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People's Diary Experience Center Ilé-ìṣàfihàn, Òtẹ́ẹ̀lì láti ọwọ́ Kefeng Sun

People's Diary Experience Center Ilé-ìṣàfihàn, Òtẹ́ẹ̀lì láti ọwọ́ Kefeng Sun jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.


FàdákàÌkọ́lé· 2024

People's Diary Experience Center Ilé-ìṣàfihàn, Òtẹ́ẹ̀lì

látọ̀wọ́ Kefeng Sun

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìkọ́lé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

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Àpẹrẹ Náà

Nípa People's Diary Experience Center Ilé-ìṣàfihàn, Òtẹ́ẹ̀lì

Ilé-ìrírí Ìwé-ìrántí Àwọn Ènìyàn (People's Diary Experience Center) jẹ́ àpapọ̀ ilé oníṣẹ́-púpọ̀ tí ó wà ní ẹnu-ọ̀nà abúlé Yahuang ní Shengzhou, orílẹ̀-èdè Ṣáínà. Àpapọ̀ ilé náà ní àwọn gbọ̀ngàn ìṣàfihàn, àwọn yàrá ìkẹ́kọ̀ọ́, ibùdó iṣẹ́-ìrànlọ́wọ́ tó rọrùn àti òtẹ́ẹ̀lì kan. A gé ilé ńlá náà sí àwọn ìlà tẹ́ẹ́rẹ́ gígùn, a sì ṣí àwọn ìlà náà kúrò ní ipò láti tẹ̀lé ilẹ̀ aláìṣedéédéé àti àwòrán abúlé tí ó pín káàkiri. Òrùlé onígẹ̀rẹ́gẹ̀rẹ́ ni ó bo ìlà kọ̀ọ̀kan, nítorí náà àpapọ̀ àwọn ilé náà rán ni létí bí àwọn òkè ṣe ń tò lélẹ̀ lórí ara wọn. Àwọn àgbàlá tí ó wà láàárín àwọn ilé gígùn náà mú àyíká adánidá wọlé, wọ́n sì tẹ̀lé àṣà àwọn ilé alágbàlá ti Ṣáínà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

People's Diary Experience Center Ilé-ìṣàfihàn, Òtẹ́ẹ̀lì jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé People's Diary Experience Center Ilé-ìṣàfihàn, Òtẹ́ẹ̀lì yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. People's Diary Experience Center Ilé-ìṣàfihàn, Òtẹ́ẹ̀lì jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The project is located at the entrance of Yahuang Village. fronting stream and with hills on the back, surrounded by rural houses. The functions include exhibition halls, classroom, convenient services, hotels, etc.
The irregular land area of 9280㎡ needs to accommodate 15240㎡ of buildings, and the interior is mostly filled with tall spaces. The design allows a high plot ratio, high-density building community to have a good dialogue with the surrounding fragmented village texture and mountains.
Ìwọ̀n àti Àpò
Areas: Site dimension 9280 sqm / Plot ratio 1.64 / built area 15,240 sqm / Total floor space:4460 sqm / Building coverage ratio 48%
Àwọn Àkọlé
Following the natural shape , imbuing the people with emotions
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Elongated buildings form a community, with each functional block placed in different elongated buildings. They are separated by an inner courtyard, which allows the surrounding natural environment to penetrate into the community. A large space like the "People's Diary" exhibition hall is achieved by connecting two long buildings on a flat surface.
Ìpèníjà Àpèsè
Through the study of the texture of the site itself and the space of traditional rural residential houses, the architecture presents a form of functional space surrounding the courtyard space. This form not only satisfies the daily activities of users, but also allows for full interaction between the internal space of the building and nature. Construct a rhythmic rhythm of "courtyard house" interweaving, dissolve the accumulation of large volume functional redundancy, and weave the "breathing" rhythm of the building itself in the three-dimensional vertical space.
The roof, as the fifth facade, has always held an important position in the building. By combining roofs in various ways, and vice versa, enriching the shape and contour of buildings. Backed by the mountains, the landscape of the nearby mountains, composed of layers of tiles, is layered with the true green mountain scenery. Architecture can harmonize with nature and solidly integrate into the authentic rural life.
Ìwádìí
Yahuang Village is the birthplace of "People's Diary". More than twenty years ago, Mr Li Chunyang, who was then the Party Secretary of Yahuang Village, encountered villagers seeking help during a visit. He took out his diary and carefully wrote down the wishes of the villagers. "The Diary of the People" was born in the fields of Yahuang from then on. The "People's Diary" with the characteristics of "visiting hundreds of families, understanding their emotions, solving their difficulties, connecting their hearts, handling their affairs, and achieving their prosperity" has gone from Yahuang to the whole country.
The project revolves around "People's Diary" and is a multifunctional complex. Its main function is the "People's Diary" themed exhibition hall. Other functions include a convenient service center based on the theory of "People's Diary" for practice, classrooms, conference rooms, and supporting hotels for government personnel to visit, and a reception and distribution center for other tourists.
Ìmísí
The building is cut into slender strips,and strips is moved to fit the building community with irregular boundaries, allowing the building integrated into the surrounding fragmented village texture. The top of the individual building is covered with a sloping roof, and the community shape simulates the layering of mountains. Numerous courtyards are formed between the long buildings, enriching the internal space of the buildings and inheriting the traditional Chinese courtyard houses.
Àkókò Iṣẹ́ Àkànṣe
Project duration did from February 2022 to June 2023. Location is Yahuang Village, Shengzhou city, Zhejiang Province,China
Ìlànà Ìṣiṣẹ́
After the large-scale building was dismantled and reorganized, each individual building was opened up layer by layer in the form of a large mountain. Through the setting of corridors, terraces, and gray spaces, users can walk between the interior of the building and the courtyard. During the journey, there are hidden and visible elements, as well as ups and downs, and a variety of melodies and emotions.
Ìfọwọ́sí Àwòrán
Aoguan Architectural Vision

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