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Cornices Àkójọpọ̀ Àwọn Ohun Èlò Ilé láti ọwọ́ Wei Jingye and Fan Anran

Cornices Àkójọpọ̀ Àwọn Ohun Èlò Ilé láti ọwọ́ Wei Jingye and Fan Anran jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


FàdákàOhun-èlò Ilé· 2025

Cornices Àkójọpọ̀ Àwọn Ohun Èlò Ilé

látọ̀wọ́ Wei Jingye and Fan Anran

Oníbàárà: Lu Xun Academy of Fine Arts

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

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Àwọ̀

Àpẹrẹ Náà

Nípa Cornices Àkójọpọ̀ Àwọn Ohun Èlò Ilé

Cornices jẹ́ àkójọpọ̀ àwọn ohun èlò ilé tí ó gba ìmísí láti ara ìgbátí òrùlé ti àwọn ilé ìbílẹ̀ Ṣáínà. Àkójọpọ̀ náà ní ìjókòó kan, àgbékalẹ̀ òdòdó kan, àtùpà ààfin kan àti pẹpẹ kábínẹ́ẹ̀tì kan nínú. Ọ̀kọ̀ọ̀kan wọn ni a fi igi wólínọ́ọ̀tì dúdú ti Àríwá Amẹ́ríkà ṣe, tí a sì so pọ̀ pẹ̀lú àwọn ọ̀nà ìsopọ̀ ìbílẹ̀ ti mọ́tíìsì àti tẹ́nọ́nù. Ìrísí ìgbátí òrùlé tí ó tẹ̀ yíká ń fún àwọn ohun èlò ilé náà ní ìwò onípele mẹ́ta tí ó sì ní ìpele-ìpele. Àwọn ibi ìsopọ̀ ni a ṣe pẹ̀lú gígé, gbígbẹ́ àti dídán, wọ́n sì ń pèsè agbára àti ìdúróṣinṣin. Àkójọpọ̀ náà ń mú ẹwà ìbílẹ̀ Ṣáínà wá sínú àwọn inú ilé òde òní.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Cornices Àkójọpọ̀ Àwọn Ohun Èlò Ilé jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Cornices Àkójọpọ̀ Àwọn Ohun Èlò Ilé yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Cornices Àkójọpọ̀ Àwọn Ohun Èlò Ilé jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Combine cornices with a modern, minimalist design concept. Let the Chinese architectural style naturally integrate into the Chinese furniture, which not only maintains the traditional aesthetic characteristics, but also loses the simplicity and comfort of modern aesthetics. Combining black walnut with traditional mortise and tenon structures, its natural materials and delicate craftsmanship present a delicate, elegant and culturally rich furniture form.
Ìwọ̀n àti Àpò
420mm x 320mm x 450mm, 420mm x 420mm x 750mm, 1200mm x 350mm x 1850mm, 450mm x 450mm x 1750mm, 1100mm x 380mm x 1850mm. The technical performance of the mortise and tenon structure reflects the natural mechanical properties of wood and the efficient connection method, which has the characteristics of high strength and stability, good deformation resistance, durability and adaptability.
Àwọn Àkọlé
Eaves, New Chinese Style, Flower Rack, Palace Lantern, Cabinet Rack
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
It is mainly made of North American black walnut, is processed and formed by raw material selection and treatment, design and cutting, mortise and tenon structure treatment, carving, surface polishing and finishing. The traditional mortise and tenon joint structure used as the main connecting structure, and through the mutual integration between the woods, it reflects the ingenuity and exquisiteness of the mortise and tenon joint technology, has strong stability and durability.
Ìpèníjà Àpèsè
The design of the cornices series comes from the design elements of the cornices in ancient Chinese architecture, which represent the combination of spatial extension, structural strength and natural aesthetics, but also faces the challenges of balancing function and aesthetics, the complexity of the production process and market acceptance.
Ìwádìí
This design is inspired by the elements of ancient Chinese architectural cornices, through the application of black walnut material and mortise and tenon structure, the cornice series furniture not only has stability and durability, but also highlights the aesthetic characteristics of Chinese design, by integrating traditional Chinese elements into modern homes, creating a Chinese-style home artwork with a sense of the times.
Ìmísí
Cornices are cleverly applied to the form of the furniture. The cornice design is derived from the eaves of ancient Chinese architecture, symbolizing elegance and freedom, which can make the whole furniture more three-dimensional and dynamic. Through the integration of this traditional Chinese design element, it not only strengthens the visual layering of the furniture, but also further shows the charm of traditional Chinese culture.
Àkókò Iṣẹ́ Àkànṣe
The design had started in Shenyang in January 2024, completed in Shenyang in June 2024, and displayed in the museum of Lu Xun Academy of Fine Arts in Shenyang in June in 2024.
Ìlànà Ìṣiṣẹ́
Chinese style seating provides the function of rest, and Chinese flower racks are used to place potted plants to enhance the natural atmosphere of the space. The Chinese palace lamp provides lighting and creates a warm and simple atmosphere, while the Chinese cabinet rack is used to store items and has decorative functions. The series of furniture through the integration of aesthetics, craftsmanship and cultural connotations, jointly build a space with traditional charm, modern comfort and unique artistic atmosphere.
Àwọn Ọmọ Ẹgbẹ́
Wei Jingye
Fan Anran
Yu Xiaowei
Gu Mingtian
Hu Nanxi

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