor.
Ìmísí
The dialectical relationship between indoor and outdoor space transforms the courtyard into a tool of architectural composition. The boundaries begin to blur by bringing nature inside, the courtyards become a way of living. The experience of the residences revolves around the atriums and gardens, enabling users to enjoy the magic of the evolution of life, the changes of light, vegetation and the seasonal colours of nature "Light,green,air,the three main elements of urban planning", Le Corbusier.
Àkókò Iṣẹ́ Àkànṣe
The house started in 2018 in Nicosia , Cyprus and completed in July 2020. It has been published on Archdaily, Designboom ( among most popular of the week), archilovers ( featured in their weekly news letter).
Ìlànà Ìṣiṣẹ́
The concept of courtyards extends to the upper floor where all bedrooms open onto protected, uncovered continuous long balconies creating interior spaces directly connected to their external environment. Patios and courtyards become integral parts of the design, offering protected extensions for outdoor activities and delightful gathering spots all year-round. Daily rituals are organized around courtyards and patios, each with a distinctive atmosphere and connection with the beauty of nature.
Ìfọwọ́sí Àwòrán
main image #1: unseen views/ charis solomou
optional image#1 :unseen views/ charis solomou
optional image#2 :unseen views/ charis solomou
optional image#3 :unseen views/ charis solomou
optional image#4 :unseen views/ charis solomou
video credits: CAM Archi Studio

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