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Carimbo Ontẹ láti ọwọ́ Igor Pinheiro

Carimbo Ontẹ láti ọwọ́ Igor Pinheiro jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán, Àpèjúwe àti Ìbánisọ̀rọ̀ Ojú-Ìwòran.


IrinÀwòrán· 2020

Carimbo Ontẹ

látọ̀wọ́ Igor Pinheiro

Oníbàárà: Igor Pinheiro

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Àwòrán

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #84998

Àwọ̀

Àpẹrẹ Náà

Nípa Carimbo Ontẹ

Ontẹ lati ṣe idanimọ eni ti o ni ati iṣẹ rẹ ati lati mu ni ibi gbogbo. Ni akọkọ, ipinnu naa ni lati wa ọna ti isunmọ si aye aisinipo. Nkankan bi kaadi iṣowo, classier nikan, din owo ati ore ayika. Nitorinaa ontẹ kan (carimbo) ni yiyan. Ibuwọlu kan. Apakan inu rẹ duro fun iporuru Igor ati ilana ẹda ẹda ti o lẹwa, lakoko ti fireemu yika yika ninu fifa ati funni ni idi. Ijọpọ meji wọnyi kọ iṣu-inọ kan inki naa le ṣiṣẹ nipasẹ, pese atilẹyin pipe si iyasọtọ ti ara rẹ. Ni ikẹhin, Minion Pro oore-ọfẹ kọ alaye alaye si.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Carimbo Ontẹ jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Carimbo Ontẹ yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Carimbo Ontẹ nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
A stamp to identify its owner and his work and take it everywhere. The inner part represents Igor's confusing and beautiful creative process, while the round frame wraps it up in fluidity and gives it purpose. These two combined build a texture the ink can flow through, providing the perfect support to his personal brand. At last, Minion Pro gracefully writes the contact information.
Ìwọ̀n àti Àpò
Measuring 38,1 x 38,1 mm (1,5 x 1,5 in), this stamp was made to fit anywhere, from Post-its to envelopes, and yet bear appropriate readability. It's a point to attract the eye and it's a circle to seize space.
Àwọn Àkọlé
stamp, carimbo, paper, tinta, design, signature, custom made, business card, ink, rubber stamp
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Tools used for the completion of the project itself include Adobe Illustrator, Adobe Bridge, a MacBook Pro and a Wacom Intuos tablet. Later, Adobe Photoshop, a Nikon D3200 and some Nikkor lenses were additionally used for the presentation construction.
Ìpèníjà Àpèsè
One of the most challenging aspects was whether a design so intricate could be done. The question was about it being either feasible or just a bleed-prone design. It should produce sufficient clarity, not only to its ornaments but to type these supported. However, the crucial point was the availability of suppliers that could deliver the stamp. Manual etching was not a practical option, so finding a capable rubber-stamp maker was key. Those aspects, once met, proved Carimbo possible.
Ìwádìí
The functioning and visual language behind stamps were under careful observation. It was to understand how they work and their characteristics. Research demonstrated how some designs often aid inherent stamping limitations. By using ornaments perhaps too complex for such a limited medium, they become canvases for misprints. The outcome is a unique textured combination of deliberate features and pure chance. This reasoning informs engraving attributes, e.g. contrast, as it did this project's.
Ìmísí
The stamp is a signature. That's the sentence that best summarizes this project. At first, the intention was to find a way of approaching the offline world. Something like a business card, only classier, cheaper and environment friendly. So a stamp (carimbo) was the choice. A stamp to identify its owner and his work and take it everywhere. A signature.
Àkókò Iṣẹ́ Àkànṣe
The project began in about August 2014 in Caruaru. Occasional sketching and research filled the following five to six months leading into 2015. The final design was, then, worked on, tested, its corresponding rubber stamp ordered. Photos were taken, assets were made. A month or so later, Carimbo was published in March 2015.
Ìlànà Ìṣiṣẹ́
You make sure the rubber stamp is clean, as not to yield unwanted artifacts. Dab it on an ink pad a few times, on several spots to get a thorough spread. To remove any excess and so avoid bleeds, do it over briefly right before stamping. Now press it on a clean flat paper surface. Apply even pressure across the mount in a gentle but firm manner. Wait, then pull the stamp up with a swift motion. Tilt the handle with caution towards one direction, if a specific part of the print lacks legibility.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
Copyrights belong to Igor Pinheiro, 2015.
Ìfọwọ́sí Àwòrán
Image #1: Art Director Igor Pinheiro, Last Slide, 2015.
Image #2: Art Director Igor Pinheiro, Paper, 2015.
Image #3: Art Director Igor Pinheiro, Stamp 2, 2015.
Image #4: Art Director Igor Pinheiro, Frame, 2015.
Image #5: Art Director Igor Pinheiro, Stamp, 2015.

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