Thorn Ina láti ọwọ́ Yılmaz Dogan jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2019 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ìmọ́lẹ̀ àti Ẹ̀rọ Ìtànṣán.

FàdákàÌmọ́lẹ̀· 2019

Thorn Ina

látọ̀wọ́ Yılmaz Dogan

Oníbàárà: Qzens

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìmọ́lẹ̀

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #76644

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Thorn Ina

Ni igbagbọ pe o ṣee ṣe lati dagba ki o ṣe iyatọ awọn fọọmu Organic ni iseda laisi ṣe idiwọ igbero ati ikosile wọn nipasẹ awọn iṣọpọ, ati pe awọn eniyan ni ibaralo aye fun awọn fọọmu ẹda, Yılmaz Dogan sọ pe lakoko ti o n ṣe apẹrẹ Thorn, o fẹ tan imọlẹ idagbasoke pẹlu awọn fọọmu ti fara wé iseda laisi idiwọn abawọn ninu itanna. Thorn, eyiti o jẹ orisun fun awokose fun eka ti Thorn; dagba ni ibi-aye aibikita ati awọn fọọmu ti ara, pade awọn iwulo oriṣiriṣi ati ko ni iwọn iwọn bi apẹrẹ itanna ti o dara.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Thorn Ina jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Thorn Ina yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Thorn Ina jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Thorn eliminates dimensional and formal limits and makes lighting installations possible in any dimension and form. Composed of only two different pieces, it offers a limitless diversity of form and a freedom of sizing in lighting design and production. The sculptural stance and dynamic structure differentiate it from every angle. This way, it can transform into any size and form in any kind of living space and meet diverse lighting needs. Thorn harmonizes random installations with innovation.
Ìwọ̀n àti Àpò: Since one of Thorn's main ideas is being dimensionless, it is not possible to define its sizes. It is possible to produce in different lengths, areas and volumes from 1 meter to 5, 10, 20, 30 meters, from 1 square meter to 20,10,100,200 square meters and from 1 cubic meter to 5,10,15 cubic meters. The boxed shipment of these products can be made freely as assembled or unassembled.
Àwọn Àkọlé: Lighting, Infinity, Thorn, Qzens, Wood, Steel, Modern, Minimalism, Installation, Innovation
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Thorn is designed to maximize possible forms with fewest elements. It consists of a combination of only two different parts, while offering an unlimited form diversity and freedom of infinite dimensioning in lighting design and production. The backbone piece with 3 openings joining at 120 degrees constitutes the main structure, and it interlocks with the gear system. The sticks creating thorn figure are built by light massive wood lathe.
Ìpèníjà Àpèsè: The biggest challenge here was the form of the main backbone structure, which could form a large structure. Many forms have been tried to capture the right angle. In nature, we observed a 120 degree angle in many structures, from honeycombing to beech leaves. The main backbone part was a 3-span form and structure that best match the random results with 120-degree arms and geared connections.
Ìwádìí: The research began by imitating a piece of thorn branch merged with the question of "how can we overcome the differentiation of dimension, form and shape with the least number of piece?". While the size and form change in lighting products required new raw material inputs and design processes, Thorn allowed us to create an illumination that could offer endless combinations with only two parts.
Ìmísí: The growth and differentiation of organic forms in nature without disrupting their holistic structures and expressions is possible by the randomness in their existence. Due to biophilia, humans have an instinctive intimacy for natural forms. This feeling of intimacy is one of the basic elements of inner peace. Thorn's main inspiration was the idea of reflecting lighting with forms that emulate the nature to grow without any size limit.
Àkókò Iṣẹ́ Àkànṣe: The project was originally designed as a raw idea sketch in 2015 and put on hold. It was re-interpreted in February 2018 and completed in September 2018 in Ankara. In November 2018, we participated in Design Week Turkey with this project.
Ìlànà Ìṣiṣẹ́: With Thorn, you can create horizontal surfaces, curvilinear structures, bifurcated and branched structures or complex organic-geometric forms and parametric and symmetric surfaces. Thorn separates lighting elements and light bulbs with stick-shaped, lathed parts and creates contrasts by adding different projectional shadows to the space.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Protection Type: Utility Model
Application Number: 2018/15998
File Number: 2018-Ge-454153
Invention Title: Decorative Lighting System
Invention classification: G06t 15/50
Protection Type: Design Registration
Application Number : 2018/06353
Registration Number: 2018 06353
Bulletin Number: 306
Application Date: 25.10.2018
Registration Date: 25.10.2018
Bulletin Date: 10.12.2018
PCT Submission Number: 050102
PCT Application Number: Pct / Tr2019/050102
PCT Reference : Py2018-15998
Àwọn Ọmọ Ẹgbẹ́: Yılmaz Dogan
Ìfọwọ́sí Àwòrán: Image courtesy of QZENS Furniture & Design