The House for Contemporary Art Ibugbe láti ọwọ́ Ryumei Fujiki & Yukiko Sato jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2016 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
WúràÌkọ́lé· 2016
The House for Contemporary Art Ibugbe
látọ̀wọ́ Ryumei Fujiki & Yukiko Sato
Oníbàárà: F.a.d.s
Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #42791Àpẹrẹ Náà
Nípa The House for Contemporary Art Ibugbe
Ile yii jẹ apẹrẹ fun oninuure aworan ati oṣere magbowo ti o fẹ “ile bi musiọmu aworan”. Ti a gbero pẹlu akiyesi iṣọra fun gbigbe kaakiri ati fun oju-ọjọ lile, oju-ọjọ yinyin ti Okun Okun Japan, eto naa jẹ ti awọn apoti funfun ti iwọn oriṣiriṣi ti o fi aaye kun bi awọn aworan. Ọkan ninu awọn ero akọkọ ni & # 039;Seamless Spatial Composition& #039 ;. O le kaakiri nipasẹ awọn alafo ni ile yii ti n wo akojọpọ iṣẹ-ọnà ti oniwun gẹgẹ bi ẹnipe o n kọja nipasẹ awọn ibi aworan ni ile musiọmu kan.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award
The House for Contemporary Art Ibugbe jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé The House for Contemporary Art Ibugbe yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. The House for Contemporary Art Ibugbe ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- SEAMLESS SPATIAL COMPOSITION
You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.
RESPONSE TO THE ENVIRONMENT
The first was dealing with the snow. In regions with heavy snow, the shape of the roof is very important. Many homes are built on the assumption that someone will shovel the snow off the roof, but that’s a lot of heavy work, and dangerous. We decided on a flat roof with no parapet that would stay relatively snow-free because of wind action.
Our second thing was to create good airflow. - Ìwọ̀n àti Àpò
- Site Area 246.48 sqm / Building Area 137.10 sqm / Total Floor Area 135.56 sqm
- Àwọn Àkọlé
- House like an Art Museum, Seamless Spatial Composition, Response to the Environment (Nature), Dealing with the Snow, Natural Ventilation
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Reinforced Concrete 1 Story
- Ìpèníjà Àpèsè
- To encourage natural ventilation, we created a temperature differential by designing two gardens, one on the south side that would warm up easily, and one on the north side that would remain cool. This is a traditional design method used in Kyoto townhouses.
- Ìwádìí
- It goes without saying that our top priority was fulfilling the client’s wishes. We began by measuring the many works of art that the client had created and collected over the years. Next, we held a number of planning meetings to discuss where to display each work of art, among other issues. For instance, we determined the height of the living room ceiling based on the wall size that could accommodate a painting measuring over 1.5 x 1 meter. In addition to the art collection, the client also has a large number of old records, mostly jazz. It was important for us to figure out a way to display them.
- Ìmísí
- We designed this home for an art appreciator and amateur artist who wanted a house like an art museum. Planned with careful consideration for air circulation as well as for the harsh, snowy climate of the Japan Sea coast, the structure is composed of white boxes of varying scale that frame spaces like pictures.
- Àkókò Iṣẹ́ Àkànṣe
- Fukui Prefecture, JAPAN
- Ìlànà Ìṣiṣẹ́
- You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.
- Àwọn Ọmọ Ẹgbẹ́
- Ryumei Fujiki
Yukiko Sato
Yasutaka Konishi (Structural Engineer)
Osamitsu Kagenaga (MEP/FP Engineer)
Kazuo Shuto (Electrical Engineer)
Matsuta Koumuten Co., Ltd. (Contractor)
Kazunari Yamada (Constr. Manager)
Eijiro Yamagata (Constr. Manager)
Hiroshi Ueda (Photographer) - Ìfọwọ́sí Àwòrán
- Hiroshi Ueda, F.A.D.S
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