Wrapped Volumes Ọ́fíìsì Ìtàjà láti ọwọ́ Boney Keriwala and Alak Parmar jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
FàdákàÌkọ́lé· 2020
Wrapped Volumes Ọ́fíìsì Ìtàjà
látọ̀wọ́ Boney Keriwala and Alak Parmar
Oníbàárà: The BAD Studio
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #98323Àpẹrẹ Náà
Nípa Wrapped Volumes Ọ́fíìsì Ìtàjà
Wrapped Volumes jẹ́ ọ́fíìsì ìtàjà fún ìgbà díẹ̀ tí ó wà ní ẹ̀gbẹ́ ìta ìlú aláṣèégbáró. Ojúlé náà kò ní àyíká tí ó lágbára lẹ́gbẹ̀ẹ́ rẹ̀, nítorí náà àpẹẹrẹ́ náà mú àwọn ìtọ́sọ́nà rẹ̀ láti ọ̀nà ìwọlé. A yí ìṣípòpadà ọ̀nà náà padà sí ojú-ọ̀nà tí a fi ránpọ̀ tí ó ń bá a lọ láìdáwọ́dúró tí ó gbé ìkọ́lé náà sókè kúrò ní ilẹ̀. Àwọn apá kan nínú ránpọ̀ náà ń ṣe agbo àyíká-ilẹ̀, nígbà tí àwọn apá mìíràn sì ń ṣiṣẹ́ gẹ́gẹ́ bí awọ àbò tí ó dín ìgbóná tí ó ń wọlé láti gúúsù kù. Ojú ìkọ́lé náà jẹ́ pilasta oníhà, tí àwọn oníṣọ̀nà ìbílẹ̀ fi ọwọ́ ṣe. Àwọn àyè inú tí ó kéré ṣùgbọ́n tí ó péye ni ìmọ́lẹ̀ àdánidá ń wẹ̀.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Wrapped Volumes Ọ́fíìsì Ìtàjà jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Wrapped Volumes Ọ́fíìsì Ìtàjà yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Wrapped Volumes Ọ́fíìsì Ìtàjà jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Being a temporary structure, the idea was to reduce the cost and at the same time giving a visitor a sumptuous feel. Translating the movement of road and WRAPPING VOLUMES gives excellent vibrant spaces, where light and shadow play equally important roles in intensifying the geometry. The office weaves the landscape and structure by engaging visitor to transcend from exterior to interior spaces to experience a sumptuous character of compact interior spaces washed in natural light..
- Ìwọ̀n àti Àpò
- 15550mm x 10250mm x 4475 mm
- Àwọn Àkọlé
- Architecture, Commercial, Wrapped Volumnes, Design, Commercial Architecture,
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The building is composite structure with partial metal columns and insulated corrugated sheet roofing along with partial R.C.C frame structure to support roof. Tinted Glass glazing enhances the floating mass levitated through metal columns. The facade is ribbed plaster manually crafted by local craftsman. The flooring is cement texture finished vitrified tiles, while landscape zone comprises of Kota Stone, along with paving blocks in the outdoor pathways and parking zone.
- Ìpèníjà Àpèsè
- It was difficult for local masons to understand and construct the structure with a complex geometrical form. To overcome this, we mapped the points on-site by erecting poles and tying a string to achieve the form. Secondly, the facade poses a ribbed plaster. Generally, plaster tends to fall off if hit hard. We tried to re-create the ratio of cement to sand until the plaster firmly adhered to the wall. A series of samples with different size and proportions were created as a part of the research.
- Ìwádìí
- We stared our initial research by understanding the immediate context and approach to the site to understand the flow of users . It was also important to keep in mind the typology of people visiting the building to retain hierarchy of public to private places. Analyzing the climatic factors to device the allocation of spaces to achieve diffused natural light into the interior spaces. It was very important to achieve a striking material aspects, responding to climate and local availability.
- Ìmísí
- The site lacks specific context, at the same time the connecting approach road chops the site into a trapezoidal shape. We tried to transform this progressive movement of the road along the site into geometry by wrapping up the spaces into a continuous facade, With an intent where the structure lifts itself up from the ground and transforms itself into a dynamic geometry. Some parts of this wrap form a landscape layer, while others a protective skin, reducing the heat gain from the south.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in November 2018 and got completed in February 2019, The Project is located in Bharuch, Gujarat, India
- Ìlànà Ìṣiṣẹ́
- As one enters, tones of grey on wall and floors are complemented by the outdoor greens of landscape, drawing an individual to a reception foyer. The sales area along the south side receives filtered light through the wrapped facade with minimal heating. Being a compact space, the passage along the north side with glass pane brings ample natural light giving a larger feel. The movement terminates at the director’s cabin, a lavish space with an outdoor deck and connecting green space.
- Àwọn Ọmọ Ẹgbẹ́
- Boney Keriwala, Alak Parmar, Taikhum Shaikh, Aadil Amla
- Ìfọwọ́sí Àwòrán
- Image courtesy : Panchkon Stills, Mr. Yash Parekh
Image #1 : Panchkon Stills
Image #2 : Panchkon Stills
Image #3 : Panchkon Stills
Image #4 : Panchkon Stills
Image #5 : Panchkon Stills
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