Shanxiao Sales Pavilion Ọfíìsì Títà láti ọwọ́ Larry Wen jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
WúràÌkọ́lé· 2020
Shanxiao Sales Pavilion Ọfíìsì Títà
látọ̀wọ́ Larry Wen
Oníbàárà: Aoe
Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #87169Àpẹrẹ Náà
Nípa Shanxiao Sales Pavilion Ọfíìsì Títà
Olùṣẹ̀dá náà ní ète pé kí àwọn àlejò ní ìrírí ìmọ̀-ọnà ti 'fípamọ́ nínú ìṣẹ̀dá.' Iṣẹ́-ọwọ́ náà lápapọ̀ ní apá méjì, ọfíìsì títà àti agbègbè ìṣòwò. Ọfíìsì títà náà jẹ́ apá tí ó kéré jù nínú ilé náà, ṣùgbọ́n a ṣe é pẹ̀lú ẹwà tí ó dára púpọ̀ àti tí ó ní ìfarabalẹ̀. A gbẹ́ ẹ sílẹ̀ lọ́nà àdáyébá, a sì fí pamọ́ sínú ìṣẹ̀dá, báyìí ó ṣe àfihàn èrò 'ìyàsọ́tọ̀' náà.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award
Shanxiao Sales Pavilion Ọfíìsì Títà jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Shanxiao Sales Pavilion Ọfíìsì Títà yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Shanxiao Sales Pavilion Ọfíìsì Títà ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The designer refined the traditional architectural culture and natural landscape of Nanshan as the main tempo, and used modern technical language and artistic creation techniques to transform it into our architectural language, so that visitors can experience the artistic conception of hidden in the nature.
- Ìwọ̀n àti Àpò
- Width 19800mm x Depth 19800mm x Height 12400mm
- Àwọn Àkọlé
- curtain wall, fog, poetry, lifestyle
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The facade uses the perforated plate as the louver to protect the sunshine, and the shape of louver is inspired by the cloud of Nanshan. The perforated leaves float around the curtain wall. It resembles a long scroll landscape painting, and its changes show the shape of the clouds and fog that stretches in the Nanshan. The glass curtain walls with gradual mist and perforated louvers are integrated so that the whole building seems floating in the clouds.
- Ìpèníjà Àpèsè
- The project is located in Nanshan, Chongqing. Nanshan located on the south bank of the Yangtze River in Chongqing which has a wealth of tourism resources including natural scenery, cultural landscape and specialties. In recent years, Nanshan has successively appeared some commercial buildings with cultural connotations such as bookstores and homestays. These buildings are simple in design and distinctive in shape, which has made Nanshan gradually become a synonym for elegant and introverted. And its artistic conception is correspond to Tao's poetry.
- Ìwádìí
- At the same time, there are spraying device will create fog around the building everyday. It makes the natural fog become another layer facade for the building, creating a wonderland of Nanshan. The building is not only an architecture but a cultural event.
- Ìmísí
- The entire project has two parts, the sales office and the commercial part. The sales office has small scale but exquisite and delicate. It is naturally engraved and hidden in nature, thus highlighting the concept of seclusion.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in 2018 and finished in August 2019 in Chongqing, China.
- Ìlànà Ìṣiṣẹ́
- As a major theoretical perspective within sociology, symbolic interaction helps us understand how the designed physical environment and the self are intertwined, with one potentially influencing and finding expression in the other; how architecture contains and communicates our shared symbols; and how we assign agency to some of our designed physical environment, which then invites in a different kind of self-reflection.
- Àwọn Ọmọ Ẹgbẹ́
- Larry Wen, Liu Chen,Li Pengyong, Niu Zhuojun, Yang Kaiqi
- Ìfọwọ́sí Àwòrán
- Ligang Huang
Oníṣọwọ́
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